This collection of unaccompanied duets and studies offers intermediate violinists an imaginative and exciting way to improve their technique. Each piece focusses on a particular skill and together the studies provide a concentrated course in developing vibrato, double-stopping and shifting. Double-stopping pieces can be played both as a duet (for tuning purposes) and as a solo version with double stopping. In addition, practice and performance tips help to outline the musical goals and guide students on to the next stage.
Titles: Intrada (duet) * Intrada (solo) * Asleep in the Hammock (duet) * Weaving Song (duet) * On the Spot (duet) * A Passing Passacaglia (duet); Quite a Character (duet) * Quite a Character (solo) * Sarabande and Double (duet) * Clouds of Blossom are Mirrored in the Lake (solo) * Forget-Me-Not Rag (duet) * Far Distant..(duet) * Far Distant..(solo) * Catch (duet)

Written by a composer and a musician, The Contemporary Violin offers a unique menu of avant-garde musical possibilities that both performers and composers will enjoy exploring. Allen and Patricia Strange's comprehensive study critically examines extended performance techniques found in the violin literature of the latter half of the twentieth century. Drawing from both published and private manuscripts, the authors present extended performance options for the acoustic, modified, electric, and MIDI violin, with signal processing and computer-related techniques, and include more than 400 notated examples. The authors begin with bowing techniques and proceed systematically through other aspects of string playing, including MIDI technologies. Their correspondence and research with many performers and composers, the book's extensive score and text bibliography, and the discography of more than 130 recordings make The Contemporary Violin a valuable contemporary music reference and guide. An additional benefit is its listing of Internet resources that will keep the reader up to date with recent developments in contemporary performance and composition. First published by UC Press, 2001.

Real Repertoire for Violin, part of the Real Repertoire series has been carefully selected for the intermediate violinist, providing an essential repertoire that players will return to time and again. Pieces have been selected by Mary Cohen and include masterpieces by Bach, Mozart and Brahms as well as lesser known pieces by Bartok and Wieniawski. A lasting inspiration to violinists everywhere.

Violins: Local Meanings, Globalized Sounds examines the violin as an object of meaning in a variety of cultural and historical contexts, and as a vehicle for introducing anthropological issues. Each chapter highlights concepts as taught in lower-level anthropology courses, and includes teaching and learning tools. Chapters range from a memoir-like social biography of a single instrument to explorations of violins in relation to technology, labor, the environment, migration, globalization, childhood, cultural understandings of talent and virtuosity, and prestige.

The Classical Guitar Companion is an anthology of guitar exercises, etudes, and pieces organized according to technique or musical texture. Expert author Christopher Berg, a veteran guitar instructor, bring together perspectives as an active performing artist and as a teacher who has trained hundreds of guitarists to encourages students to work based on their own strengths and weaknesses. The book opens with "Learning the Fingerboard," a large section devoted to establishing a thorough knowledge of the guitar fingerboard through a systematic and rigorous study of scales and fingerboard harmony, which will lead to ease and fluency in sight-reading and will reduce the time needed to learn a repertoire piece. The following sections "Scales and Scale Studies", "Repeated Notes", "Slurs", "Harmony", "Arpeggios", "Melody with Accompaniment", "Counterpoint" and "Florid or Virtuoso Etudes" each contain text and examples that connect material to fingering practices of composers and practice strategies to open a path to interpretive freedom in performance. The Classical Guitar Companion will serve as a helpful companion for many years of guitar study.

The Unorthodox Guitar: A Guide to Alternative Performance Practice is a comprehensive resource for experimentally minded guitarists and composers wishing to write for or perform on the instrument in new ways. The book focuses primarily on unconventional approaches to guitar performance, which include alternative tunings, extended techniques, instrumental preparations, electronic augmentations, and issues related to performing and recording with a computer. Embracing all guitar types-nylon, steel-string acoustic, and electric-techniques and examples are culled from a broad range of musical genres, including blues, contemporary classical, country, folk, jazz, rock, and non-Western idioms. While the writing offers a treasure trove of possibilities for experimental improvisation, it is oriented towards formal composition, and to that end details the controllable dimensions of the techniques and preparations at hand, along with strategies that might be adopted to notate them. Conventional guitar amplifiers, effect pedals, and pedalboards are examined, along with a discussion of analog signal chains, rig design, and best practices for the preservation of tone. In addition, possibilities afforded by the addition of a computer to the guitar rig are explored, including signal processing, sensor augmentation, and score following. The writing is paired with a companion website that contains an abundance of audio, video, and software materials to supplement the ideas presented. This information is intended to serve as a guide, reference, and source of inspiration for those wishing to compose and/or perform on the instrument in innovative ways.

