"Santo Daime: A New World Religion" deals with a young, exotic and controversial religious movement. Emerging in the Brazilian Amazon in the 1930s, Santo Daime has since spread to many of the world's major cities. Santo Daime is a mixture of indigenous, popular Catholic, Afro-Brazilian, esoteric, Spiritist, and new age beliefs and activities. Ritual practice is centred on the consumption of a psychotropic beverage called 'Daime' which members believe enhances their interaction with the supernatural world. Because Daime is treated as an illegal narcotic in many parts of the world, outside of its Brazilian homeland most Santo Daime rituals are practised clandestinely. This book unites extensive fieldwork experience with an established theoretical background and makes a significant contribution to understanding the contemporary interface of religion and late-modern society. Individualization and religious subjectivism, pluralization and religious hybridism, transformation and detraditionalization, globalization and religious identity, and commoditization and religious consumption are among the many issues engaged by this book. "Santo Daime: A New World Religion" is an accessible and multi-disciplinary book suitable for undergraduate students and researchers working in Religious Studies, Sociology of Religion, Anthropology, Cultural Studies and Latin American Studies.

Monsters in Greek literature are often thought of as creatures which exist in mythological narratives, however, as this book shows, they appear in a much broader range of ancient sources and are used in creation narratives, ethnographic texts, and biology to explore the limits of the human body and of the human world. This book provides an in-depth examination of the role of monstrosity in ancient Greek literature. In the past, monsters in this context have largely been treated as unimportant or analysed on an individual basis. By focusing on genres rather than single creatures, the book provides a greater understanding of how monstrosity and abnormal bodies are used in ancient sources. Very often ideas about monstrosity are used as a contrast against which to examine the nature of what it is to be human, both physically and behaviourally. This book focuses on creation narratives, ethnographic writing, and biological texts. These three genres address the origins of the human world, its spatial limits, and the nature of the human body; by examining monstrosity in these genres we can see the ways in which Greek texts construct the space and time in which people exist and the nature of our bodies. This book is aimed primarily at scholars and students undertaking research, not only those with an interest in monstrosity, but also scholars exploring cultural representations of time (especially the primordial and mythological past), ancient geography and ethnography, and ancient philosophy and science. As the representation of monsters in antiquity was strongly influential on medieval, renaissance, and early modern images and texts, this book will also be relevant to people researching these areas.

"This biography does not aim for completeness, but focuses on Rudolf Steiner's being, intentions, and journey-aspects that must not be obliterated by the many events, foundations, and people involved with Anthroposophy.... It wants to convey (to quote Emil Leinhas) 'the immense greatness and unique significance of this individuality who radiates out over the centuries.'" -Peter Selg (from the introduction) To acknowledge and understand Rudolf Steiner's unique achievement and life's work, one must be able to accept that the founder and spiritual researcher of Anthroposophy was "a citizen of two worlds" the spiritual and the physical. Anthroposophy teaches that this duality, rather than being a quality reserved for special individualities, is inherent to human nature. According to Rudolf Steiner, it is a central aspect of being human, even in times when the suprasensory aspect of humanity is eclipsed (for ordinary day consciousness) and almost eliminated by certain civilizations. The interest in Rudolf Steiner's person and essence, in his attitude toward life and work, will continue to grow in the decades and centuries that lie ahead, both within and outside the anthroposophical movement. It will take hold of entirely different groups of people, including those who come with spiritual questions or discover them in times of need. Rudolf Steiner's work grew to be "one unique effort of bringing courage to human beings" (Michael Bauer). This is the first of seven comprehensive volumes on Rudolf Steiner's "being, intentions, and journey." It presents Rudolf Steiner from childhood and youth through his doctorate degree and up to the time of his work for the Goethe Archives as editor of Goethe's scientific writings. By considering his formative years in depth, we come to understand better the roots and development of Rudolf Steiner's later spiritual research and teachings.

This is not a book of facts; it’s a book of ‘facts’. Should you finish it believing we became the planet’s dominant species because predators found us too smelly to eat; or that the living bloodline of Christ is a family of Japanese garlic farmers – well, that’s on you. Why are we here? Do ghosts exist? Did life on Earth begin after a badly tidied-up picnic? Was it just an iceberg that sank the Titanic? Are authors stealing their plotlines from the future? Will we ever talk to animals? And why, when you’re in the shower, does the shower curtain always billow in towards you? We don’t know the answers to any of these questions. But don’t worry, no matter what questions you have, you can bet on the fact that there is someone (or something) out there, investigating it on your behalf. From the sports stars who use cosmic energy to office plants investigating murders, The Theory of Everything Else will act as a handbook for those who want to think differently.

Included in this anthology are four of Crowley's seminal works: The Book of Lies, The Book of the Law, Magick, and Cocaine. Each title has been newly edited and revised based on the original manuscripts, restoring each work as it was intended to be read by Crowley.