Eight classic Stones songs with full TAB. The CD contains an instrumental version of each song and an instrumental play-along version without guitar. Plus, the CD contains embedded software that allows you to access the full-performance version, or to selectively mute Guitar 1, Guitar 2, or both. Plus you can easily loop sections, slow tracks without changing pitch and even change key. Matching bass and drum editions available! Titles: Brown Sugar * Gimme Shelter * Honky Tonk Women * Jumpin' Jack Flash * Let it Bleed * Paint it, Black * (I Can't Get No) Satisfaction * You Can't Always Get What You Want.

(Bass Instruction). A walking bass line is the most common approach to jazz bass playing, but it is also used in rock music, blues, rockabilly, R&B, gospel, Latin, country and many other types of music. The term 'walking' is used to describe the moving feeling that quarter notes create in the bass part. The specific goal of this book is to familiarize players with the techniques used to build walking bass lines and to make them aware of how the process works. Through the use of 90-minutes' worth of recorded rhythm tracks, players will have the opportunity to put the new learning directly into action. This book literally gives bassists the tools they need to build their own walking bass lines.

(Willis). Thompson's popular Note Speller includes drills in notation and musical rudiments for the piano student. Notes are presented so that learning to read notes goes hand-in-hand with the student's piano lessons.

(Faber Piano Adventures ). Correlated with the 12 units of the Lesson Book, this book provides valuable reinforcement of theory, concepts through writing, sightreding, and ear training activities

With over 450 color photographs, this book presents a brilliant review of electric guitars from their early years in the mid-20th century to the present day. A broad range of instruments are illustrated, produced by companies both large and small, including Fender, Gibson, Guild, Ampeg, and Ibanez. Also included are a history of the development of the electric guitar, brief histories of the companies represented, and lists of serial numbers to assist in dating the instruments. Values for the instruments presented are included in the captions.

EThe Guitar Amp Handbook: Understanding Tube Amplifiers and Getting Great Sounds Updated EditionE brings fresh information to the table to help guitarists understand everything about what makes their amps tick and how to use them to sound better than ever. It builds on the popular original edition of the book first published in 2005.THCentral to the book's success is the way it walks musicians through the significance of each crucial circuit stage and component of a great number of classic and modern tube amp designs helping guitarists get the most from the amps they already own or choose new amps that are best suited to their needs.THEThe Guitar Amp HandbookE reveals many of the tips and tricks used by today's top designers and builders and it debunks the hype used by the marketing departments at large manufacturers keen on selling specific amps that might not be right for particular players. The book is designed to help guitarists understand what really goes on inside tube amps and where the tone comes from. This new updated and expanded edition adds further knowledge to the foundation ensuring it continues as the most thorough and authoritative publication on the subject to be found anywhere.

(Book). By age 16, Pat Martino was already working as a member of R&B star Lloyd Price's touring musical revue. By age 18, Martino moved to Harlem, where he quickly earned a reputation as a hard-bopping six-stringer with formidable chops through a series of apprenticeships with the likes of honking tenor saxophonist Willis "Gaitor Tail" Jackson and Hammond B-3 organ master Jack McDuff. Martino made his auspicious debut as a leader at age 22 with 1967's El Hombre on Prestige and followed with a string of potent recordings for the label that further established him as one of the most distinctive guitar voices on the jazz scene. Then, at the peak of his powers, the bottom fell out. In 1980, he underwent surgery as the result of a nearly fatal brain aneurysm. The surgery left him without any memory of the guitar or his musical career. From that point, Martino undertook the long process of recovery, eventually learning how to play the guitar again; but more important, learning to transcend the instrument itself and live his life completely in the moment. More than just the remarkable story of one of the most original and profoundly influential guitarists in jazz history, this extraordinarily revealing autobiography is also a survival manual, of sorts, in overcoming incredible adversity and learning to live in the here and now.

Cello Basics is a landmark method by two of the leading figures in music education. Comprising the student's lesson book, free downloadable accompaniment parts, and online audio, Cello Basics provides everything you need to get playing: step-by-step technical progression supported by fun exercises and warm-ups, a wide range of imaginative repertoire, helpful fact files and rhythm boxes, music theory and general musicianship activities, online audio of the piano accompaniments, and downloadable accompaniments (piano and cello duet parts)

“A hot-rod joy ride through mid-20th-century American history” (The New York Times Book Review), this one-of-a-kind narrative masterfully recreates the rivalry between the two men who innovated the electric guitar’s amplified sound—Leo Fender and Les Paul—and their intense competition to convince rock stars like the Beatles, Jimi Hendrix, and Eric Clapton to play the instruments they built. In the years after World War II, music was evolving from big-band jazz into rock ’n’ roll—and these louder styles demanded revolutionary instruments. When Leo Fender’s tiny firm marketed the first solid-body electric guitar, the Esquire, musicians immediately saw its appeal. Not to be out-maneuvered, Gibson, the largest guitar manufacturer, raced to build a competitive product. The company designed an “axe” that would make Fender’s Esquire look cheap and convinced Les Paul—whose endorsement Leo Fender had sought—to put his name on it. Thus was born the guitar world’s most heated rivalry: Gibson versus Fender, Les versus Leo. While Fender was a quiet, half-blind, self-taught radio repairman, Paul was a brilliant but headstrong pop star and guitarist who spent years toying with new musical technologies. Their contest turned into an arms race as the most inventive musicians of the 1950s and 1960s—including bluesman Muddy Waters, rocker Buddy Holly, the Beatles, Bob Dylan, and Eric Clapton—adopted one maker’s guitar or another. By 1969 it was clear that these new electric instruments had launched music into a radical new age, empowering artists with a vibrancy and volume never before attainable. In “an excellent dual portrait” (The Wall Street Journal), Ian S. Port tells the full story in The Birth of Loud, offering “spot-on human characterizations, and erotic paeans to the bodies of guitars” (The Atlantic). “The story of these instruments is the story of America in the postwar era: loud, cocky, brash, aggressively new” (The Washington Post).

