."..the author has identified a significant and little examined subject for study, and displays a deep knowledge of it... Where previously the issue of Polish film and the Holocaust had been addressed in single articles or chapters on the depiction of the Holocaust in particular films, here, for the first time we have a history." Jeremy Hicks, University of London

During World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska's "The Last Stage" (1948) and Aleksander Ford's "Border Street" (1949), and next explores the Polish School period, represented by Andrzej Wajda's "A Generation" (1955) and Andrzej Munk's "The Passenger" (1963). Between 1965 and 1980 there was an "organized silence" regarding sensitive Polish-Jewish relations resulting in only a few relevant films until the return of democracy in 1989 when an increasing number were made, among them Krzysztof Kie lowski's "Decalogue 8" (1988), Andrzej Wajda's "Korczak" (1990), Jan Jakub Kolski's "Keep Away from the Window" (2000), and Roman Pola ski's "The Pianist" (2002). An important contribution to film studies, this book has wider relevance in addressing the issue of Poland's national memory.

Marek Haltof is Professor at Northern Michigan University in Marquette. His recent books include the "Historical Dictionary of Polish Cinema" (2007), "Australian Cinema: The Screen Construction of Australia" (in Polish, 2005), "The Cinema of Krzysztof Kie lowski: Variations on Destiny and Chance" (2004), and "Polish National Cinema" (2002).

Berlin 1941. Marie Jalowicz Simon, a nineteen-year-old Jewish woman, makes an extraordinary decision. All around her, Jews are being rounded up for deportation, forced labour and extermination. Marie takes off the yellow star and vanishes into the city. In the years that follow, Marie lives under an assumed identity, moving between almost twenty different safe houses. She is forced to accept shelter wherever she can find it, and many of those she stays with expect services in return. She stays with foreign workers, committed communists and even convinced Nazis. Any false move might lead to arrest. Always on the move, never certain who could be trusted and how far, it is her quick-witted determination and the most amazing and hair-raising strokes of luck that ensure her survival. This is Marie's extraordinary story, told in her own voice with unflinching honesty after more than fifty years of silence.

Surveying irreverent and controversial representations of the Holocaust - from Sylvia Plath and the Sex Pistols to Quentin Tarantino and Holocaust comedy - Matthew Boswell considers how they might play an important role in shaping our understanding of the Nazi genocide and what it means to be human.

The Jewish Orphanage in Leiden was the last one of eight such care homes to open its doors in the Netherlands before the Second World War. After spending almost 39 years in an old and utterly inadequate building in Leiden's city centre, the inauguration in 1929 of a brand-new building, shown on the front cover, was the start of a remarkably productive and prosperous period. The building still stands there, proudly but sadly, to this day: the relatively happy period lasted less than fourteen years. On Wednesday evening, 17th March 1943, the Leiden police, under German instructions, closed down the orphanage and delivered 50 children and nine staff to the Leiden railway station, from where they were brought to Transit Camp Westerbork in the north-east of the country. Two boys were released from Westerbork thanks to tireless efforts of a neighbour in Leiden; one young woman survived Auschwitz, and one young girl escaped to Palestine via Bergen-Belsen. The remaining 55 were deported to Sobibor - and not one of them survived. Some 168 children lived in the new building at one time or another between August 1929 and March 1943. This book reconstructs life in the orphanage based on the many stories and photographs which they left us. It is dedicated to the memory of those who perished in the Holocaust, but also to those who survived. Without them, this book could not have been written.

This book explores the memory of the Romanian Holocaust through transnational representations strongly rooted in a Romanian past of anti-Semitism, genocide, and violence. The essays in this volume discuss survivor testimonial accounts, letters, journals, and drawings, as well as literature and films in an effort to break the silence imposed by the Communist regime and debunk the denials of the Holocaust in Romania. What the survivors, writers (Paul Celan, Aharon Applefeld, Elie Wiesel, Norman Manea), artists, and film directors (Radu Mihaileanu, Radu Gabrea) present in this volume have in common is not just their Romanian heritage and their complicated relationship with Romania, but also an intense preoccupation with the memory of the Holocaust.