(Faber Piano Adventures ). Correlated with the 12 units of the Lesson Book, this book provides valuable reinforcement of theory, concepts through writing, sightreding, and ear training activities

This popular piece is in great demand and is now available for folk harp. This book includes several arrangements: an easy solo version, an advanced solo version in the keys of G and D, and a duet version for harp and melody instrument.

Performed on an acoustic steel-string guitar with open tunings and a finger-picking technique, Hawaiian slack key guitar music emerged in the mid-nineteenth century. Though performed on a non-Hawaiian instrument, it is widely considered to be an authentic Hawaiian tradition grounded in Hawaiian aesthetics and cultural values. In Listen But Don't Ask Question Kevin Fellezs listens to Kanaka Maoli (Native Hawaiian) and non-Hawaiian slack key guitarists in Hawai'i, California, and Japan, attentive to the ways in which notions of Kanaka Maoli belonging and authenticity are negotiated and articulated in all three locations. In Hawai'i, slack key guitar functions as a sign of Kanaka Maoli cultural renewal, resilience, and resistance in the face of appropriation and occupation, while in Japan it nurtures a merged Japanese-Hawaiian artistic and cultural sensibility. For diasporic Hawaiians in California, it provides a way to claim Hawaiian identity. By demonstrating how slack key guitar is a site for the articulation of Hawaiian values, Fellezs illuminates how slack key guitarists are reconfiguring notions of Hawaiian belonging, aesthetics, and politics throughout the transPacific.

(Signature Licks Guitar). Explore the over-the-top riffs and solos of this Swedish neoclassical/heavy metal master with our Signature Licks book/CD pack. You'll learn Yngwie's dazzling techniques via detailed study of these 12 hit tunes: Black Star * Deja Vu * Dreaming (Tell Me) * Far Beyond the Sun * Heaven Tonight * I'll See the Light Tonight * Icarus Dream Suite Opus 4 * Making Love * Marching Out * Rising Force * Trilogy Suite Op. 5 * You Don't Remember I'll Never Forget.

Chet Atkins: His Greatest Recorded Songs is an analysis and appreciation of the most successful and noteworthy recordings of one of history's greatest guitarists, Chet Atkins. The book chronicles the highlights of Atkins' over 50-year tenure as a guitarist, singer, songwriter, and record producer, and this chronicle reveals a body of work that is truly unmatched in the history of modern musical entertainment. In addition to discussing roughly 140 of Atkins' all-time best recorded songs, the book provides a concise overview of his life and career.

(Guitar Reference). Until the launch of the Flying V and Explorer in 1958, electric guitars were supposed to look like...guitars. Suddenly, Gibson turned conventional design upside down, almost literally, by using straight lines and angular body shapes, changing the way electrics could look and, in the process, creating a set of rare future collectables. Flying V, Explorer, Firebird tells the story of those first peculiar instruments and goes on to describe Gibson's second attempt at nonstandard designs with the Firebird of the early '60s. The book shows how most of these were a commercial failure at first and goes on to detail the influence of the designs on guitar-makers such as Hamer, Jackson, Dean, Ibanez, and BC Rich, all of whom embraced Gibson's original weird-is-good design ethic. In parallel with the story of the makers is an absorbing account of the players who discovered these odd-shaped instruments, including Zakk Wylde (Black Label Society), Edge (U2), and Rick Nielsen (Cheap Trick). Interviews with players and makers illuminate the story of this fascinating assortment of electric guitar innovations, alongside specially commissioned images of every key model and brand and an enviable collection of guitar memorabilia, plus a gallery of leading guitarists photographed in action with their instruments. If it's weird and has strings, it's in Flying V, Explorer, Firebird .

Suitable for any keyboard owner, this book demonstrates the use of the keys and their musical notation; proper hand, wrist and finger positioning; as well as basic scales, chords, and songs. Includes a "How-To" CD.

A handy guide for both guitar and piano players, this book places the most popular chords in context. The simple and clean layout provides clear diagrams and practical advice on chord progressions, with concise information on what chords are, how they can be used, and what they can be used alongside. In its compact spiral-bound format this is an essential companion for both beginners and more experienced players looking for extra ideas.

