This practical and inspirational guide to healing from the bestselling author of The Choice shows us how to release your self-limiting beliefs and embrace your potential.

The prison is in your mind. The key is in your pocket. In the end, it's not what happens to us that matters most - it's what we choose to do with it.

We all face suffering - sadness, loss, despair, fear, anxiety, failure. But we also have a choice; to give in and give up in the face of trauma or difficulties, or to live every moment as a gift. Celebrated therapist and Holocaust survivor, Dr Edith Eger, provides a hands-on guide that gently encourages us to change the imprisoning thoughts and destructive behaviours that may be holding us back.

Accompanied by stories from Eger's own life and the lives of her patients her empowering lessons help you to see your darkest moments as your greatest teachers and find freedom through the strength that lies within.

The remarkable story of a woman's journey out of Auschwitz to find her family, told to her son for the very first time.

As a reporter, Jacques Peretti has spent his life investigating important stories. But there was one story, heard in scattered fragments throughout his childhood, that he never thought to investigate. The story of how his mother survived Auschwitz.

In the few last months of the War, thirteen-year-old Alina Peretti, along with her mother and sister, was one of thirteen thousand non-Jewish Poles sent to Auschwitz, in the wake of the Warsaw Uprising. Her experiences there, which she rarely discussed, cast a shadow over the rest of her life.

Now ninety, Alina has been diagnosed with dementia. Together, mother and son begin a race against time to record her memories and preserve her family's story. For the first time, Alina recalls her experiences as a child during the Second World War, the horrors that she witnessed in Auschwitz and the miraculous story of how she survived a firing squad.

Along the way, Jacques learns long-hidden secrets about his mother's family; his mysterious grandfather who lived a double-life, his grandmother who read tarot cards in a Soviet labour camp, and his aunt and uncles, whose fate he never knew. He also gains an understanding of his mother through retracing her past, learning more about the woman who would never let him call her 'Mum'.

The sequel to the International Number One Bestseller The Tattooist Of Auschwitz, based on a true story of love and resilience.

Cilka is just sixteen years old when she is taken to Auschwitz-Birkenau Concentration Camp, in 1942. The Commandant at Birkenau, Schwarzhuber, notices her long beautiful hair, and forces her separation from the other women prisoners. Cilka learns quickly that power, even unwillingly given, equals survival.

In a Siberian prison camp, Cilka faces challenges both new and horribly familiar, including the unwanted attention of the guards. But when she makes an impression on a woman doctor, Cilka is taken under her wing and taught new skills. Cilka begins to tend to the ill in the camp, struggling to care for them under brutal conditions.

Cilka finds endless resources within herself as she daily confronts death and faces terror. And when she nurses a man called Ivan, Cilka finds that despite everything that has happened to her, there is room in her heart for love.

Winner of the European Book Prize.

On 10 July 1941 a horrifying crime was committed in the small Polish town of Jedwadbne. Early in the afternoon, the town's Jewish population - hundreds of men, women and children - were ordered out of their homes, and marched into the town square. By the end of the day most would be dead. It was a massacre on a shocking scale, and one that was widely condemned. But only a few people were brought to justice for their part in the atrocity. The truth of what actually happened on that day was to be suppressed for more than sixty years.

Part history, part memoir, part investigation, The Crime And The Silence is an award-winning journalist's account of the events of that day: both the story of a massacre told through oral histories of survivors and witnesses, and a portrait of a Polish town coming to terms with its dark past.

A newly discovered classic: a collection of inspirational lectures on embracing life from worldwide bestseller Viktor Frankl.

Just months after his liberation from Auschwitz renowned psychiatrist Viktor E. Frankl delivered a series of talks revealing the foundations of his life-affirming philosophy. The psychologist, who would soon become world famous, explained his central thoughts on meaning, resilience and his conviction that every crisis contains opportunity.

Published here for the very first time in English, Frankl's words resonate as strongly today as they did in 1946. Despite the unspeakable horrors in the camp, Frankl learnt from his fellow inmates that it is always possible to say ‘yes to life’ – a profound and timeless lesson for us all.

