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Books > Music > Musical instruments & instrumental ensembles > String instruments
A renowned bass player, Mo Foster has played his guitar with the
greats, and with their backing, contributions and memories has
written an insightful, passionate and very humorous book. British
Rock Guitar is illustrated with original advertisements,
memorabilia and photographs, many from many artist’s private
collections. Mo Foster, draws upon his own recollections and those
of some of the greatest exponents of the rock guitar, from Hank
Marvin to Eric Clapton and Brian May. Mo Foster has written the
definitive history of the importance of the guitar in the
development of British music over the last 50 years. British Rock
Guitar describes the rise of the London studio session scene: an
insider’s view of this creative world and the wonderful
musicians’ in general. These guitar heroes and top session
players were once mere mortals struggling to buy or build their
first guitar. The guitar has become the most emotive musical
instrument of the last 50 years of rock and roll. From the early
days when wannabee stars fashioned homemade guitars out of old tea
chests, to today’s sophisticated instruments, the impact has been
phenomenal.
Easy to intermediate pieces by J.S. Bach including Jesu, Joy of
Man's Desiring, BourrA(c)e and more. Musical and technical
information accompany each piece, and helpful fingering suggestions
are also included.
Contents are: Berceuse, Wiegenlied or Lullaby, Op. 98, No. 2 (F.
Schubert) * Tonalization: The Moon over the Ruined Castle (R. Taki)
* Gavotte (J.B. Lully) * Minuet from Sei Quintetti for Archi No.
11, Op. 11, No. 5 in E Major (L. Boccherini) * Tonalization: The
Moon over the Ruined Castle (R. Taki) * Scherzo (C. Webster) *
Minuet in G, Wo0 10, No. 7 for Piano (L. van Beethoven) * Gavotte
in C Minor, Gavotte en Rondeau from Suite in G Minor for Klavier,
BWV 822 (J.S. Bach) * Minuet No. 3, BWV Anh. II 114/Anh. III
183/Anh. II, 115 (J.S. Bach) * Humoresque, Op. 101, No. 7 for Piano
(A. DvorAk) * La Cinquantaine (Gabriel-Marie) * Allegro Moderato
from Sonata I in G, BWV 1027 for Viola da Gamba (J.S. Bach).
This book will teach you all the basics of how to play the pedal
steel guitar. Sections describe how to tune the pedal steel guitar,
which picks to use, slides, explanations of signs and symbols, and
the use of right/left hand positions. Musical examples are given
throughout and a list of easy to intermediate practice songs is
included. This book is written in E9 tuning and is presentes in
notation and tablature.
This is an incredibly comprehensive book dealing with every
harmonic and technical aspect of guitar improvising. Included are
analyses of scales, arpeggios, picking technique, chord
progressions, cadences and modulations. In addition, numerous
studies and exercises are contained to help you play through the
concepts of being taught. The goal is technical and mental mastery
of the guitar fingerboard. Tablature is included.
(Stylistic Method). Because rhythm and timing lie at the foundation
of everything you play, its importance can't be underestimated.
This series will give you that solid foundation you need. Starts
with simple upbeat rhythms for the beginner and moves step by step
into advanced syncopations - all demonstrated with seriously heavy
metal examples that have practical applications to today's styles.
Tablature. Music and examples demonstrated on CD.
New research throws light on the history of the viol after Purcell,
including its revival in the late eighteenth century through
Charles Frederick Abel. It is normally thought that the bass viol
or viola da gamba dropped out of British musical life in the 1690s,
and that Henry Purcell was the last composer to write for it. Peter
Holman shows how the gamba changed its role and function in the
Restoration period under the influence of foreign music and
musicians; how it was played and composed for by the circle of
immigrant musicians around Handel; how it was part of the fashion
for exotic instruments in themiddle of the century; and how the
presence in London of its greatest eighteenth-century exponent,
Charles Frederick Abel, sparked off a revival in the 1760s and 70s.
