This book serves as a critical resource for educators across various roles and contexts who are interested in Holocaust education that is both historically sound and practically relevant. As a collection, it pulls together a diverse group of scholars to share their research and experiences. The volume endeavors to address topics including the nature and purpose of Holocaust education, how our understanding of the Holocaust has changed, and resources we can use with learners. These themes are consistent across the chapters, making for a comprehensive exploration of learning through the Holocaust today and in the future.

Taking as its point of departure Omer Bartov's acclaimed Anatomy of a Genocide, this volume brings together previously unknown accounts by three individuals from Buczacz. These rare narratives give personal glimpses into daily life in unsettled times: a Polish headmaster during World War I, a Ukrainian teacher and witness to both Soviet and German rule, and a Jewish radio technician, genocide survivor, and member of the Polish resistance. Together, they offer a prismatic perspective on a world remote from our own that nonetheless helps us understand how people not unlike ourselves responded to mass violence and destruction.

This book is about two unlikely friends. One born in 1970s Britain to Indian immigrant parents, the other arrived from Nazi Germany in 1939, fleeing persecution. This book is about common ground. It is a story of migration, anti-Semitism, racism, family, belonging, grief and resilience. This book is about the past and the present. It is about the state we're in now and the ways in which we carry our pasts into our futures. This book is about homelands.

A naive English farmer's wife travels alone to Poznan, Poland, to visit the Zachodni Institute; an archive that holds records of the wartime Polish Resistance. It is the start of an adventure into history, and all that had been hidden since the Nuremberg Trials where Stalin and dismissed all evidence submitted by the Poles and the ensuing 45-year Russian occupation of Poland ensured their silence. On a quest to distinguish fact from fiction, Cynthia Engelmann investigates the truth of an unpublished manuscript bequeathed to her upon the death of Maria Weychan. Maria's memoire had revealed an extraordinary tale of intrigue, romance, imprisonment and survival, as told a by a young Polish dancer in Berlin after the end of World War II. She had survived life in a camp with her mother for longer than had previously been thought possible. Had they collaborated with the Germans to protect themselves? Finding herself part of a movement to collate events of history previously hidden and silenced, Cynthia uncovers the leads of the evidence to share the truth of Maria's memoire.

In this vivid memoir originally published in German, Anne Groschler (1888-1982) recounts her 1944 escape from the Bergen-Belsen concentration camp to Mandatory Palestine via "Transport 222", an exchange transport of 222 Jews for "Aryan" prisoners of war. In the most detailed contribution of the exchange ever published, Groschler paints an authentic picture of life before WWII amongst the upper echelons of German society, her ultimate persecution and escape to Holland where she was betrayed, the horrors of life in the Westerbork and Bergen-Belsen camps, and her eventual flight via "Transport 222" to Palestine. Written immediately after her liberation in 1944, this unique document captures a little-known chapter of Holocaust history.

Many people do not realize that the Germans were methodically killing fellow Germans before they were killing Jews, gypsies, and dissidents. 'Action T4' was a medical program that quietly whisked disabled and mentally ill people for extermination. Germans of all ages were targeted. Hundreds of thousands received 'treatment.' Fewer people know that the philosophical foundations for the Nazi actions were laid many years earlier, even before the National Socialist party was created. In a sober, academic discussion, professors Karl Binding and Alfred Hoche argued that there were 'lives unworthy of life' and for the good of society, and indeed, out of compassion for the worthless individuals, such people could be ethically killed. Binding and Hoche's book was a turning point in German culture and served as a catalyst for the T4 program, which itself was a precursor to the Holocaust. In this new translation by Dr. Cristina Modak, commissioned by the Policy Intersections Research Center, readers are able to examine the philosophical basis that Germany's doctors relied on in the 1920s and 1930s. A foreword by PIRC's director prompts the reader to consider just how far away modern medical ethics is from Binding and Hoche's arguments.

