Barcelonian Gaspar Cassado (1897-1966) was one of the greatest cello virtuosi of the twentieth century and a notable composer and arranger, leaving a vast and heterogeneous legacy. In this book, Gabrielle Kaufman provides the first full-length scholarly work dedicated to Cassado, containing the results of seven years of research into his life and legacy, after following the cellist's steps through Spain, France, Italy and Japan. The study presents in-depth descriptions of the three main parts of Cassado's creative output: composition, transcription and performance, especially focusing on Cassado's plural and multi-facetted creativity, which is examined from both cultural and historical perspectives. Cassado's role within the evolution of twentieth-century cello performance is thoroughly examined, including a discussion regarding the musical and technical aspects of performing Cassado's works, aimed directly at performers. The study presents the first attempt at a comprehensive catalogue of Cassado's works, both original and transcribed, as well as his recordings, using a number of new archival sources and testimonies. In addition, the composer's significance within Spanish twentieth-century music is treated in detail through a number of case studies, sustained by examples from recovered score manuscripts. Illuminated by extraordinary source material Gaspar Cassado: Cellist, Composer and Transcriber expands and deepens our knowledge of this complex figure, and will be of crucial importance to students and scholars in the fields of Performance Practice and Spanish Music, as well as to professional cellists and advanced cello students.

An instructional book that helps rock guitarists of all levels hone their chops and learn from the masters. Offering lessons, licks, and tips drawn from rock guitar masters, this how-to guide boosts players' soloing techniques, rhythm playing, and understanding of rock theory. Fully updated and expanded, it reveals secrets of nu-metal stars such as Rage Against the Machine, provides lessons on roots-rock legends including Carl Perkins, teaches riffs from rock gods such as Jimi Hendrix and Eddie Van Halen, and spotlights the latest on gear and recording. This book is like taking a private lesson with Eric Clapton, Jeff Beck, or Keith Richards. Beginners get how-to guidance plus notational symbols for building a solid rock 'n' roll fretboard foundation. Experienced players will find insights from guitar greats to use at the next gig. Outlining the basics as well as some of the masters' techniques, the easy-to-use book covers pentatonic scales, double- and triple-stop approaches to chords and solos, open tuning, wah-wah, the Hendrix rhythm style, and more. With the online recordings bringing these lessons to life, players can pick apart the music by string, fret, and finger while hearing exactly how it should sound.

This book includes biographical information on Carlos Prieto, his contributions to music, as well as a detailed catalog of 72 pieces commissioned and/or dedicated to him. A graduate of MIT and a former director of Fundidora, the biggest steel company in Mexico, Carlos Prieto decided at the age of 38 to abandon his career as a business man and become a full time professional cellist. Since then he has premiered over 90 pieces, most of them commissioned and/or dedicated to him by Latin-American composers. These commissions and dedications represent about 50 percent of the music written for the cello by Latin-American composers. This is the first time a study has been conducted on this body of music.

First published in 1972, Walter Kolneder's Das Buch der Violine quickly established itself as the standard work on the violin, dealing with every aspect of the instrument in truly encyclopedic fashion. This first English-language translation, by eminent scholar and educator Reinhard G. Pauly, is based on the fifth German edition, published in 1993. Ours is more than a translation, however. Dr. Pauly also took the opportunity to revise the text, for American and English readers particularly, and has included information on recent developments not available to the author. The book begins with an examination of the violin's construction and history. Part One offers fascinating detail on woods, glues, varnishes, shapes and dimensions, and bows and strings; Part Two traces the evolution of the instrument's form, from the violin's pre-history through the five centuries, roughly, that have elapsed since it took its present shape. Part Three is a chronological survey of the violin's musical aspects, treating performance techniques, pedagogical philosophy, and literature for the violin. Kolneder examines the various national schools for their distinguishing characteristics and shows the influence of composers (Bach and Beethoven, among others), virtuosos (Paganini, Kreisler), and teachers (including Tartini and Geminiani) upon the development of the modern violin and its music. Together the three parts form the best single volume on the violin and its music, an extraordinary encyclopedic resource for the general music-lover as well as for violinists.

Dip into this stockingful of easy Christmas music for cello! Unwrap a traditional carol, dance to the 'Skaters' Waltz' and a 'Christmas Calypso', and pull a cracker full of solos and duets. With words to sing along, chords for guitar or keyboard, and a fantastic play-along CD, Cello Time Christmas is the perfect gift for any young cellist.

