This work sets out to consider the fate of creativity and forms of cultural production as they fall into and between the regimes of cultural heritage law and intellectual property law. It examines and challenges the dualisms that ground both regimes, exposing their (unsurprising) reflection of occidental ways of seeing the world. The work reflects on the problem of regulating creativity and cultural production according to Western thought systems in a world that is not only Western. At the same time, it accepts that the challenge in taking on the dualisms that hold together the existing legal regimes regulating creativity and cultural production lies in a critically nuanced approach to the geo-political distinction between the West and the rest. Like many of the distinctions considered in this book, this is one that holds and does not hold.

Launched in 1994 by Laurence Ng, and morphing quickly from a "how-to" magazine tutoring its readership in the intricacies of new design technologym, into a "what to" magazine aiming to inspire and reflect the booming community around it, "IdN" is at the forefront of contemporary design. Today it is well established as a global meeting place for designers. The "IdN 15th Anniversary Edition: What Do You Love?" is a massive 452-page hardcover featuring specially commissioned work from over 250 of the highly talented creators who have collaborated with the magazine over the last decade and a half, sharing their thoughts on the past; and their visions of the future. These include Aiden Kelly, Baku Maeda, Creative Time, Exopolis, Head Gear Animation, Jon Burgerman, Live Evil Empire, Lost in Space, Mark Jenkins, Musa Collective, Neubau, Nikosono, Onesize, Paris Hair, Pomme Chan, Shilo, Tomato, Slingshot London, Sweden Graphics, The Designers Republic, Via Grafik, Wonksite, YOK, Linda Zacks, Zetka and Zip Design. A DVD supplies more than 100 minutes of motion graphics with over 80 animations, short films, TV commercials, interviews, studio tours and music videos.

In his influential essay "Provisional Painting," Raphael Rubinstein applied the term "provisional" to contemporary painters whose work looked intentionally casual, dashed-off, tentative, unfinished or self-cancelling; who appeared to have deliberately turned away from "strong" painting for something that seemed to constantly risk failure or inconsequence. In this collection of essays, Rubinstein expands the scope of his original article by surveying the historical and philosophical underpinnings of provisionality in recent visual art, as well as examining the works of individual artists in detail. He also engages crucial texts by Samuel Beckett and philosopher Gianni Vattimo. Re-examining several decades of painting practices, Rubinstein argues that provisionality, in all its many forms, has been both a foundational element in the history of modern art and the encapsulation of an attitude that is profoundly contemporary.

This book proposes to investigate the arts from the inside, namely to consider, first and foremost, what artists do to create their works in order to proceed fruitfully in the direction of their evaluation and explanation. To this end, it develops a philosophical inquiry that examines the ground zero of the arts, their common foundations, namely the rules for artistic creation, the processes that involve artists in their activities, the forms that they can or cannot achieve. This proposal and its outline for a rule-based ontology of the arts addresses four themes: the relationship between human nature and artistic practices, the features of art-making, the conception of artworks as structures, and the social nature of the arts.

The author of "The Gospel of" "Inclusion" continues to rouse organized religion as he raises controversial issues and provides enlightening answers to the deepest questions about God and faith.

What is God? Where is God? Who is the one true God? Questions such as these have driven a thousand human struggles, through war, terrorism, and oppression. Humanity has responded by branching off into multiple religions, including Christianity, Judaism, Islam--each one pitted against the other. But it doesn't have to be that way.
In "God Is Not a Christian, nor a Jew, Muslim, Hindu" . . ., the provocative and acclaimed Bishop Carlton Pearson follows up on his celebrated first book, "The Gospel of Inclusion," to tackle these questions and many more, exploring new ideas about God and faith and putting forth the stunning assertion that God belongs to no particular religion but is an ever-loving presence available to all. For these beliefs, Bishop Pearson lost his thriving Pentecostal ministry but was catapulted instead into a greater pulpit. His readership has grown through appearances on national television and an extensive speaking schedule. With the world in the midst of a holy war, there is no better time for the wisdom of Bishop Pearson to reach a global audience.
Bishop Pearson's many loyal fans, along with new readers, will surely welcome this provocative and eye-opening exploration of a deeper faith, one that goes far beyond any fundamentalist way of thinking, be it Christian, Jewish, Muslim, Hindu, etc. Simply put, Bishop Pearson dares to tell the truth so many others are too afraid to face.