This book explores the Holocaust exhibition opened within the Imperial War Museum (IWM) in 2000; setting out the long and often contentious debates surrounding the conception, design, and finally the opening of an important exhibition within a national museum in Britain. It considers a process of memory-making through an assessment of Holocaust photographs, material culture, and survivor testimonies; exploring theories of cultural memory as they apply to the national museum context. Anchored in time and place, the Holocaust exhibition within Britain's national museum of war is influenced by, and reflects, an international rise in Holocaust consciousness in the 1990s. This book considers the construction of Holocaust memory in 1990s Britain, providing a foundation for understanding current and future national memory projects. Through all aspects of the display, the Holocaust is presented as meaningful in terms of what it says about Nazism and what this, in turn, says about Britishness. From the original debates surrounding the inclusion of a Holocaust gallery at the IWM, to the acquisition of Holocaust artefacts that could act as 'concrete evidence' of Nazi barbarity and criminality, the Holocaust reaffirms an image of Britain that avoids critical self-reflection despite raising uncomfortably close questions. The various display elements are brought together to consider multiple strands of the Holocaust story as it is told by national museums in Britain.

The diaries and letters of Etty Hillesum (1914-1943) have a special place among the Jewish-Dutch testimonies of the Shoah, so much so that Etty Hillesum studies has become its own field. This book offers the most important contributions from the past fifteen years of international research into Hillesum's work and life, studying her ethical, philosophical, spiritual, and literary existential search.

Throughout the 1930s and early 1940s, approximately ninety thousand German Jews fled their homeland and settled in the United States, prior to that nation closing its borders to Jewish refugees. And even though many of them wanted little to do with Germany, the circumstances of the Second World War and the postwar era meant that engagement of some kind was unavoidable-whether direct or indirect, initiated within the community itself or by political actors and the broader German public. This book carefully traces these entangled histories on both sides of the Atlantic, demonstrating the remarkable extent to which German Jews and their former fellow citizens helped to shape developments from the Allied war effort to the course of West German democratization.

Between 1941 and 1945, thousands of German Jews, in fear for their lives, made the choice to flee their impending deportations and live submerged in the shadows of the Nazi capital. Drawing on a wealth of archival evidence and interviews with survivors, this book reconstructs the daily lives of Jews who stayed in Berlin during the war years. Contrary to the received wisdom that "hidden" Jews stayed in attics and cellars and had minimal contact with the outside world, the author reveals a cohort of remarkable individuals who were constantly on the move and actively fought to ensure their own survival.

With the disappearance of the eyewitness generation and the globalization of Holocaust memory, this book interrogates key concepts in Holocaust and trauma studies through an assessment of contemporary German-language Jewish authors. In the shifting media landscape of the twenty-first century, the second and third generations of German-language Jewish authors are grappling with the disappearance of the eyewitness generation and the hyper-mediation and globalization of Holocaust memory. Benjamin Stein, Maxim Biller, Vladmir Vertlib, and Eva Menasse each experiment with new approaches towards Holocaust representation and the Nazi past. This book investigates major shifts in Holocaust memory since the turn of the millennium, and argues that the works of these authors call for a much-needed reassessment of key concepts and terms in Holocaust discourse such as authenticity, empathy, normalization, representation, traumatic unspeakability, and postmemory. Drawing on current research in media, memory, cultural, and literary studies, Maria Roca Lizarazu develops a fresh approach which challenges the dominant focus on traumatic unspeakability by engaging with the culturally mediated travels of transgenerational and transnational contemporary Holocaust memory. Roca Lizarazu pays special attention to ethical and aesthetic challenges of contemporary Holocaust memory and how these are addressed in the medium of contemporary German-language literature. This book offers a critical new perspective on the central paradigms informing recent Holocaust and trauma studies scholarship and, in doing so, provides novel insights into a new generational approach towards Holocaust remembrance and representation. MARIA ROCA LIZARAZU is a Leverhulme Early Career Fellow in the Department of Modern Languages at the University of Birmingham, UK.

More than a half-century after Adolf Hitler committed suicide in a Berlin bunker, the dictator's legacy and influence lives on, precisely as he predicted before putting the gun to his head. In the spring of 1945, as it became increasingly clear that the Nazi cause was lost, Hitler dictated his final political testament to his secretary: "Out of my personal commitment the seed will grow again one day, one way or another, for a radiant rebirth of the National Socialist movement in a truly united nation." The next day, Hitler ended the Nazi regime by committing suicide. Respected author and publisher Peter Wyden, who himself escaped the Nazis, has returned to Germany many times over the years and, to his dismay, he has found evidence that Hitler's last testament was startlingly accurate.

