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Books > Arts & Architecture > Music > Techniques of music
This comprehensive method of music instruction enables the beginner
to progress to an advanced stage of technical skill.
The most pedagogically sophisticated text on the market, The
Musician's Guide is the most complete resource for the theory
curriculum that anyone can use. Successful online Know It? Show It!
pedagogy and a comprehensive workbook help students develop theory
skills inside the classroom and out. With a wider, more inclusive,
repertoire than ever, the text explores music that will be relevant
to every musician with clear, accessible prose.
Alfred's Basic Adult All-in-One Course is designed for use with an
instructor for the beginning student looking for a truly complete
piano course. It is a greatly expanded version of Alfred's Basic
Adult Piano Course that will include lesson, theory, technic and
additional repertoire in a convenient, "all-in-one" format. This
comprehensive course features written assignments that reinforce
each lesson's concepts, a smooth, logical progression between each
lesson, a thorough explanation of chord theory and playing styles,
and outstanding extra songs, including folk, classical, and
contemporary selections. At the completion of this course, the
student will have learned to play some of the most popular music
ever written and will have gained a good understanding of basic
musical concepts and styles. The CD has accompaniments to support
the student's playing of the exercises and songs found in the Level
2 book. Titles: Alexander's Ragtime Band * Arkansas Traveler *
Ballin' the Jack * The Battle Hymn of the Republic * Black Forest
Polka * Black is the Color of My True Love's Hair * Bourlesq *
Brahms Lullaby * Bridal Chorus from "Lohengrin" * Calypso Carnival
* Canon in D (Pachelbel) * Chorale * Circus March * Danny Boy *
Dark Eyes * Deep River * Divertimento in D * Down in the Valley *
Etude (Chopin) * Farewell to Thee (Aloha Oe) * Fascination *
Festive Dance * For He's a Jolly Good Fellow * Frankie and Johnnie
* Guantanamera * Hava Nagila * He's Got the Whole World in His
Hands * The Hokey-Pokey * The House of the Rising Sun * Hungarian
Rhapsody No. 2 * Introduction and Dance * La Bamba * La Donna E
Mobile * La Raspa * Light and Blue * Loch Lomond * Lonesome Road *
Love's Greeting * The Magic Piper * The Marriage of Figaro *
Mexican Hat Dance * Morning Has Broken * Musetta's Waltz * Night
Song * Nobody Knows the Trouble I've Seen * Olympic Procession *
Overture from "Raymond" * Plaisir D'Amour * Polyvetsian Dances *
Pomp and Circumstance No. 1 * The Riddle * Rock-a My
In The Singing of the New World Gary Tomlinson offers histories of
ancient music long since silent: the songs of the Indians that
Europeans met in the sixteenth century. Merging recent cultural
history, early European accounts, archaeological findings, and rare
indigenous documents for the Mexica (or Aztecs), the Incas, and the
Tupinamba of lowland Brazil, Tomlinson explores the place of
singing in these societies. He details the expressive and ritual
ends it was expected to fulfil before and after the coming of the
conquistadors. Musical practices and the cultural ends they served
come alive across a spectrum that reaches from the cosmogonic
geometry of Inca ritual song through the imminent sacred
materiality of Mexican cantares to the intricate interconnections
of singing, speaking and eating in Tupinamba cannibalism. A final
chapter considers the fears mutually and repeatedly inspired by the
expressive powers of American and European song.
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