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Books > Christianity > The Historical Jesus
The most complete summation to date of the New Testament evidence for magical practice by Jesus and the early Christians. The very notion of Jesus being a sorcerer runs so against the grain of the Western cultural myth that even non-Christians are likely to find it far-fetched or even vaguely disturbing. Nevertheless, scholars steadily accumulated evidence for magical practices in the New Testament throughout much of the 20th century. It is that ever expanding body of knowledge that has made this book possible. This book examines the following: The nature of the earliest Christian documents, the defects of their trans-mission, and the evidence for the suppression of descriptions of magical acts. The closely related problem of the New Testament accounts as historical sources. The radically apocalyptic nature of Jesus' message and the expectations of the early church. The failure of the apocalypse to occur and the theological reaction to that failure. The role of magic and mystery religion in early Christianity. A revisiting of the story of the "beloved disciple" and what it may tell us about Jesus and suppression of evidence about his life. Contents: Documentary Evidence / Infancy Narratives / Confrontation / Resurrection as Ghost Story /Apocalyptic Prophet / Apocalypse Postponed, / Magic and Mystery, / Jesus the Magician / Spirit Versus Spirit, / Ecstatic Inner Circle, / Christian Mysteries, / Secret Gospel of Mark, / Beloved Disciple, / On the Use of Boys in Magic, / Apocalypse, Magic, and Christianity, / "Son of David." / Mary Magdalene
In this authoritative and thought-provoking work, Geza Vermes transforms our understanding of Jesus. Taking a fresh approach which gives an equal voice to both New Testament and non-biblical Jewish writings, he explores the differing portrayals of Jesus that have defined two millennia of Christian belief and speculation. Beginning with the most recent gospel, the Gospel of John, Vermes takes us back in time to reveal the historical figure of Jesus hidden beneath the oldest gospels, revealing how and why a charismatic Palestinian holy man was elevated into the divine figure of Christ.
There are countless paths to follow when seeking spiritual guidance, but thousands of years of religion and theology cannot replace the premier example that Jesus himself set. In A Portrait of Jesus, bestselling writer Joseph Girzone recaptures the truth of Jesus that is presented in the Gospels and gives a compelling vision of the person Jesus' contemporaries must have known. In his most powerful work yet, Girzone seeks to personify Christ in the minds of readers by asking some simple questions: "What did people see in Jesus as he walked down the street? How did he approach others and what would these people take away from meeting him? What do his actions tell us about how we can live our lives today?" It is Girzone's empowering and loving understanding of the heart of Christianity that will make A Portrait of Jesus a groundbreaking classic in the tradition of his bestselling books, Joshua and Never Alone.
This book examines Paul's letter to the Philippians against the social background of the colony at Philippi. After an extensive survey of Roman social values, Professor Hellerman argues that the cursus honorum, the formalized sequence of public offices that marked out the prescribed social pilgrimage for aspiring senatorial aristocrats in Rome (and which was replicated in miniature in municipalities and in voluntary associations), forms the background against which Paul has framed his picture of Jesus in the great Christ hymn in Philippians 2. In marked contrast to the values of the dominant culture, Paul portrays Jesus descending what the author describes as a cursus pudorum ('course of ignominies'). The passage has thus been intentionally framed to subvert Roman cursus ideology and, by extension, to redefine the manner in which honour and power were to be utilized among the Christians at Philippi.
David Friedrich Strauss is a central figure in 19th century intellectual history. The first major source for the loss of faith in Christianity in Germany, his work Das Leben Jesu was the most scandalous publication in Germany during his time. His book was a critique of the claims to historical truth of the New Testament, which had been the mainstay of Protestantism since the Reformation. As the father of unbelief, his critique of Christianity preceded that of Nietzsche, Marx, Feuerbach, and Schopenhauer. His views imposed a harsh fate upon him - he was persecuted for his beliefs by religious and political authorities and was denied employment in the university and government, forcing him to live as a free-lance writer. He led a wandering and isolated life as an outcast. Here, Frederick C. Beiser studies the intellectual development of Strauss and recounts his fate, which began in faith as a young man but finally ended in unbelief.