Though the Nazi cause had been exposed and vilified worldwide, it is still clandestinely cherished by many. In the process of documenting manifestations of Hitler's far-reaching influence, which he termed the "Hitler virus," Wyden discovered that its carriers were not merely to be found among the older generation but an alarming number of outbreaks of the virus are among the young adults, who find in Hitler a moral and spiritual guide, aided and abetted by a new breed of right-wing academics who make the rewriting of history their mission and a new generation of politicians whose agendas are frighteningly close to those of young Hitler. In these often chilling pages, Wyden recounts the results of his research and points out that the Hitler virus is, indeed, still a cause for concern worldwide.

After the German attack on Poland in 1939, vast swathes of Polish territory, including Warsaw and Krakow, were occupied by the Nazis in an administration which became known as the 'General Government'. The region was not directly incorporated into the Third Reich but was ruled by a German regime, headed by the brutal and corrupt Governor General Hans Frank. This was indeed the dark heart of Hitler's empire. As the first genuine Nazi colony, the General Government became the principal 'racial laboratory' of the Third Reich. As such, it was the site, and main source of victims, of Aktion Reinhard, the largest killing operation in human history in which at least 1.7 million Jews were murdered in just 18 months, and of a campaign of terror, exploitation and ultimately ethnic cleansing against the Polish population which was intended to serve as a template for the rest of eastern Europe. It was a place where 42,000 people could be shot in two days, where thousands of children could be abducted from their families, never to see their homeland again, and where guidebooks could invite German tourists to enjoy the culture and nightlife of cities that were 'now free of Jews'. This book provides a thorough history of the Nazi occupation regime and the experiences of the Poles, Jews and others who were trapped in its clutches. Employing sources ranging from diaries and testimony to previously underused material such as travel guides and poetry, Martin Winstone provides a unique insight into the occupation regime which dominated much of Poland during World War II with such disastrous consequences.

"It is Easter Sunday, April 1945, early in the morning, maybe just dawn. We stand still, like frozen grey statues. Us. Seven hundred and thirty women, wrapped in wet, grey, threadbare blankets, standing in the rain. Our blankets hang over our heads, drape down to the soil. We hold them closed with our hands from the inside, leaving only a small opening to peer out, so that we save the precious warmth of our breath." ("from Chapter 5")

So begins the author's sojourn, her search for freedom that begins with the chaotic barrenness in which she found herself after her liberation on Easter Sunday, April 1945, and takes her across several continents and half a lifetime.

Raab paints a brief yet moving picture of her idyllic life before her internment and the shock and the horrors of Auschwitz, but it is in the images of life after her liberation, that Raab imparts her most poignant story -- a story told in a clear, almost sparse, always honest style, a story of the brutal, and, at times, the beautiful facts of human nature.

This book will appeal to a number of audiences -- to readers interested in human nature under the most trying circumstances, to historians of World War II or Jewish history, to veterans and their families who lived through World War II, and to those interested in politics and the evils of political extremism.

Shortlisted for the 1998 Edna Staebler Award for Creative Non-fiction.

Winner of the 1999 Jewish Book Committee award for best Holocaust memoir.

This volume offers keen insights into how specific films influenced the Americanization of the Holocaust and how the medium per se helped seed that event into the public consciousness.

In addition to an in-depth study on films produced for both theatrical release and TV since 1937 -- including The Great Dictator, Cabaret, Julia, and the miniseries Holocaust -- Doneson provides a sweeping analysis of Schindler's List and the debate over the merit of Steven Spielberg's vision of the Holocaust. She also examines more thoroughly made-for-television movies, such as Escape from Sobibor, Playing for Time, and War and Rememberence. A special chapter on The Diary of Anne Frank discusses the evolution of that singularly European work into a universal symbol.

Paying special attention to the tumultuous 1960s in America, Doneson assesses the effect of the era on Holocaust films made during that time. She also discusses how these films helped integrate the Holocaust into the fabric of American society, transforming it into a metaphor for modern suffering. Finally she explores cinema in relation to the Americanization of the Jewish image -- and of Jewish history itself.

Prior to Hitler's occupation, nearly 120,000 Jews inhabited the areas that would become the Protectorate of Bohemia and Moravia; by 1945, all but a handful had either escaped or been deported and murdered by the Nazis. This pioneering study gives a definitive account of the Holocaust as it was carried out in the region, detailing the German and Czech policies, including previously overlooked measures such as small-town ghettoization and forced labor, that shaped Jewish life. Drawing on extensive new evidence, Wolf Gruner demonstrates how the persecution of the Jews as well as their reactions and resistance efforts were the result of complex actions by German authorities in Prague and Berlin as well as the Czech government and local authorities.