Later chapters investigate the gamba's role as an emblem of
sensibility among aristocrats, artists and intellectuals, including
the Countess of Pembroke, Sir Edward Walpole, Ann Ford, Laurence
Sterne, Thomas Gainsborough and Benjamin Franklin, and trace Abel's
influence and legacy farinto the nineteenth century. A concluding
chapter is concerned with its role in the developing early music
movement, culminating with Arnold Dolmetsch's first London concerts
with old instruments in 1890. PETER HOLMAN is Professor Emeritus of
Historical Musicology at Leeds University, and director of The
Parley of Instruments, the choir Psalmody, and the Suffolk Villages
Festival.
This amazing book is a must for every bass guitarist's library. It
contains virtually every chord a player will be asked to produce.
With clear, readable diagrams, it contains more than 500 chord
shapes. What's more, it's designed to fit easily into your guitar
bag so you never need be without it!
Building an Award-Winning Guitar Program is a practical guide to
assist secondary and post-secondary music educators with the tasks
involved in establishing a successful music program. With the
rising interest in guitar, Mariachi, rock band, handbells,
bluegrass, music technology, and so on, more and more music
educators are being asked to teach innovative music classes. Author
Bill Swick has crafted this book to help these educators build such
innovative music programs from the ground floor, based on his years
of experience as a music educator specialized in guitar. The book
will assist music educators with classroom management, scheduling,
structure, organization, fund raising, festivals, travel, and other
subjects related to teaching guitar in the classroom, but its
principles are broadly relevant to any and all music educators
hoping to create a unique program that stands out within their
school district and state, attracting students, parents, educators
and administrators alike.
This is the first book written exclusively for the folk harp that
teaches the student how to play the instrument, step by step. Each
of the 12 lessons includes instructions, exercises and folk and
classical pieces using the new skills and techniques taught in the
lesson. This is an excellent book for any student, regardless of
previous musical training.
(String Solo). For violin and orchestra (piano reduction).
For many beginning-to-intermediate level guitarists, guitar tunings
are a mystery. Everyone begins with "standard" tuning and knows its
basic strengths - and limitations. But, once a guitarist gets
beyond basic skills, the desire to play in different styles and
achieve individual sounds leads inevitably to exploring alternate
tunings. Guitar Tunings: AComprehensive Guide is the first book to
offer practical advice for how to use the most common special
tunings for the greatest creative and musical effect. Illustrated
throughout with examples in standard notation and guitar tablature,
the author introduces different musical styles through the use of
appropriate tunings. Including downloadable resources, this book
gives clear and concise instruction for the guitarist who has
mastered basic skills but wants to go beyond them. It will appeal
to guitar students of all ages, and can be used for individual
self-instruction or in one-on-one or group teaching situations. In
short, Guitar Tunings: A Comprehensive Guide offers a comprehensive
approach for all guitarists to enhance their playing skills and
creative music making. Also includes 75 musical examples.
This fascinating new book will let you explore the music of one of
the 20th century's most influential musicians. For the first time
ever, saxophonist Charlie Parker's legendary "heads" and improvised
solos have been meticulously adapted for the guitar in standard
notation and tablature. Includes these Parker classics complete
with detailed performance notes: Anthropology * Au Privave *
Billie's Bounce (Bill's Bounce) * Bloomdido * Blues (Fast) * Blues
for Alice * Cheryl * Confirmation * Donna Lee * K.C. Blues * Kim *
Ko Ko * Moose the Mooche * Now's the Time * Ornithology * Parker's
Mood * Scrapple from the Apple * Yardbird Suite.
(Guitar Method). Newly revised The second edition of this
world-famous method by Will Schmid and Greg Koch is preferred by
teachers because it makes them more effective while making their
job easier. Students enjoy its easy-to-follow format that gives
them a solid music education while letting them play songs right
away. Book 1 provides beginning instruction including tuning, 1st
position melody playing, C, G, G7, D7, and Em chords, rhythms
through eighth notes, solos and ensembles and strumming. Features a
chord chart, and traditional songs like: Amazing Grace *
Greensleeves * and When the Saints Go Marching In.