In the New Testament, Jesus reassures the Apostles before he ascends to heaven by saying, You will receive power when the Holy Spirit comes upon you, and you will be my witnesses . . . to the ends of the earth." What of this Spirit? In what way was that Spirit manifested in Jesus' ministry on earth? What does it offer us? And ask of us? These reflections by the preacher to the papal household coalesce biblical and doctrinal thought on the gifts conferred by anointing in the Spirit - kingly, prophetic, and priestly - onto Christ and through Christ to the Church. As one well accustomed to illuminating the Word to his audience, Father Cantalamessa bestows on readers an understanding of the Holy Spirit that is both practical and profound."
Mary is a great gift and example to all Christians because in her God's Word was written and by her it was accepted and its grace manifested. In this she is, as the title indicates, a mirror of the Church, the people of God. She reflects what we are called to be. While this work cannot help but discuss aspects of Mariology, it is not so much a study as it is a pilgrimage. Reflecting on and following Mary's example, as Father Cantalamessa presents it here, we enter into a pilgrimage of listening and obedience to God's Word.
In this fully revised and updated second edition of his accessible
account of systematic Christology, Gerald O'Collins continues to
challenge the contemporary publishing trend for sensationalist
books on Jesus that are supported neither by the New Testament
witness nor by mainline Christian beliefs.
"Linda Hall presents an outstanding comparative work on Spanish and American devotion to Mary. She skillfully handles a diversity of Marian imagery, moving with ease from one instance to the next, describing the theological, dogmatic, and even regional differences of each cult.... The book makes for a valuable and fascinating read."-- Theological Studies"In a brief review it is difficult to do justice to the richness of this book and its insights. It is well researched, well written, and enhanced by illustrations that truly support the text."-- The Americas"The book is an impressive and very welcome contribution to the history of Marian devotion and, more broadly, of religious culture in the Hispanic World."-- Journal of Latin American Studies." . . a magnificent overview of the complex phenomenon of Marianism in the Hispanic World, from the Islamic frontier of medieval Spain to the teeming barrios of the American Southwest."-- Luis Marti n, Kahn Professor Emeritus of History, Southern Methodist University A Mother who nurtures, empathizes, and heals... a Warrior who defends, empowers, and resists oppression... the Virgin Mary plays many roles for the peoples of Spain and Spanish-speaking America. Devotion to the Virgin inspired and sustained medieval and Renaissance Spaniards as they liberated Spain from the Moors and set about the conquest of the New World. Devotion to the Virgin still inspires and sustains millions of believers today throughout the Americas. This wide-ranging and highly readable book explores the veneration of the Virgin Mary in Spain and the Americas from the colonial period to the present. Linda Hall begins the story in Spain and followsit through the conquest and colonization of the New World, with a special focus on Mexico and the Andean highlands in Peru and Bolivia, where Marian devotion became combined with indigenous beliefs and rituals. Moving into the nineteenth century, Hall looks at national cults of the Virgin in Mexico, Bolivia, and Argentina, which were tied to independence movements. In the twentieth century, she examines how Eva Pero n linked herself with Mary in the popular imagination; visits contemporary festivals with significant Marian content in Spain, Peru, and Mexico; and considers how Latinos/as in the United States draw on Marian devotion to maintain familial and cultural ties.