Visual representations are an essential but highly contested means of understanding and remembering the Holocaust. Photographs taken in the camps in early 1945 provided proof of and visceral access to the atrocities. Later visual representations such as films, paintings, and art installations attempted to represent this extreme trauma. While photographs from the camps and later aesthetic reconstructions differ in origin, they share goals and have raised similar concerns: the former are questioned not as to veracity but due to their potential inadequacy in portraying the magnitude of events; the latter are criticized on the grounds that the mediation they entail is unacceptable. Some have even questioned any attempt to represent the Holocaust as inappropriate and dangerous to historical understanding. This book explores the taboos that structure the production and reception of Holocaust images and the possibilities that result from the transgression of those taboos. Essays consider the uses of various visual media, aesthetic styles, and genres in representations of the Holocaust; the uses of perpetrator photography; the role of trauma in memory; aesthetic problems of mimesis and memory in the work of Lanzmann, Celan, and others; and questions about mass-cultural representations of the Holocaust. David Bathrick is Emeritus Professor of German at Cornell University, Brad Prager is Associate Professor of German at the University of Missouri, and Michael D. Richardson is Associate Professor of German at Ithaca College.

For most of the postwar period, the destruction of European Jewry was not a salient part of American Jewish life, and was generally seen as irrelevant to non-Jewish Americans. Survivors and their families tended to keep to themselves, forming their own organizations, or they did their best to block out the past. Today, in contrast, the Holocaust is the subject of documentaries and Hollywood films, and is widely recognized as a universal moral touchstone. Reluctant Witnesses mixes memoir, history, and social analysis to tell the story of the rise of Holocaust consciousness in the United States from the perspective of survivors and their descendants. The public reckoning with the Holocaust, the book argues, was due to more than the passage of time. It took the coming of age of the "second generation" - who reached adulthood during the rise of feminism, the ethnic revival, and therapeutic culture - for survivors' families to reclaim their hidden histories. Inspired by the changed status of the victim in American society, the second generation coaxed their parents to share their losses with them, transforming private pains into public stories. Reluctant Witnesses documents how a group of people who had previously been unrecognized and misunderstood managed to find its voice. It tells this story in relation to the changing status of trauma and victimhood in American culture more generally. At a time when a sense of Holocaust fatigue seems to be setting in, and when the remaining survivors are at the end of their lives, it offers a reminder that the ability to speak openly about traumatic experiences had to be struggled for. By confronting traumatic memories and catastrophic histories, the book argues, we can make our world mean something beyond ourselves.

"The book is the product of a protracted, laborious and scrupulous research and draws on a most extensive and varied assembly of documents. But the archival evidence, factual accounts and even personal narratives would have remained remote, dry and cold if not for the author's remarkable gift of empathy. Barbara Engelking gives the witnesses of the Holocaust a voice which readers of this book will understand....Under her pen memories come alive again."--from the Foreword by Zygmunt BaumanOriginally published in Polish to great acclaim and based on interviews with survivors of the Holocaust in Poland, Holocaust and Memory provides a moving description of their life during the war and the sense they made of it. The book begins by looking at the differences between the wartime experiences of Jews and Poles in occupied Poland, both in terms of Nazi legislation and individual experiences. On the Aryan side of the ghetto wall, Jews could either be helped or blackmailed by Poles. The largest section of the book reconstructs everyday life in the ghetto. The psychological consequences of wartime experiences are explored, including interviews with survivors who stayed on in Poland after the war and were victims of anti-Semitism again in 1968. These discussions bring into question some of the accepted survivor stereotypes found in Holocaust literature. A final chapter looks at the legacy of the Holocaust, the problems of transmitting experience and of the place of the Holocaust in Polish history and culture.

Ravensbruck was the only major Nazi concentration camp built for women. This collection of essays provides a socio-historical in-depth analysis of the singularity of the female Jewish experience by focusing on the microcosm of Ravensbruck."

