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Books > Music > Musical instruments & instrumental ensembles > String instruments
Stringtastic Book 1: Viola teaches through playing in an engaging
exploration of musical styles. Part of the fully integrated
Stringtastic series in which violin, viola, cello and double bass
can all learn and play together in any combination. Learn as you
play through the world of Stringtastic, with 57 imaginative pieces
that have been specifically designed to establish a secure playing
technique and build confidence one step at a time. Following on
from Stringtastic Beginners, this book takes the student from
playing the notes of the D major scale to Grade 1 (Early
Elementary). Featuring equal-level duets for all instruments, the
pieces are ideal for individual and group tuition as well as
flexible ensemble and classroom settings. Every piece is supported
by an exciting backing track plus a piano-only track for practice,
all available to download. The Stringtastic Book 1: Teacher's
Accompaniment book provides the complete piano score which works
with any combination of the instrumental parts.
Solo Time for Violin is a three-volume series of concert pieces for
the intermediate to more advanced violinist. Featuring arrangements
and original pieces by the authors of the award-winning Fiddle Time
series, these graded collections provide sophisticated repertoire
from the Baroque to the modern age and introduce styles and
techniques for the developing performer.
A collection of Joni Mitchell's finest songs, arranged for piano,
voice and guitar.
Learn classic blues rhythm guitar and soloing techniques, in the
style of the greats, such as B.B. King, Freddy King, Albert
Collins, T-Bone Walker, Robert Lockwood Jr., Jimmy Reed, Jimmie
Vaughan, and others. This book is the companion to Mike Williams'
first book degreeBerklee Blues Guitar Songbookdegree, featuring
technical explanations and exercises to help create solos and
rhythm parts in the style of classic blues artists. The CD includes
nearly 100 musical examples, most of which are performed by a
world-class rhythm section that demonstrates all techniques (full
band and play-along tracks).
(Instrumental Folio). Play 50 of your favorite pop tunes on your
instrument of choice This collection features arrangements written
in accessible keys and ranges with lyrics and chord symbols. Songs
include: All My Loving * Blowin' in the Wind * Clocks * Don't Stop
Believin' * Every Breath You Take * Fireflies * Hey, Soul Sister *
In My Life * Love Story * My Girl * Nights in White Satin * Sweet
Caroline * Unchained Melody * Viva La Vida * What a Wonderful World
* You've Got a Friend * and more.
First published in 1999, this biography from David Tunley draws on
newly researched documentary evidence to chart Campoli's early
success and his later struggle for recognition as a serious artist.
Campoli's early success and his later struggle for recognition as a
serious artist. Campoli's career emerges as one particularly shaped
and directed by the great economic and social forces of the first
half of the century, and the story here is as much that of his
times, as of his life. Described by Szigeti as 'one of the last
great individualists among violinists', Alfredo Campoli was a
household name in the field of British light music prior to the
Second World War. Having made his debut at the Wigmore Hall in 1923
Campoli toured with Melba and Butt, then turned to light music
during the Depression. He became one of Decca's early recording
artists and broadcast frequently for the BBC with his light music
ensembles and pursued a long, successful career as a distinguished
international performer.
The second half of the eighteenth century witnessed a flourishing
of the string quartet, often represented as a smooth and logical
progression from first violin-dominated homophony to a more equal
conversation between the four voices. Yet this progression was
neither as smooth nor as linear as previously thought, as Mara
Parker illustrates in her examination of the string quartet during
this period. Looking at a wide variety of string quartets by
composers such as Pleyel, Distler and Filtz, in addition to Haydn
and Mozart, the book proposes a new way of describing the
relationships between the four instruments in different works.
Broadly speaking, these relationships follow one of four patterns:
the 'lecture', the 'polite conversation', the 'debate', and the
'conversation'. In focusing on these musical discourses, it becomes
apparent that each work is the product of its composer's stylistic
choices, location, intended performers and intended audience.
Instead of evolving in a strict and universal sequence, the string
quartet in the latter half of the eighteenth century was a complex
genre with composers mixing and matching musical discourses as
circumstances and their own creative impulses required.
(Banjo). This handy reference title fits right in your banjo case.
It covers all of the essential chords in all 12 keys for the tenor
banjo in C-G-D-A tuning, plus unusual chord shapes, all
demonstrated with clear readable diagrams. Suitable for beginners
to intermediate players.
50 classic rock songs to accompany the world-famous
justinguitar.com courses for guitar! The Justinguitar.com Rock
Songbook is for all guitar players who want to progress beyond
beginner level. It starts with beginner level material, before
progressing to songs that will teach you how to use more complex
chords (including barre chords), riffs, licks and open tunings.