Two thousand years ago, an itinerant Jewish preacher walked across the Galilee, gathering followers to establish what he called the “Kingdom of God.” The revolutionary movement he launched was so threatening to the established order that he was executed as a state criminal. Within decades after his death, his followers would call him God. Sifting through centuries of mythmaking, Reza Aslan sheds new light on one of history’s most enigmatic figures by examining Jesus through the lens of the tumultuous era in which he lived. Balancing the Jesus of the Gospels against the historical sources, Aslan describes a man full of conviction and passion, yet rife with contradiction. He explores the reasons the early Christian church preferred to promulgate an image of Jesus as a peaceful spiritual teacher rather than a politically conscious revolutionary. And he grapples with the riddle of how Jesus understood himself, the mystery that is at the heart of all subsequent claims about his divinity. Zealot yields a fresh perspective on one of the greatest stories ever told even as it affirms the radical and transformative nature of Jesus’ life and mission.
In 2014, Cologne celebrates the 850th anniversary of the arrival of the Magi, a momentous event that made the cathedral city one of the most popular pilgrimage sites of the Middle Ages. Today, the influence of the Magi on the city remains evident in the crowns that grace its municipal coat of arms and the Shrine of the Magi at the heart of the magnificent Cologne Cathedral. The Magi: Legend, Art and Cult is published to accompany a major commemorative exhibition at the Museum Schnutgen that traces the legend of the Magi through works of art from the fourth to the sixteenth century, bringing together sculptures, paintings, manuscripts, and other works that interpret the Magi. The works of art that comprise the exhibition come from Italy, Germany, and France, but include many rarely seen works from Cologne that cannot be moved from their fixed positions for liturgical or conservational reasons. These include such works as the wooden doors of St. Mary in the Capitol, the shrine of Nicholas of Verdun, and the altar painting of Stephan Lochner from the former Ratskapelle.
Who is Jesus? What did he do? What did he say? -Are the traditional answer to these questions still to be trusted? - Did the early church and tradition "Christianize" Jesus? - Was Christianity built on clever conceptions of the church, or on the character and actions of an actual person? These and similar questions have come under scrutiny by a forum of biblical scholars called the Jesus Seminar. Their conclusions have been widely publicized in magazines such as Time and Newsweek. Jesus Under Fire challenges the methodology and findings of the Jesus Seminar, which generally clash with the biblical records. It examines the authenticity of the words, actions, miracles, and resurrection of Jesus, and presents compelling evidence for the traditional biblical teachings. Combining accessibility with scholarly depth, Jesus Under Fire helps readers judge for themselves whether the Jesus of the Bible is the Jesus of history, and whether the gospels' claim is valid that he is the only way to God.
Tracing devotion to Mary to psychological and historical processes that began in the fifth century, Michael Carroll answers intriguing questions: What explains the many reports of Marian apparitions over the centuries? Why is Mary both "Virgin" and "Mother" simultaneously? Why has the Marian cult always been stronger in certain geographical areas than in others? The first half of the book presents a psychoanalytic explanation for the most salient facts about the Marian cult and the second addresses the question of Marian apparitions.
In The Case for Christ Graduate Edition, New York Times bestselling author Lee Strobel retraces his own spiritual journey from atheism to faith. Lee, former legal editor of the Chicago Tribune, cross-examines a dozen experts with doctorates who are specialists in the areas of old manuscripts, textual criticism, and biblical studies. Strobel challenges the experts with questions such as, How reliable is the New Testament? Does evidence for Jesus exist outside the Bible? Is there any reason to believe the resurrection was an actual event? In this beautifully decorated edition based on The Case for Christ Student Edition, Strobel's tough, point-blank questions make this bestselling book read like a captivating, fast-paced novel. But it's not fiction. It's a riveting quest for the truth about history's most compelling figure. Complimented with an exclusive interview with Strobel, this timeless book is one any graduate will want to keep and re-read for years to come.