Volumes one and two of the Pulitzer Prize-winning tale of a mouse's experiences in Nazi-occupied Europe and in German concentration camps are housed in a sturdy box. Reprint.

'Rigorously researched, The Lost Cafe Schindler successfully weaves together a compelling and at times deeply moving memoir and family history that also chronicles the wider story of the Jews of the Austro-Hungarian Empire... It distinguishes itself through its combination of mystery and reconciliation.' -- The Times T2 'In tilling the past Meriel has uncovered the most fascinating - and devastating - family history. The Lost Cafe Schindler is not just a genealogical exploration, though; it sets out the wider experiences of the Jewish population of the Austro-Hungarian empire, weaving in the story of how antisemitism took root' -- Sunday Times 'An impressively researched account of Jewish life in the Tyrol up to and during the Second World War' -- Evening Standard 'An extraordinary story - so cadenced and so moving.' -- Edmund de Waal, author of The Hare with Amber Eyes 'An extraordinary and compelling book of reckonings - a journey across a long, complex and deeply painful arc of history, grippingly told - a wonderful melding of the personal and the political, the family and the historical.' -- Philippe Sands, author of East West Street 'A significant benefit for family historians is that her reading, sources and resources offer guidance that others might follow and use in their own research.' Who Do You Think You Are? 'A well-researched account.' -- The Observer 'The scale of the crimes committed during these years can never be fully comprehended, but through tales like these they become relatable and the sense of loss, shared.' -- Press Association 'Compelling and beautifully written... a remarkable and inspiring story that attests to the strength and compassion of the human spirit in overcoming the tragedy of persecution... Fascinating family history.' - Daily Express 'Schindler builds her story patiently, tracking her own journey in unravelling it' - i *** Kurt Schindler was an impossible man. His daughter Meriel spent her adult life trying to keep him at bay. Kurt had made extravagant claims about their family history. Were they really related to Franz Kafka and Oscar Schindler, of Schindler's List fame? Or Hitler's Jewish doctor - Dr Bloch? What really happened on Kristallnacht, the night that Nazis beat Kurt's father half to death and ransacked the family home? When Kurt died in 2017, Meriel felt compelled to resolve her mixed feelings about him, and to solve the mysteries he had left behind. Starting with photos and papers found in Kurt's isolated cottage, Meriel embarked on a journey of discovery taking her to Austria, Italy and the USA. She reconnected family members scattered by feuding and war. She pieced together an extraordinary story taking in two centuries, two world wars and a family business: the famous Cafe Schindler. Launched in 1922 as an antidote to the horrors of the First World War, this grand cafe became the whirling social centre of Innsbruck. And then the Nazis arrived. Through the story of the Cafe Schindler and the threads that spool out from it, this moving book weaves together memoir, family history and an untold story of the Jews of the Austro-Hungarian Empire. It explores the restorative power of writing, and offers readers a profound reflection on memory, truth, trauma and the importance of cake.

This book analyzes sensationalized Nazi and Holocaust representations in Anglo-American cultural and political discourses. Recognizing that this history is increasingly removed from contemporary life, it explains how irreverent representations can help rejuvenate the story for successive generations of new learners. Surveying seventy-five-years of transatlantic activities, the work erects counterposing categorizes of "constructive and destructive memorializing," providing scholars with a new framework for elucidating both this history and its historicization.