New research throws light on the history of the viol after Purcell, including its revival in the late eighteenth century through Charles Frederick Abel. It is normally thought that the bass viol or viola da gamba dropped out of British musical life in the 1690s, and that Henry Purcell was the last composer to write for it. Peter Holman shows how the gamba changed its role and function in the Restoration period under the influence of foreign music and musicians; how it was played and composed for by the circle of immigrant musicians around Handel; how it was part of the fashion for exotic instruments in themiddle of the century; and how the presence in London of its greatest eighteenth-century exponent, Charles Frederick Abel, sparked off a revival in the 1760s and 70s. Later chapters investigate the gamba's role as an emblem of sensibility among aristocrats, artists and intellectuals, including the Countess of Pembroke, Sir Edward Walpole, Ann Ford, Laurence Sterne, Thomas Gainsborough and Benjamin Franklin, and trace Abel's influence and legacy farinto the nineteenth century. A concluding chapter is concerned with its role in the developing early music movement, culminating with Arnold Dolmetsch's first London concerts with old instruments in 1890. PETER HOLMAN is Professor Emeritus of Historical Musicology at Leeds University, and director of The Parley of Instruments, the choir Psalmody, and the Suffolk Villages Festival.

"Acoustic Guitar Styles" introduces the most popular traditional styles for the acoustic guitar. The step-by-step approach, using a small repertoire of well-known songs, enables the student to explore various styles that can be adapted to play personal favorites. Although a basic knowledge of the guitar is assumed, even the beginner will benefit from this progressive approach.

Featuring 20 of The Rolling Stones greatest hits, each guitar part is carefully arranged in full notation and TAB to be easily playable yet still accurately reflect all of Keith Richard's classic guitar parts with correct fingerings and tunings. Titles: 19th Nervous Breakdown * As Tears Go By * Brown Sugar * Get Off of My Cloud * Gimme Shelter * Honky Tonk Women * Jumpin' Jack Flash * Let it Bleed * Let's Spend The Night Together * Mother's Little Helper * No Expectations * Paint It, Black * Play With Fire * Ruby Tuesday * (I Can't Get No) Satisfaction * Sympathy for the Devil * The Last Time * Under My Thumb * Wild Horses * You Can't Always Get What You Want.

This book is the first integral study of the history of imitative or co-creative artistic work that has led to the creation of cello transcriptions and arrangements. Of an interdisciplinary character, it explores the views that have shaped approaches to the art of cello performance and describes the role of cello transcriptions and the development of instrument making. The book also addresses issues related to philosophy, history of aesthetics and visual arts, including iconography presenting historical images of the cello. The theoretical part contains definitions and systematics that make it possible to categorise the vast amount of transcriptions, as well as descriptions and suggested recordings of a selection of those transcriptions.

Hamer Guitars is often regarded as the first boutique guitar builder. From its humble beginnings in founder Paul Hamer's Northern Prairie Music Shop to its acquisition by the Fender Musical Instrument Corporation in 2008, the Hamer story is traced through nearly 400 images and dozens of interviews with those involved with the company. See how Hamer rose to compete with the giants of American guitar-making. Learn the inspiration for the making of its ultimate guitar, the Standard. Containing pieces by two of the company's principal architects - Hamer and Jol Dantzig - and told in lavishly illustrated text with many never before published photos and drawings, this history of Hamer Guitars is a treasured keepsake and resource for every lover of the electric guitar. With a foreword by Hamer's most prominent Standard bearer, Cheap Trick's Rick Nielsen.

New G. Schirmer Library editions of these well-known Rachmaninoff pieces for piano.

Stringtastic Beginners is a fun new series designed to teach through playing in an engaging exploration of musical styles. A fully integrated series, violin, viola, cello and double bass can all learn and play together in any combination. Each book contains over 40 imaginative pieces to steadily establish a secure playing technique and build confidence, one step at a time, taking the student from complete beginner (open strings) to playing the notes of the D major scale. The first 20 pieces comprise two independent tunes that can be played as duets - one for open strings and a more advanced part using the left-hand fingers, which students can revisit as they progress. Ideal for individual and group tuition as well as flexible ensemble and classroom settings. Every piece is supported by an exciting backing track plus a piano-only track for practice, all available to download. Plus, the teacher's book provides the complete piano accompaniments which work with any combination of instrumental parts.

(Book). Ibanez is the most important Japanese guitar brand, and this new book tells the story of its electric guitars, tracking the fortunes of this impressive brand. At first the guitars were cheap and basic, and in the 1970s, Ibanez was best known for its copies of leading Gibson instruments, including Les Pauls, SGs, and Explorers. As the Japanese music industry gained maturity and increased quality, Ibanez made more assured instruments with original features; and in the late '70s and early '80s, it hit new peaks of achievement. The big break came in the late '80s with the arrival of Steve Vai's impressive and spectacular JEM signature models. In recent years, the company has continued to provide great modern electric guitars. Ibanez guitarists featured in the book include George Benson, Charlie Burchill (Simple Minds), Phil Collen (Def Leppard), Allan Holdsworth, Pat Metheny, Steve Miller, Joni Mitchell, John Petrucci (Dream Theater), Lee Ritenour, Joe Satriani, John Scofield, Paul Stanley (Kiss), Mick Thompson (Slipknot), Steve Vai, and Bob Weir (Grateful Dead). The book is in the tradition of Tony Bacon's best-selling guitar series, with a carefully researched story, including exclusive interviews with Vai and Satriani, a gallery of full-color pictures of famous guitars and players, and a reference section detailing production years and specifications of all Ibanez's electric models.