Who Is Jesus? A Historical Person An Extraordinary Person God One of Us Alive A Historical Person Maybe you have never really thought about who Jesus is, or whether his claims have any implications for your life. After all, we're talking about a man who was born in the first century into an obscure Jewish carpenter's family. The basic facts of his life--where and when he lived, how he died--are all pretty well agreed upon. But what about the significance of his life and death? Was he a prophet? A teacher? Was he the Son of God, or just an unusually gifted man? And for that matter, who did he think he was? For all the questions, though, everyone seems to agree on one thing: Jesus was an extraordinary person. An Extraordinary Person Without a doubt, in his day there was something about Jesus that caught people's attention. Over and over Jesus said things that left his contemporaries amazed at his wisdom, and even confronted them in ways that left them fumbling around for a way to make sense of it all. (Matthew 22:22). "Many who heard him were astonished, saying, 'What is the wisdom given to him?' . . . and 'How are such mighty works done by his hands?'" (Mark 6:2) Then there were the miracles. Hundreds and hundreds of people saw with their own eyes Jesus do things that no human being should be able to do. He healed people from sickness; he made water instantly turn into fine-tasting wine; he told lame people to walk again, and they did; he stood on the prow of a boat and told the ocean to be quiet--and it did; he stood in front of the tomb of a man who had been dead for four days and called to him to come back to life--and the man heard him, stood up, and walked out of the tomb (Matthew 8:24-27; 9:6-7; John 2:1-11; 11:38-44). With every one of his miracles and in every one of his sermons Jesus was making and backing up claims about himself that no human being had ever made before--claims that he was God. God On a number of occasions Jesus took a name for himself exclusively used for God, the present tense "I am" (John 8:48-58), which brought to mind the ancient and famous name of Israel's almighty God (Exodus 3:14). Prophecies that Jesus claimed to fulfill also pointed to his deity. The people of Israel were looking forward to a king occupying the centuries-vacant throne. One prophet described this King as "Wonderful Counselor, Mighty God, Everlasting Father, Prince of Peace. Of the increase of his government and of peace there will be no end" (Isaiah 9:6-7). The people of that day would have seen that this promised King didn't sound like just another man who would sit on the throne for a time and then die. They would have heard their God promising that he himself would come and be their King. Jesus also asserted his identity as, "the Son of God." It wasn't just a royal title; it was also a claim that Jesus was equal to God in status and character and honor. John explains: "This was why the Jews were seeking all the more to kill him, because . . . he was even calling God his own Father, making himself equal with God" (John 5:18). One of Us Christians call the reality that God became human the incarnation. The Bible tells us that Jesus got hungry, he got thirsty, he got tired, and he even got sleepy. He did things with a deeply human tenderness, compassion, and love (Matthew 15:32; Mark 6:34, John 11:33-36). He not only was human; he showed us what God intended humanity to be all along. Jesus was identifying with us, becoming one with us so that he could represent us in life and death. When Adam, the first man, sinned, he did so as the representative of all who would come after him (Genesis 3:1-15). "One trespass led to condemnation for all men" (Romans 5:18). Jesus would let God's sentence of death--his righteous wrath against sinners--fall on him. So, Jesus allowed one of his own disciples to betray him to the Roman authorities who sentenced him to be crucified. In Jesus's death on the cross, all the sin of God's people was placed on him. Jesus died for them. He died in their place. There's only one thing that would lead the Son of God to do this: he deeply loves us. "For God so loved the world," one biblical writer said, "that he gave his only Son, that whoever believes in him should not perish but have eternal life" (John 3:16). But Jesus did not remain dead. When some disciples entered Jesus's tomb two days later, "they saw a young man sitting on the right side, dressed in a white robe, and they were alarmed. And he said to them, 'Do not be alarmed. You seek Jesus of Nazareth, who was crucified. He has risen; he is not here'" (Mark 16:5-6). Alive Through Jesus's resurrection from the dead, something breathtakingly extraordinary happened. Everything he ever claimed for himself was vindicated. (1 Corinthians 15:14-19). Only the resurrection had the power to turn his own followers--cowardly, skeptical men--into martyrs and eyewitnesses who were willing to stake everything on him for the sake of telling the world, "This man Jesus was crucified, but now he is alive!" The resurrection is the hinge on which all Christianity turns. It's the foundation on which everything else rests, the capstone that holds everything else about Christianity together. Who Do You Say He Is? Maybe you're not ready to believe his claims. What is holding you back? Once you identify those things, don't just walk away from them. Examine them. Pursue them. Find answers to your questions. Don't put this off. This is the most important question you'll ever consider! Maybe you're ready to say, "I really do think Jesus is the Son of God. I know I'm a sinner and a rebel against God. I know I deserve death for that rebellion, and I know Jesus can save me." If so, then you simply turn away from sin and trust Jesus, and rely on him to save you. And then you tell the world! This is who Jesus is. He is the One who saves people just like me, and just like you!