The Italian violinist and composer Giovanni Battista Viotti
(1755-1824) is considered today to have been one of the most
significant forces in the history of violin playing. In 1792 he met
Margaret and William Chinnery, a wealthy English couple with strong
connections in the world of arts and letters. From that point
onwards Viotti's life became inextricably bound up with theirs; he
moved into their home and became a second father to their children,
forming a remarkably successful menage A trois. Henceforth, all
Viotti's career decisions were taken with this family's welfare in
mind. The Chinnery Family Papers feature over 100 Viotti letters
and other documents. Drawing extensively on these papers, this book
investigates the new light that they cast on Viotti's life and
career, as well as the context in which he lived and worked. Fresh
insights are given into the reception of Viotti's concertos in
London and the solo performances he gave while in England, together
with new information on his role as a music teacher in the Chinnery
household, and his relationship with Mme de StaA"l and the
Philharmonic Society.
Johann Peter Salomon, the celebrated violinist and impresario, made
his debut in England in March 1781. History has credited Salomon
with bringing Haydn to London, yet as Ian Woodfield reveals in this
monograph, Salomon's introduction of the composer to the London
musical scene owed as much to luck as to skilful planning. Haydn's
engagement in London proved to be a much-needed uplift to Salomon's
career which, as Woodfield illustrates, had been on the wane for a
number of years. In addition to its reassessment of Salomon's
uneven career in London during the 1780s, this book throws light on
the general relationship between public and private spheres of
professional music-making at the time, and on the relationship
between the social and professional attributes required of
musicians if they were to be successful. Nowhere are these tensions
better illustrated than in the letters and journals of the Burney
family, especially those of Susan Burney, which are drawn on in the
book to provide a vivid picture of the fiercely competitive musical
world of eighteenth-century London.
Intermediate-level solos based on 68 fiddling favorites of reels,
jigs, hornpipes and all styles of barn-dance tunes is not only
interesting and fascinating, it is also very beneficial for the
development of technique. As technique studies, in their respective
grades, these barn-dance tunes are in a class by themselves.
Excellent repertoire. Guitar chords included.
This book contains nine pieces from ABRSM's Grade 4 Cello syllabus
for 2020-2023, three pieces chosen from each of Lists A, B and C.
The pieces have been carefully selected to offer an attractive and
varied range of styles, creating a collection that provides an
excellent source of repertoire to suit every performer. The book
also contains helpful footnotes and, for those preparing for exams,
useful syllabus information. Inspiring recordings of the nine
pieces featured in this book, plus piano accompaniment tracks, are
available. These can be purchased as part of the Cello Exam Pieces
with CD package or as audio downloads (see
https://shop.abrsm.org/audiodownloads for more details).
The second half of the eighteenth century witnessed a flourishing
of the string quartet, often represented as a smooth and logical
progression from first violin-dominated homophony to a more equal
conversation between the four voices. Yet this progression was
neither as smooth nor as linear as previously thought, as Mara
Parker illustrates in her examination of the string quartet during
this period. Looking at a wide variety of string quartets by
composers such as Pleyel, Distler and Filtz, in addition to Haydn
and Mozart, the book proposes a new way of describing the
relationships between the four instruments in different works.
Broadly speaking, these relationships follow one of four patterns:
the 'lecture', the 'polite conversation', the 'debate', and the
'conversation'. In focusing on these musical discourses, it becomes
apparent that each work is the product of its composer's stylistic
choices, location, intended performers and intended audience.
Instead of evolving in a strict and universal sequence, the string
quartet in the latter half of the eighteenth century was a complex
genre with composers mixing and matching musical discourses as
circumstances and their own creative impulses required.
A very popular beginner's text which presents a step-by-step method
of soprano (descant) recorder instruction supported by carefully
written studies, examples and songs. This book is designed to meet
the deamnd for a clear, easy-to-understand, and Pedagogically well
constructed method, in a form that is suitable for both classroom
teaching and individual instruction. It may be used in class with
the companion Fun with the Alto Recorder.
With newly revised packaging and pages, this notebook, featuring
musician's quotes and words of advice on manuscript pages, is sure
to inspire some beautiful music
Now there is one home for all your creative musings - all of the
songs you carry around in your head (or on random scraps of paper)
will fit nicely in this flexi-bound musician's journal, created by
a musican for a musician. Use it to bring clarity to your ideas and
substance to your vision. Fill your notebook with your greatest
licks, motifs, and completed songs. Track chords and riffs and draw
inspiration from a collection of quotes by artists who insipre. Now
there's a home for your creative thoughts.
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