This book contains 50 great rock songs by artists such as AC/DC,
Dire Straits, Iron Maiden, Kiss, Nirvana, Pearl Jam and ZZ Top.
Take your playing forward by starting with the 15 beginner level
songs, then move on to 15 intermediate songs specially chosen to
develop your barre chords. After that you?ll learn a further 15
songs which introduce interesting new techniques, chords and
rhythms, before finishing off with 5 classic songs written out in
full TAB! Every song is accompanied by performance tips and
strumming patterns, often with tablature and chord diagrams to help
you through any tricky bits. Much more than just a songbook, this
book contains valuable tips and tutorials that will help you with
every aspect of your playing. This long-awaited volume really is
the best Rock Songbook ever!
Stringtastic Book 1: Violin teaches through playing in an engaging
exploration of musical styles. Part of the fully integrated
Stringtastic series in which violin, viola, cello and double bass
can all learn and play together in any combination. Learn as you
play through the world of Stringtastic, with 57 imaginative pieces
that have been specifically designed to establish a secure playing
technique and build confidence one step at a time. Following on
from Stringtastic Beginners, this book takes the student tfrom
playing the notes of the D major scale to Grade 1 (Early
Elementary). Featuring equal-level duets for all instruments, the
pieces are ideal for individual and group tuition as well as
flexible ensemble and classroom settings. Every piece is supported
by an exciting backing track plus a piano-only track for practice,
all available to download. The Stringtastic Book 1: Teacher's
Accompaniment book provides the complete piano score which works
with any combination of the instrumental parts.
Superstart Violin is a break-through for beginner violinists, full
of exciting music and fun activities from the very first lesson to
inspire and stimulate pupils and teachers. Mary Cohen is one of
Britain's leading string teachers and this new edition is a
distillation of her many years of teaching and research - a core
method now in one book. Complete violin technique is introduced
from the start, providing a solid foundation and taking the player
up to grade one level. Carefully structured, each unit covers a
clear technical point through expertly written pieces, providing
the student with a true musical experience at each tiny step. Mary
takes an imaginative child-orientated approach throughout,
encouraging interaction and the exploration of new sound worlds
through a superb variety of music. The accompanying CD provides all
the piano accompaniments, with unique cue entries to help beginners
get started. A separate accompaniments book for violin is also
available. For extra flexibility, most of the pieces in Superstart
Violin, Superstart Viola and Superstart Cello book are compatible,
making this a great resource for individual or group teaching.
**ABRSM selected piece (Violin 2012-2015): Rondeau (Purcell)
This fantastic new collection is the ultimate songbook for the
ultimate beginners guitar course. Justin Sandercoes revolutionary
lessons are used by hundreds of thousands of people across the
world, and is probably the most-used guitar course ever!The book
includes:Complete lyrics and chords to 100 songs by artists such as
The Beatles, Bob Dylan, Bob Marley, Eric Clapton, Jimi Hendrix,
Johnny Cash, Simon & Garfunkel, Jeff Buckley, Crowded House,
Mumford & Sons, Kings of Leon, Nirvana and many more.
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Bass for Kids
(Book)
Chad Johnson
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R377
R350
Discovery Miles 3 500
Save R27 (7%)
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Ships in 18 - 22 working days
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(Bass Method). Bass for Kids is a fun, easy course that teaches
children to play bass guitar faster than ever before. Popular songs
such as "Crazy Train," "Every Breath You Take," "A Hard Day's
Night" and "Wild Thing" keep kids motivated, and the clean, simple
page layouts ensure their attention remains focused on one concept
at a time. The method can be used in combination with a bass
teacher or parent, even if they've never had any musical training
themselves. Lesson topics include selecting a bass, holding the
bass, hand position, reading music notation and counting, and more.
The baryton is a unique string instrument that provides both bowed
melody and plucked accompaniment simultaneously. It emerged in the
Baroque era as a solo, self-accompanying viol and was later adopted
as a virtuoso melodic instrument to enhance the dramatic arias of
the day. A History of the Baryton and Its Music: King of
Instruments, Instrument of Kings is the only reference available on
this intriguing instrument. This presents a detailed history of the
baryton, guidance on playing technique, information on its design
and manufacture, descriptions and photos of extant instruments, and
a repertoire of hitherto unpublished music. Carol A. Gartrell
details the origins and development of the baryton through the
instruments that have survived, and through a unique collection of
music representing different styles and genres. In addition to a
bibliography and an index, the book concludes with two galleries
containing an extensive inventory: the first provides detailed
descriptions of all extant instruments and more than 20
photographs, while the second gallery catalogs extant manuscripts
and supplies a representative selection of complete transcriptions,
illustrating the range and variety of baryton music and providing
musicians with previously unpublished music they could perform.