At the turn of the twentieth century, American popular culture was booming with opportunities to see Jesus Christ. From the modernized eyewitness gospel of Ben-Hur to the widely circulated passion play films of Edison, Lumiere, and Pathe; from D. W. Griffith's conjuration of a spectral white savior in Birth of a Nation to W. E. B. Du Bois's "Black Christ" story cycle, Jesus was constantly and inventively visualized across media, and especially in the new medium of film. Why, in an era traditionally defined by the triumph of secular ideologies and institutions, were so many artists rushing to film Christ's miracles and use his story and image to contextualize their experiences of modernity? In The Disappearing Christ, Phillip Maciak examines filmic depictions of Jesus to argue that cinema developed as a model technology of secularism, training viewers for belief in a secular age. Negotiating between the magic trick and the documentary image, the conflicting impulses of faith and skepticism, the emerging aesthetic of film in this period visualized the fraught process of secularization. Cinematic depictions of an appearing and disappearing Christ became a powerful vehicle for Americans to navigate a rapidly modernizing society. Studying these films alongside a multimedia, interdisciplinary archive of novels, photographs, illustrations, and works of theology, travel writing, and historiography, The Disappearing Christ offers a new narrative of American cultural history at the intersection of cinema studies and religious studies.
This title offers an up-to-date picture of Jesus of Nazareth, highlighting the problems and pitfalls encountered in such a venture, and including a survey of current scholarship. The introduction to this new guide sets out the sources (Graeco-Roman, Jewish and Christian), noting the problems connected with them, paying particular attention to the nature of the gospels, and the Synoptic versus the Johannine tradition. There is a substantial section that will discuss scholarship on Jesus from the nineteenth century to the explosion of works in the present day, introducing and explaining the three different 'quests' for the historical Jesus. Subsequent chapters of this title will analyse key themes in historical Jesus research: Jesus' Galilean origins; the scope of his ministry and models of 'holy men', particularly that of prophet; Jesus' teaching and healing; his trial and crucifixion; the highly contentious question of his resurrection; and, finally an exploration of the links between the Jesus movement and the early church. Throughout, the (often opposing) positions of a variety of key scholars will be explained and discussed (eg. Sanders, Crossan, Dunn, Wright, Brown). "Continuum's Guides for the Perplexed" are clear, concise and accessible introductions to thinkers, writers and subjects that students and readers can find especially challenging - or indeed downright bewildering. Concentrating specifically on what it is that makes the subject difficult to grasp, these books explain and explore key themes and ideas, guiding the reader towards a thorough understanding of demanding material.
In Defense of Extended Conciliar Christology: A Philosophical Essay examines the logical consistency and coherence of Extended Conciliar Christology-the Christological doctrine that results from conjoining Conciliar Christology, the Christology of the first seven ecumenical councils of the Christian Church, with five additional theses. These theses are the claims that multiple incarnations are possible; Christ descended into Hell during his three days of death; Christ's human will was free; Christ was impeccable; and that Christ, via his human intellect, knew all things past, present, and future. These five theses, while not found in the first seven ecumenical councils, are common in the Christian theological tradition. The main question Timothy Pawl asks in this book is whether these five theses, when conjoined with Conciliar Christology, imply a contradiction. This study does not undertake to defend the truth of Extended Conciliar Christology. Rather, it shows that the extant philosophical objections to Extended Conciliar Christology fail.