Every student of the Holocaust knows the crucial importance of survivors' testimonies in reconstructing the crime. Most such accounts, however, were recorded years or even decades after the end of World War II. The survivor narratives that make up this volume, in contrast, were gathered immediately after the war. In 1946, Russian-born American psychologist David P. Boder interviewed 109 victims of Nazi persecution--the majority of them Jews--in ""Displaced Persons"" camps across Europe. The thirty-six accounts collected here possess an immediacy and authenticity that might otherwise be questioned in memoirs penned long after the events they detail. These interviews encompass survivors from Poland, Lithuania, Germany, France, Slovakia, and Hungary, ranging in age from their early teens to their seventies. Their remarkable stories shed light on such controversial subjects as relations between Jews and neighbors or strangers who extended or withheld aid, opportunities for and obstacles to Jewish resistance, the victims' knowledge--or lack of knowledge--about the fate that awaited them in Nazi hands, survival strategies, women's experience of the Holocaust, the Nazi practice of placing prisoners in charge of their fellow inmates, and the liberators' postwar treatment of freed concentration camp inmates. In an introduction, Donald Niewyk describes this extraordinary interviewing project and traces the overwhelming obstacles Boder faced in finding an audience for the survivor narratives he collected.

The 250,000 survivors of the Holocaust who converged on the American Zone of Occupied Germany from 1945-1948 rose to brief prominence in the immediate post-war years. They envisaged themselves as the living bridge between destruction and rebirth, the last remnants of a world destroyed and the active agents of its return to life. Much of what has been written to date looks at the Surviving Remnant through the eyes of others and thus has often failed to disclose the tragic complexity of their inner lives together with their remarkable political achievements. Zeev W. Mankowitz concentrates on this community of survivors, its people, movements, ideas, institutions and self-understanding, how it grappled with the unbearable weight of the past, the strains of the present and the challenge of the future. These ordinary people lived through experiences that beggar description. In most cases they had lost everyone and everything and were now condemned to a protracted and debilitating stay amidst grim conditions in the land of their oppressors. Yet, they got on with their lives, they married, had children and worked for a better tomorrow. By and large, they did not surrender to the deformities of suffering and somehow managed to preserve their humanity intact. This is the story Mankowitz tells in Life between Memory and Hope. Over the last two decades Dr. Zeev Mankowitz has divided his time between Holocaust research and the training of educational leaders. His celebrated lectures on Issues in the Study of the Holocaust at the Rothberg International School at the Hebrew University of Jerusalem has drawn thousands of students from all over the world. In his latest project he is seeking tounderstand the relationship between history and memory and its implications for educational practice. This is his first book.

"Accident of Fate" is a first-hand account of persecution, rescue, and resistance in the Axis-occupied former Yugoslavia. At the age of thirteen, Imre Rochlitz fled to Yugoslavia from his childhood home in Vienna following the Nazi "Anschluss," leaving his family behind. In January 1942 the "Ustashe" (Croatian Fascists) arrested and interned him in the Jasenovac death camp, where he dug mass graves. On the verge of death, Rochlitz was released due to the extraordinary intervention of a Nazi general. He escaped to the Adriatic coast, where he and several thousand other Jewish refugees were protected by the army of Fascist Italy. After Italy's surrender, he joined Tito's Partisans, becoming an officer and army veterinarian, and rescued dozens of downed Allied airmen. In 1945, he fled Yugoslavia's Communist regime and reached liberated southern Italy. In 1947, at the age of twenty-two, he emigrated to the United States.

With unique personal photographs and documents supporting the text, this eyewitness narrative covers little-known topics and provides a revealing historical account of the period. The book helps clarify and render accessible the complexities and contradictions of conflict and genocide in wartime Yugoslavia.

Examining how the press in Britain, Sweden and Finland responded to the Holocaust immediately after the Second World War, Holmila offers new insights into the challenge posed by the Holocaust for liberal democracies by looking at the reporting of the liberation of the camps, the Nuremberg trial and the Jewish immigration to Palestine.

In this fascinating follow-up to From Darwin to Hitler, Richard Weikart helps unlock the mystery of Hitler's evil by vividly demonstrating that the infamous dictator's immorality flowed from a seemingly coherent ethic. Hitler was inspired by evolutionary theory to pursue the utopian project of biologically improving the human race, and this ethic underlay or influenced almost every major feature of Nazi policy: eugenics, euthanasia, racism, population expansion, offensive warfare, and racial extermination. This groundbreaking study provides truly fresh insights into one of the darkest chapters of the twentieth century as well as the field of evolutionary studies.

