The author of "The Gospel of" "Inclusion" continues to rouse organized religion as he raises controversial issues and provides enlightening answers to the deepest questions about God and faith.

What is God? Where is God? Who is the one true God? Questions such as these have driven a thousand human struggles, through war, terrorism, and oppression. Humanity has responded by branching off into multiple religions, including Christianity, Judaism, Islam--each one pitted against the other. But it doesn't have to be that way.
In "God Is Not a Christian, nor a Jew, Muslim, Hindu" . . ., the provocative and acclaimed Bishop Carlton Pearson follows up on his celebrated first book, "The Gospel of Inclusion," to tackle these questions and many more, exploring new ideas about God and faith and putting forth the stunning assertion that God belongs to no particular religion but is an ever-loving presence available to all. For these beliefs, Bishop Pearson lost his thriving Pentecostal ministry but was catapulted instead into a greater pulpit. His readership has grown through appearances on national television and an extensive speaking schedule. With the world in the midst of a holy war, there is no better time for the wisdom of Bishop Pearson to reach a global audience.
Bishop Pearson's many loyal fans, along with new readers, will surely welcome this provocative and eye-opening exploration of a deeper faith, one that goes far beyond any fundamentalist way of thinking, be it Christian, Jewish, Muslim, Hindu, etc. Simply put, Bishop Pearson dares to tell the truth so many others are too afraid to face.

The political responsibility of artists in a globalized society is debated in this collection of articles by authors from Africa, Australia, South America, Europe, and Scandinavia. Bemoaning the competition for tourist dollars among the world's great cities and the commodification of cultural artifacts, these artists propose real and imagined places where art might resist capitalism, such as failed urban developments, among refugees, and in rural outposts.

Art and Its Histories, Volume I: Caves to Cathedrals Revisited tells a succinct and absorbing story about the varied, complex roles that images and objects have played in cultures from Prehistory to the Middle Ages. Each chapter in the textbook provides historical, social, religious, and cultural context for the images and objects analyzed, as well as recent research about materiality, gender, and social class to demonstrate connections between art history and contemporary visual culture. In addition to an engaging introduction and conclusion that emphasize connectivity across cultures, thirteen chapters, written by subject experts, explore over 500 individual images and objects within their respective historical contexts. Each chapter is accompanied by suggested activities and assignments that enrich the student reading and learning experience. Art and Its Histories, Volume I demonstrates that across historical periods cultures do not exist in isolation; instead they are in constant dialogue with each other, promoting cross-cultural pictorial languages and styles. It is the first textbook in a two-volume series designed to support courses and programs in art history. All of the contributors and editors are alumni of New York University's Institute of Fine Arts.