Meticulously collected from recordings, square and contra dances, fiddle contests, jam sessions and individual fiddlers- this book is meant to provide a snapshot of what American fiddlers were playing and listening to in the latter part of the 20th Century. As the vinyl record format disappears from the marketplace, a great deal of recorded fiddle music will no longer be available. In this book, Stacy Phillips shares the fruits of some timely collecting for all fiddlers to enjoy. Bowings, fingerings, and guitar chords are provided for each melody line.

This is an incredibly comprehensive book dealing with every harmonic and technical aspect of guitar improvising. Included are analyses of scales, arpeggios, picking technique, chord progressions, cadences and modulations. In addition, numerous studies and exercises are contained to help you play through the concepts of being taught. The goal is technical and mental mastery of the guitar fingerboard. Tablature is included.

This unique volume is the only book solely about antebellum American fiddling. It includes more than 250 easy-to-read and clearly notated fiddle tunes alongside biographies of fiddlers and careful analysis of their personal tune collections. The reader learns what the tunes of the day were, what the fiddlers' lives were like, and as much as can be discovered about how fiddling sounded then. Personal histories and tunes' biographies offer an accessible window on a fascinating period, on decades of growth and change, and on rich cultural history made audible. In the decades before the Civil War, American fiddling thrived mostly in oral tradition, but some fiddlers also wrote down versions of their tunes. This overlap between oral and written traditions reveals much about the sounds and social contexts of fiddling at that time. In the early 1800s, aspiring young violinists maintained manuscript collections of tunes they intended to learn. These books contained notations of oral-tradition dance tunes - many of them melodies that predated and would survive this era - plus plenty of song melodies and marches. Chris Goertzen takes us into the lives and repertoires of two such young men, Arthur McArthur and Philander Seward. Later, in the 1830s to 1850s, music publications grew in size and shrunk in cost, so fewer musicians kept personal manuscript collections. But a pair of energetic musicians did. Goertzen tells the stories of two remarkable violinist/fiddlers who wrote down many hundreds of tunes and whose notations of those tunes are wonderfully detailed, Charles M. Cobb and William Sidney Mount. Goertzen closes by examining particularly problematic collections. He takes a fresh look at George Knauff's Virginia Reels and presents and analyzes an amateur musician's own questionable but valuable transcriptions of his grandfather's fiddling, which reaches back to antebellum western Virginia.

Leading authorities explore, in direct and accessible language, chamber-music masterpieces by twenty-one prominent composers since 1900. Modern composers as diverse as Bela Bartok, Maurice Ravel, Benjamin Britten, and John Cage have confided some of their most personal and intense thoughts to the medium of the string quartet. The resulting repertoire has won the allegiance of string players-and of listeners in the concert hall and at home. Yet, until now, no book has addressed the language of these remarkable works, their interactions with the masterpieces of Beethoven and others, and theirnew approaches to musical expression. Intimate Voices, organized in rough chronological order, offers the observations and intuitions of leading authorities on quartets by twenty-one composers from eleven countries. Its two volumes-available separately or together-comprise an indispensable guide to amateur and professional chamber musicians, scholars, students, and anyone seeking a deeper acquaintance with the great achievements of twentieth-century music. Edited by Evan Jones, Associate Professor of Music Theory, Florida State University College of Music.

This book brings together, for the first time, nine pieces from ABRSM's Grade 1 Guitar syllabus from 2019. The pieces - two solos and one duet chosen from each of lists A, B and C - have been carefully selected to offer an attractive and varied range of styles, creating an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information. Recordings of all 30 pieces on the Grade 1 syllabus are available. These can be purchased as part of the Guitar Exam Pieces with CD package or as audio downloads (see www.abrsmdownloads.org for more details). ABRSM also offers a range of apps to support musical learning, available from www.abrsm.org/apps. Support material for ABRSM Guitar exams [GEPs with CD] [Scales] [Specimen sight-reading] [Specimen aural tests]

Ukulele Quest is an ideal first ukulele book that teaches many musical styles, including rock, reggae and the blues. This colourful tutor provides a great introduction to chord charts, how to read music and musical concepts such as dynamics, pitch and tempo. Accompanying audio at every stage brings the music to life. Come on a quest into the world of music and learn how to play the ukulele! Travel through time, meet dragons, pirates and robots, and make new friends along the way. "This book is beautifully put together and extremely well researched... It's the ukulele book all children deserve." Phil Castang, Head of Bristol Plays Music

The viola da gamba was a central instrument in European music from the late 15th century well into the late 18th. In this comprehensive study, Bettina Hoffmann offers both an introduction to the instrument -- its construction, technique and history -- for the non-specialist, interweaving this information with a wealth of original archival scholarship that experts will relish. The book begins with a description of the instrument, and here Hoffmann grapples with the complexity of various names applied to this and related instruments. Following two chapters on the instrument's construction and ancestry, the core of the book is given to a historical and geographical survey of the instrument from its origins into the classical period. The book closes with a look at the revival of interest in the 19th and 20th centuries.