The Holocaust as history ended seventy-five years ago, about the span of a full human life; the Holocaust as culture is very much of the present, its meanings and lessons still actively in formation. For twenty-five years, Jason Francisco has wrestled with the afterlife of the genocide, creating a large number of photoworks and essays, including extensive work with the Galicia Jewish Museum in Krakow, Poland. At the center of his work work has been his long-term project Alive and Destroyed: A Meditation on the Holocaust in Time, begun in 2010. With a large format camera and antique lenses, Jason Francisco has undertaken a series of deep journeys extending from Berlin in the west to Kharkov in the east, Riga in the north to Bucharest in the south-for the sake of images that might carry the complications of remembering and forgetting in the places where the events we collectively call the Holocaust occurred. His destinations included the notorious sites of the genocide, such as Auschwitz and the ghettos of Warsaw and Lodz, which often are taken to stand for the whole. And has made his way to hundreds of small, often remote concentrationary sites in Poland, Ukraine, Moldova, Belarus, Lithuania, Latvia, Russia, Hungary and Slovakia-massacre sites in forests, fields, riverbanks and cemeteries, deportation routes, subcamps, labor camps, transit camps, short-term ghettoes, escape routes, hiding places, not to mention countless sites of erstwhile Jewish life and civilization, some intact, more in ruins, vastly more in states of nothingness. Jason Francisco's decentralized approach follows recent scholarship, which has identified more than 42,500 locations in Nazi-occupied Europe where the Holocaust was perpetrated: venturing into the physical geography of the genocide venturing into the territory of remembrance and forgetting, and search for an image form that might carry register what he found and felt. In its method and form, Alive and Destroyed is an unconventional work of witness. Documentary in spirit and conceptualist in method, it does not use photography to "capture" the worlds that the Holocaust left behind-to use the most common metaphor for the photographic act, itself reflecting a carceral understanding of photography as a medium. Rather Alive and Destroyed draws on the capacities of photography to test and redefine what we mean by presence and absence in memory and imagination. The photographs in Alive and Destroyed set out to release-to uncapture-the volatile mixture of incomprehension, argument, reclamation and loss that constitute the Holocaust as an inheritance for the living. Beyond being representations of sites in the world the Holocaust left behind, the images in Alive and Destroyed are themselves primary sites of meditation and mourning. -- Jason Francisco * Jason Francisco *

Thank god that occasionally books of the stature of Laurence Reess superb Auschwitz: The Nazis and the Final Solution re-published that try to redress the balance. - fascinating. - Andrew Roberts, Evening Standard Laurence Rees tells the definitive history of the most notorious Nazi institution of them all. we discover how Auschwitz evolved from a concentration camp for Polish political prisoners into the site of the largest mass murder in history - part death camp, part concentration camp, where around a million Jews were killed. broader context. He argues that, far from being an aberration, the camp was a uniquely important institution in the Nazi state, one that played a vital role in the 'Final Solution'. makers, and perpetrators of appalling crimes speak here for the first time about their actions. Fascinating and disturbing facts have been uncovered - from the operation of a brothel to the corruption that was rife throughout the camp. The book draws on intriguing new documentary material from recently opened Russian archives, which will challenge many previously accepted arguments. throughout Nazi Europe. Rees addresses uncomfortable questions, such as why so few countries under Nazi occupation protected their Jews and why the Allies did little directly to prevent the killing even after they knew about the existence of the camp. powerful account of how a human tragedy of such immense scale could have happened.

This book is a unique compilation of essays about the genocidal persecution fuelling the Nazi regime in World War II. Written by world-renowned experts in the field, it confronts a vitally important and exceedingly difficult topic with sensitivity, courage, and wisdom, furthering our understanding of the Holocaust/Shoah psychoanalytically, historically, and through the arts. Authors from four continents offer their perspectives, clinical experiences, findings, and personal narratives on such subjects as resilience, remembrance, giving testimony, aging, and mourning. There is an emphasis on the intergenerational transmission of trauma of both the victims and the perpetrators, with chapters looking at the question of "evil", comparative studies, prevention, and the misuse of the Holocaust. Those chapters relating to therapy address the specific issues of the survivors, including the second and third generation, through psychoanalysis as well as other modalities, whilst the section on creativity and the arts looks at film, theater, poetry, opera, and writing. The aftermath of the Holocaust demanded that psychoanalysis re-examine the importance of psychic trauma; those who first studied this darkest chapter in human history successfully challenged the long-held assumption that psychical reality was essentially the only reality to be considered. As a result, contemporary thought about trauma, dissociation, self psychology, and relational psychology were greatly influenced by these pioneers, whose ideas have evolved since then. This long-awaited text is the definitive update and elaboration of their original contributions.

The Holocaust: The Basics is a concise introduction to the study of this seismic event in mid twentieth-century human history. The book takes an original approach as both a narrative and thematic introduction to the topic, and provides a core foundation for readers embarking upon their own study. It examines a range of perspectives and subjects surrounding the Holocaust, including: the perpetrators of the Holocaust the victims resistance to the Holocaust liberation legacies and survivors' memories of the Holocaust. Suppported by a chronology, glossary, questions for discussion, and boxed case studies that focus the reader's thoughts and develop their appreciation of the subjects considered more broadly, The Holocaust: The Basics is the ideal introduction to this controversial and widely debated topic for both students and the more general reader.