(Book). Incurable Blues explores the life and genius of Hubert Sumlin, a highly influential guitarist who has survived cancer, alcoholism, and personal and professional tribulations to testify to the classic days of Chicago blues. Sumlin's incendiary guitar playing is heard on most of Howlin' Wolf's classic Chess sides. Sumlin's pick-less playing has inspired countless blues-rock luminaries. Author Will Romano places Hubert's playing and performing style in context, showing how it formed the basis of blues rock and rock n roll and how it bridges the gap between African folk; the work of early masters like Robert Johnson, Charley Patton and Peetie Wheatstraw; the revisionist British invasion guitarists Eric Clapton, Jeff Beck, and Keith Richards; and the modern-era blues styles of Stevie Ray Vaughan and John Mayer.

(Ukulele). Ukulele for Kids is a fun, easy course that teaches children to play ukulele faster than ever before. Popular songs such as "Yellow Submarine," "The Hokey Pokey," "This Land Is Your Land," "Rock Around the Clock," "You Are My Sunshine" and "Barbara Ann" keep kids motivated, and the clean, simple page layouts ensure their attention remains focused on one concept at a time. The method can be used in combination with a teacher or parent. The accompanying CD contains tracks for demonstration and play-along. Lessons include: selecting your uke; parts of the uke; holding the uke; hand position; reading music notation and counting; notes on the strings; C, F, C7, Am, G, B-flat, and Gm chords; strumming and picking; and more

for solo violin and orchestra or piano This serene romance is one of Vaughan Williams's most enduring popular works. Taking its title from a poem by George Meredith, the music perfectly evokes the lark's 'chirrup, whistle, slur, and shake'. This beautifully presented new edition of the violin and piano score includes a preface by Michael Kennedy.

(Faber Piano Adventures ). The integration of technique and artistry in this course gives students the tools of expressive performance. Students will build a technical foundation with the purpose of artistic playing through the use of "Technique Secrets," "Artistry Magic" pages, and an appendix of scales and triads.

(Reference). Centerstream presents this detailed look at the inner workings of the famous musical instrument manufacturer of Kalamazoo, Michigan before World War II. For the first time, Gibson fans can learn about the employees who built the instruments, exactly where the raw materials came from, the identity of parts vendors, and how the production was carried out. The book explains Gibson's pre-World War II factory order number and serial number systems, and corrects longstanding chronological errors. Previously unknown information about every aspect of the operation is covered in-depth. Noted historian Joe Spann gathered firsthand info from pre-war employees, and had access to major Gibson document collections around the world. Long time Gibson experts, as well as casual collectors, will find this volume an indispensable addition to their reference shelf.

The Appalachian dulcimer is one of America's major contributions to world music and folk art. Homemade and handmade, played by people with no formal knowledge of music, this beautiful instrument arrived in the light of the 20th century with virtually no written record. Appalachian Dulcimer Traditions is a first-hand report to enlarge our knowledge of the dulcimer's history by searching the hills and "hollers" of Appalachia, looking at old instruments, and listening to the tales of old folks. After reviewing the instrument's special musical features, the book describes some related instruments, and reveals little-known facts about the dulcimer's origins on the early Appalachian frontier. The book then describes three major design traditions of the dulcimer, each centered in its own geographical area, and focuses on important makers in each of the three traditions-the Melton family of Galax, Virginia, Charles M. Prichard of Huntington, West Virginia, and "Uncle Ed" Thomas of Kentucky. A final chapter describes four Appalachian makers of the folk revival transition, who began making instruments the old-time way and modernized them to meet the needs of Post-World-War-II urban players. The book concludes with listings of dulcimer recordings in the Archive of Folk Culture of the Library of Congress.

The Hal Leonard Blues Guitar Method is your complete guide to learning blues guitar.

This book uses excerpts from real blues songs no corny arrangments of nursery rhymes here! (well, except "Mary Had a Little Lamb," but this is NOT the version you learned in kindergarten!) to teach you the basics of rhythm and lead blues guitar in the style of B.B. King, Stevie Ray Vaughan, Buddy Guy, Eric Clapton, Muddy Waters, and many others.

Lessons include: 12-bar blues; chords, scales and licks; vibrato and string bending; riffs, turnarounds, and boogie patterns; hammer-ons, pull-offs, and slides; standard notation and tablature; and much more!

Song excerpts include: Boom Boom * Born Under a Bad Sign * Double Trouble * Killing Floor * Sweet Home Chicago * You Shook Me * and more.

The online audio access includes over 70 tracks for demo and play-along, and is available using the unique code printed inside each book.