Through the years Jimmy Page's guitar playing has inspired countless music fans to play guitar. The Led Zeppelin Guitar Method, the first method to feature Led Zeppelin songs, teaches you everything you need to know to get started playing---even if you have never touched a guitar before. Start by learning the basics like how to hold the guitar and how to read standard music notation and TAB. By the time you complete the book, you will be playing authentic arrangements of classic Led Zeppelin songs. This easy-to-use beginning course will prepare you to play from sheet music and get you ready to play in a band. Historical facts and photos of Led Zeppelin are featured throughout to keep you inspired. The included enhanced CD demonstrates all the songs and exercises in the book and the Tone 'N' Tempo changer is an invaluable tool in your journey to learn the guitar.
"Overall, the Led Zeppelin Guitar Method is a standout and well welcomed addition to the ever growing library of guitar method books out there, and would definitely be an excellent part to any guitarist's personal library."
William ClarkGuitar International magazine
Titles: Babe I'm Gonna Leave You * The Battle of Evermore * Boogie with Stu * Bring It on Home * Bron-Y-Aur Stomp * Communication Breakdown * Dazed and Confused * Going to California * Good Times Bad Times * Heartbreaker * How Many More Times * Immigrant Song * The Lemon Song * Living Loving Maid (She's Just a Woman) * Misty Mountain Hop * Moby Dick * Out on the Tiles * Over the Hills and Far Away * Rock and Roll * Stairway to Heaven * Thank You * What Is and What Should Never Be * When the Levee Breaks * Whole Lotta Love * You Shook Me.
"Overall, the Led Zeppelin Guitar Method is a standout and well welcomed addition to the ever growing library of guitar method books out there, and would definitely be an excellent part to any guitarist's personal library."
-William Clark, guitarinternational.com

(Guitar Educational). Since its appearance in Guitar World in 1990, Vai's intensive guitar regimen has been the Holy Grail for serious players. Here is the lesson that shaped a generation of guitarists. Vai sat down with guitarist/transcriber Dave Whitehill and outlined his practice routine for the January 1990 issue of Guitar World . Never before had a guitarist given such an in-depth explanation of his musical exercise regimen. It became a must-have for guitarists. Many of the players interviewed in GW have cited it as an influence on their development as guitarists. Here's a chance to experience the workout in its original form and to learn some of the things Vai has done to develop his formidable chops and remarkable music vocabulary. In this book, Steve Vai reveals his path to virtuoso enlightenment with two challenging guitar workouts one 10-hour and one 30-hour which include scale and chord exercises, ear training, sight-reading, music theory, and much more. These comprehensive workouts are reprinted by permission from Guitar World magazine.

Titles: Lullaby (Tonalization) (F. Schubert); Lullaby (Tonalization) (J. Brahms); Concerto No. 2 in G Major, Op. 13, 3rd Movement (F. Seitz); Concerto No. 5 in D Major, Op. 22, 1st Movement (F.Seitz); Concerto No. 5 in D Major, Op. 22, 3rd Movement (F. Seitz); Concerto in A Minor, 1st Movement, Op. 3, No. 6 (A. Vivaldi/T. Nachez); Concerto in A Minor, 3rd Movement, Op. 3, No. 6 (A. Vivaldi/T. Nachez); Perpetual Motion, "Little Suite No. 6" (K. Bohm); Concerto for Two Violins in D Minor, BWV 1043, 1st Movement, Violin II (J. S. Bach)
This title is available in SmartMusic.

(Bass Method). Special spiral bound edition containing Books 1, 2, & 3 of the Second Edition Hal Leonard Bass Method.

This book explains and shows in detail the various techniques used by fiddle players in creating a traditional style of playing. All the information is presented in the context of the music itself, with numerous transcribed and recorded examples. It is aimed not only at the beginner, but also the fiddle-player (and indeed violinist) with some knowledge and experience who wishes to learn more. For those unable to read music, a chapter on notation is included. Particular emphasis is given to bowing and ornamentation, with individual chapters devoted to jigs, slides, polkas, hornpipes, airs and reels. The book also attempts to convey something of the excitement felt in playing music which has a large degree of improvisation, albeit within certain bounds. The demonstration CD, which features a large selection of the transcribed tunes and ornaments performed by Cranitch, is an invaluable aid to learning as it allows the listener to hear how the music and ornamentation should sound.