Saint Marks invokes and pluralizes the figure of Mark in order to explore relations between painting and writing. Emphasizing that the saint is not a singular biographical individual in the various biblical and hagiographic texts that involve someone so named, the book takes as its ultimate concern the kinds of material life that outlive the human subject. From the incommensurate, anachronic instances in which Saint Mark can be located-among them, as Evangelist or as patron saint of Venice-the book traces Mark's afterlives within art, sacred texts, and literature in conversation with such art historians and philosophers as Aby Warburg, Giorgio Agamben, Georges Didi-Huberman, T. J. Clark, Adrian Stokes, and Jean-Luc Nancy. Goldberg begins in sixteenth-century Venice, with a series of paintings by Gentile and Giovanni Bellini, Tintoretto, and others, that have virtually nothing to do with biblical texts. He turns then to the legacy of John Ruskin's Stones of Venice and through it to questions about what painting does as painting. A final chapter turns to ancient texts, considering the Gospel of St. Mark together with its double, the so-called Secret Gospel that has occasioned controversy for its homoerotic implications. The posthumous persistence of a life is what the gospel named Mark calls the Kingdom of God. Saints have posthumous lives; but so too do paintings and texts. This major interdisciplinary study by one of our most astute cultural critics extends what might have been a purely theological subject to embrace questions central to cultural practice from the ancient world to the present.
Two billion people today identify as Christians, with the implication that Jesus is the focus of their relationship with God, and their way of living in the world. Such followers of Jesus are now more numerous and make up a greater proportion of the world's population than ever before. Despite its decline in the West, Christianity is rapidly increasing in areas such as Africa and China. Richard Bauckham explores the historical figure of Jesus, evaluating the sources and concluding that they provide us with good historical evidence for his life and teaching. In order to place Jesus in his proper historical context, as a Jew from Galilee in the early first century of our era, Bauckham looks at Jewish religion and society in the land of Israel under Roman rule. He explores Jesus' symbolic practices as well as his teachings, looks at his public career and emphasises how his actions, such as healing and his association with notorious sinners, were just as important as his words. Bauckham shows that Jesus was devoted to the God of Israel, with a special focus on God's fatherly love and compassion, and like every Jewish teacher he expounded the Torah, but did so in his own distinctive way. With a discussion about the way Jesus understood himself and what finally led to his death as a criminal on a Roman cross, he concludes by considering the significance Jesus has come to have for Christian faith worldwide. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
In this classic volume available once again, it is the title essay that is the most controversial. Jay Haley proposes an original interpretation of the Bible analyzing Jesus? actions as a man trying to build a mass movement to topple a power structure. Using wit and wry humor, Haley instructs the reader in the other essays on what it takes to be schizophrenic, as well as the art and technique required to have an awful marriage, and how to be an awful therapist. His rationale for a directive therapy is the subject of other essays.
This volume presents a collection of papers by scholars from Europe and the USA on a question which is currently again the subject of intensive discussion - the figure of the historical Jesus. One main problem is that of methodology - how in general can history be constructed from texts, how is it possible in this particular case to draw a picture of Jesus the person from the texts about him? This question is placed within the wider context of epistemological and historiographical enquiry. A further major question is that of the relationship between Jesus' work and the development of the Christian faith. Whereas earlier scholars often saw a gap between the two, many of the present contributors put forward a different point of view. In addition, a number of questions of detail are treated which are important for research into the historical Jesus (the law, Jesus' concept of death, judgement and salvation).
This book provides a clear scholarly introduction to study of the life of Jesus and of the four New Testament gospels. In the second edition, special attention is given to ways of assessing the relevant literary and archaeological evidence. Current scholarly debates are considered, but the main emphasis is on thorough study of key passages in the gospels.
Designed as a supplement to Habits of Grace: Enjoying Jesus through the Spiritual Disciplines, this study guide includes Scripture readings, discussion questions, and key quotations from the book, designed for both individuals and small groups. |
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