A deeply reflective work, written by a number of eminent scholars both Jewish and Christian who represent a variety of disciplines and perspectives, this book explores basic issues in Wiesel's work -the nature of God, madness, silence, horror, and hope. With essays by such authorities among others, as Robert McAfee Brown, Eugene J. Fisher, Hary James Cargas, Eva Fleuschner, and Irving Abrahamson, the bool reflects the inspitation of Wiesel's reconstructed belief in God, humanity, and the future. These eminent theologians, literary scholars, and philosophers show how Wiesel's thinking has changed over the past thirty years, and how it has remained the same.

The papacy of Pius XII (1939-1958) has been a source of near-constant debate and criticism since his death over half a century ago. Powerful myths have arisen around him, and central to them is the dispute surrounding his alleged silence during the years of the Holocaust. In this groundbreaking work, historian Paul O'Shea examines the papacy as well as the little-studied pre-papal life of Eugenio Pacelli in order to illuminate his policies, actions, and statements during the war. Drawing carefully and comprehensively on the historical record, O'Shea convincingly demonstrates that Pius was neither an anti-Semitic villain nor a "lamb without stain." Ultimately, Pius's legacy reveals the moral crisis within many parts of the fractured Christian Commonwealth as well as the personal culpability of Pacelli, the man and pope.

The papacy of Pius XII (1939-1958) has been a source of near-constant debate and criticism since his death over half a century ago. Powerful myths have arisen around him, and central to them is the dispute surrounding his alleged silence during the years of the Holocaust. In this groundbreaking work, historian Paul O'Shea examines the papacy as well as the little-studied pre-papal life of Eugenio Pacelli in order to illuminate his policies, actions, and statements during the war. Drawing carefully and comprehensively on the historical record, O'Shea convincingly demonstrates that Pius was neither an anti-Semitic villain nor a "lamb without stain." Ultimately, Pius's legacy reveals the moral crisis within many parts of the fractured Christian Commonwealth as well as the personal culpability of Pacelli, the man and pope.

'To portray the Holocaust, one has to create a work of art', says Claude Lanzmann, the director of Shoah. However, can the Holocaust be turned into theatre? Is it possible to portray on stage events that, by their monstrosity, defy human comprehension? These are the questions addressed by the playwrights and the scholars featured in this book. Their essays present and analyse plays performed in Israel, America, France, Italy, Poland and, of course, Germany. The style of presentation ranges from docudramas to avant-garde performances, from realistic impersonation of historical figures to provocative and nightmarish spectacles. The book is illustrated with original production photographs and some rare drawings and documents; it also contains an important descriptive bibliography of more than two hundred Holocaust plays.

This is a meditation on memory and on the ways in which memory has operated in the work of writers for whom the Holocaust was a defining event. It is also an exploration of the ways in which fiction and drama have attempted to approach a subject so resistant to the imagination. Beginning with W. G. Sebald, for whom memory and the Holocaust were the roots of a special fascination, Bigsby moves on to consider those writers Sebald himself valued, including Arthur Miller, Anne Frank, Primo Levi and Peter Weiss, and those whose lives crossed in the bleak world of the camps, in fact or fiction. The book offers a chain of memories. It sets witness against fiction, truth against wilful deceit. It asks the question who owns the Holocaust - those who died, those who survived to bear witness, those who appropriated its victims to shape their own necessities.

Discusses the rise of anti-Semitism in Europe, the treatment of Jews during the Holocaust, and the aftermath when the Nazi war criminals were brought to trial.

"Holocaust as Fiction" seeks to explain and critically evaluate the extraordinary success of Schlink's internationally acclaimed novel, "The Reader," the widely read "Selb" detective trilogy, and two popular films based closely on his work. With the help of wide-ranging reception data, the work of Holocaust scholars, as well as cultural and legal reflections on the concept of guilt, Donahue elucidates not only these works, but the wider critical climate that has fostered their success.

The Holocaust and Representations of Jews examines how prominent national exhibitions in Europe represent the Jewish minority and its cultural and religious self-understandings, historically and today, in particular in the context of the Holocaust. Insights from the New Museology are brought to the field of Jewish Studies through an exploration of the visual representation of Jewish history and Jewish identifications in the display of photographs. Drawing on case studies which focus on the Holocaust Exhibition at the Imperial War Museum in London and the permanent exhibition at the Jewish Museum Berlin, these themes become the prism through which aspects of historiography and the display of the 'otherness' of minorities are addressed. Casting new light on the issues surrounding the visual representation of Jews, the work of museum practitioners in relation to historical presentations and to the use of photographs in exhibitions, this book is an important contribution not only to the fields of Jewish Studies, Religion and History, but also to the study of the representation of minority-majority relations and the understanding of exhibition visits as an educational tool.