The murder of at least one million Armenian Christians in 1915-16 and of some six million Jews from 1939-45 were the most extreme instances of mass murder in the First and Second World Wars respectively. This book examines the development and dynamics of both genocides. While bringing out the many differences in the origins, course, and nature of the crimes, the book argues that both need to be placed into the context of the wider violent agendas and demographic schemes of the perpetrator states. In the earlier case, it is important to consider the Ottoman violence against Assyrian Christians and Greek Orthodox subjects, and programs of forced assimilation of non-Turkish Muslim groups, including many Muslims victimized by other states. In the later case, it is impossible to understand the development of the 'final solution of the Jewish question' without paying attention to Nazi policy against Slavic groups, the 'disabled, ' and Europe's Romany population. Both genocides, furthermore, n

The astonishing, true story of a group of Jewish children who managed to escape from the Warsaw ghetto in 1942 and survive in the Aryan section of the Nazi-occupied city. Sentenced to death, hounded at every step, they kept themselves alive by peddling cigarettes in Warsaws Three Crosses Square - where the author, a member of the Jewish Underground in Poland, met and helped them and recorded their story. Several of the children were finally caught and killed, but most survived and are alive today. The story of the cigarette sellers has been published in Polish, Romanian, Hebrew and Yiddish, and a dramatised version has been broadcast in Israel. The book was awarded a literary prize by the World Jewish Congress in New York.

Bergen-Belsen was the only major Nazi concentration camp to be liberated on the British front, some three weeks before the end of the war in Europe in 1945. This book contains accounts which should ensure that the horrors of the camp are on the record for posterity and cannot be denied or excused...Although Soviet forces discovered Majdanek, Auschwitz and other camps on their front in 1944/45, the significance of these sites did not register in the West until much later. It was the atrocities perpetrated at Belsen and Buchenwald, therefore, that became headline news in the Western press in April 1945. The eyewitness reports and testimonies are as profoundly shocking today as they were then; they are gathered in this volume so that they will not be forgotten.

Constructing the Holocaust examines the development of Holocaust historiography in the light of recent critical philosophy of history. It argues that the Holocaust provides both the occasion for, and the ultimate test of, new ways of giving meaning to the past. It also shows that examining our representations of the past is as important as archival research for understanding history.

Leon Greenman was born in London in 1910. His paternal grandparents were Dutch, and at an early age, after the death of his mother, his family moved to Holland, where Leon eventually settled with his wife, Esther, in Rotterdam. Leon was an antiquarian bookseller, and as such travelled to and from London on a regular basis. In 1938, during one such trip, he noticed people digging trenches in the streets and queuing up for gas masks. He hurried back to Holland with the intention of collecting his wife and return with her to England. The whispers of war were growing louder and louder.

Eva Tichauer was born in Berlin at the end of the First World War into a socialist Jewish family. After a happy childhood in a well-off intellectual milieu, the destiny of her family was turned upside-down by the rise of Hitler in 1933. They emigrated to Paris in July of that year, and life started to become difficult. Eva was in her second year of medical studies in 1939 when war was declared, with fatal consequences for her and her family: they sere forced to the Spanish frontier, then returned to Paris to a flat which had been searched by the Gestapo. Eva was then compelled to break off her studies due to a quota system being imposed on Jewish students.

'That nickname . . .' '"Little bird." It wasn't mine. I found out later he gave it to every little girl that came in to be injected. "Little Bird" didn't mean anything. It was a trick. There were thousands of "little birds", just like me, all thinking they were the only one.' As a reporter, Jacques Peretti has spent his life investigating important stories. But there was one story, heard in scattered fragments throughout his childhood, that he never thought to investigate. The story of how his mother survived Auschwitz. In the few last months of the Second World War, thirteen-year-old Alina Peretti, along with her mother and sister, was one of thirteen thousand non-Jewish Poles sent to Auschwitz. Her experiences there cast a shadow over the rest of her life. Now ninety, Alina has been diagnosed with dementia. Together, mother and son begin a race against time to record her memories and preserve her family's story. Along the way, Jacques learns long-hidden secrets about his mother's family. He gains an understanding of his mother through retracing her past, learning more about the woman who would never let him call her 'Mum'.

A memoir about a Jewish girl growing up in Germany before and during Hitler's seizure of power, her escape to Palestine and her subsequent life in Britain after she married an English soldier. Later in life she came to devote herself to the education of the young in Germany and Britain on how the horrors of the Third Reich came into being.

A memoir about a Jewish girl growing up in Germany before and during Hitler's seizure of power, her escape to Palestine and her subsequent life in Britain after she married an English soldier. Later in life she came to devote herself to the education of the young in Germany and Britain on how the horrors of the Third Reich came into being.