Complete with a selected discography of baryton recordings, A
History of the Baryton and Its Music is an interesting and
necessary resource for the musicologist, organologist, and
performer.
This amazing book is a must for every bass guitarist's library. It
contains virtually every chord a player will be asked to produce.
With clear, readable diagrams, it contains more than 500 chord
shapes. What's more, it's designed to fit easily into your guitar
bag so you never need be without it!
The last quarter of the twentieth-century saw a renewed interest in
the hammered dulcimer in the United States at the grassroots level
as well as from elements of the Folk Revival. This book offers the
reader a discussion of the medieval origins of the dulcimer and its
subsequent spread under many different names to other parts of the
world. Drawing on articles the author has written in English as
well as articles by specialists in their own languages, Gifford
explains the history and evolution of the instrument. Special
attention is paid to the North American tradition from the early
18th-century to the 1970s revival. Drawing from local histories,
news clippings, photographs, and interviews, the book examines the
playing of the dulcimer and its associated social meanings.
(The Little Black Songbook). The Little Black Book with all the
guitar chords you'll ever need This pocket-sized collection
presents over 1100 chords in an easy-to-read format. Includes
fingerings, note names and helpful tips for all guitarists. Also
includes a really useful guide to some of the most common
alternative tunings, advice on power chords and chord boxes to
write your own chords and more.
Express yourself through the beautiful voice of the solo guitar.
Solo Guitar Playing can teach even the person with no previous
musical training how to progress from simple single-line melodies
to mastery of the guitar as a solo instrument. Fully illustrated
with diagrams, photographs, and over 200 musical exercises and
repertoire selections, this book offers thorough instruction in
every phase of classical guitar playing. Complete coverage of
individual skills includes: Basic technique; Reading music,
memorizing, and ear-training; Mastering the fingerboard; Building
dexterity and speed; Developing tone color and musical phrasing;
Position playing; Interpretation; and more. Since its first
printing in 1968, Frederick Noad's Solo Guitar Playing has been
used by countless students and teachers of classical guitar. The
fourth edition features revised and updated exercises and an
expanded selection of solo guitar repertoire gleaned from the
best-selling Frederick Noad Guitar Anthology.
First published in 1999, this biography from David Tunley draws on
newly researched documentary evidence to chart Campoli's early
success and his later struggle for recognition as a serious artist.
Campoli's early success and his later struggle for recognition as a
serious artist. Campoli's career emerges as one particularly shaped
and directed by the great economic and social forces of the first
half of the century, and the story here is as much that of his
times, as of his life. Described by Szigeti as 'one of the last
great individualists among violinists', Alfredo Campoli was a
household name in the field of British light music prior to the
Second World War. Having made his debut at the Wigmore Hall in 1923
Campoli toured with Melba and Butt, then turned to light music
during the Depression. He became one of Decca's early recording
artists and broadcast frequently for the BBC with his light music
ensembles and pursued a long, successful career as a distinguished
international performer.
Tatjana Goldberg reveals the extent to which gender and socially
constructed identity influenced female violinists' 'separate but
unequal' status in a great male-dominated virtuoso lineage by
focussing on the few that stood out: the American Maud Powell
(1867-1920), Australian-born Alma Moodie (1898-1943), and the
British Marie Hall (1884-1956). Despite breaking down traditional
gender-based patriarchal social and cultural norms, becoming
celebrated soloists, and greatly contributing towards violin works
and the early recording industry (Powell and Hall), they received
little historical recognition. Goldberg provides a more complete
picture of their artistic achievements and the impact they had on
audiences.
Building an Award-Winning Guitar Program is a practical guide to
assist secondary and post-secondary music educators with the tasks
involved in establishing a successful music program. With the
rising interest in guitar, Mariachi, rock band, handbells,
bluegrass, music technology, and so on, more and more music
educators are being asked to teach innovative music classes. Author
Bill Swick has crafted this book to help these educators build such
innovative music programs from the ground floor, based on his years
of experience as a music educator specialized in guitar. The book
will assist music educators with classroom management, scheduling,
structure, organization, fund raising, festivals, travel, and other
subjects related to teaching guitar in the classroom, but its
principles are broadly relevant to any and all music educators
hoping to create a unique program that stands out within their
school district and state, attracting students, parents, educators
and administrators alike.
(Vocal Piano). Vocal/piano arrangements based on Esperanza's own
lead sheets of all 12 tracks from the 2008 release from this jazz
prodigy. Songs include: Cuerpo Y Alma (Body and Soul) * Espera *
Fall In * I Adore You * I Know You Know * If That's True * Love in
Time * Mela * Ponta De Areia * Precious * Samba Em Preludio * She
Got to You.
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