Forced labor was a key feature of Nazi anti-Jewish policy and shaped the daily life of almost every Jewish family in occupied Europe. This book systematically describes the implementation of forced labor for Jews in Germany, Austria, the Protectorate, and the various occupied Polish territories. As early as the end of 1938, compulsory labor for Jews had been introduced in Germany and annexed Austria by the labor administration. Similar programs subsequently were established by civil administrations in the German-occupied Czech and Polish territories. At its maximum extent, more than one million Jewish men and women toiled for private companies and public builders, many of them in hundreds of now often-forgotten special labor camps. This study refutes the widespread thesis that compulsory work was organized only by the SS, and that exploitation was only an intermediate tactic on the way to mass murder or, rather, that it was only a facet in the destruction of the Jews.

This bold intervention into the debate over the memory and post-memory of the Holocaust both scrutinises recent academic theories of post-Holocaust trauma and provides a new reading of literary and architectural memory texts related to the Holocaust.

Deportations by train were critical in the Nazis' genocidal vision of the "Final Solution of the Jewish Question." Historians have estimated that between 1941 and 1944 up to three million Jews were transported to their deaths in concentration and extermination camps. In his writings on the "Final Solution," Raul Hilberg pondered the role of trains: "How can railways be regarded as anything more than physical equipment that was used, when the time came, to transport the Jews from various cities to shooting grounds and gas chambers in Eastern Europe?" This book explores the question by analyzing the victims' experiences at each stage of forced relocation: the round-ups and departures from the ghettos, the captivity in trains, and finally, the arrival at the camps. Utilizing a variety of published memoirs and unpublished testimonies, the book argues that victims experienced the train journeys as mobile chambers, comparable in importance to the more studied, fixed locations of persecution, such as ghettos and camps.

Buried by The Times: The Holocaust and America's Most Important Newspaper is an in-depth look at how The New York Times failed in its coverage of the fate of European Jews from 1939-1945. It examines how the decisions that were made at The Times ultimately resulted in the minimizing and misunderstanding of modern history's worst genocide. Laurel Leff, a veteran journalist and professor of journalism, recounts how personal relationships at the newspaper, the assimilationist tendencies of The Times' Jewish owner, and the ethos of mid-century America all led the Times to consistently downplay news of the Holocaust. It recalls how news of Hitler's 'final solution' was hidden from readers and - because of the newspaper's influence on other media - from America at large. Buried by The Times is required reading for anyone interested in America's response to the Holocaust and for anyone curious about how journalists determine what is newsworthy.

In an effort to create the Master Race, Nazi physicians and bioscientists, using American legislative models, money, and moral support, sterilized 400,000 and euthanized 200,000 German citizens while developing the gas chambers and crematoria used to murder 6,000,000 Jews. Rubenfeld and the contributors to this collection posit that German physicians betrayed the Hippocratic Oath when they chose knowledge over wisdom, the state over the individual, a fuhrer over God, and personal gain over professional ethics. This groundbreaking work questions whether, since the best physicians of the early twentieth century could abandon their patients, the best physicians of the twenty-first century can be certain that they will not do the same.

This important collection brings together contributions from an impressive group of scholars to comprehensively examine Franklin D. Roosevelt's response to the Holocaust. Addressing the severe critiques of FDR that arose after the war and what some see as his failure to stop the genocide of Europe's Jewish community, the book looks at his policies between 1933 and 1942, his rescue efforts during the war, and the possibility for future research and analysis. This is the definitive resource on a pivotal issue in American history.

Buried by The Times: The Holocaust and America's Most Important Newspaper is an in-depth look at how The New York Times failed in its coverage of the fate of European Jews from 1939-1945. It examines how the decisions that were made at The Times ultimately resulted in the minimizing and misunderstanding of modern history's worst genocide. Laurel Leff, a veteran journalist and professor of journalism, recounts how personal relationships at the newspaper, the assimilationist tendencies of The Times' Jewish owner, and the ethos of mid-century America all led the Times to consistently downplay news of the Holocaust. It recalls how news of Hitler's 'final solution' was hidden from readers and - because of the newspaper's influence on other media - from America at large. Buried by The Times is required reading for anyone interested in America's response to the Holocaust and for anyone curious about how journalists determine what is newsworthy.