The fateful story of Adolf Hitler's transformation from awkward, feckless loner to lethal, charismatic demagogue. The story of the making of Adolf Hitler that we are all familiar with is the one Hitler himself wove in his 1924 trial, and then expanded upon in Mein Kampf. It tells of his rapid emergence as National Socialist leader in 1919, and of how he successfully rallied most of Munich and the majority of Bavaria's establishment to support the famous beer-hall putsch of 1923. It is an account which has largely been taken at face value for over ninety years. Yet, on closer examination, Hitler's account of his experiences in the years immediately following the First World War turns out to be every bit as unreliable as his account of his experiences as a soldier during the war itself. In Becoming Hitler, Thomas Weber continues from where he left off in his previous book, Hitler's First War, stripping away the layers of myth and fabrication in Hitler's own tale to tell the real story of Hitler's politicization and radicalization in post-First World War Munich. It is the gripping account of how an awkward and unemployed loner with virtually no recognizable leadership qualities and fluctuating political ideas turned into the charismatic, self-assured, virulently anti-Semitic leader with an all-or-nothing approach to politics with whom the world was soon to become tragically familiar. As Weber clearly shows, far from the picture of a fully-formed political leader which Hitler wanted to portray in Mein Kampf, his ideas and priorities were still very uncertain and largely undefined in early 1919 - and they continued to shift until 1923. It was the failed Ludendorff putsch of November 1923 - and the subsequent Ludendorff trial - which was to prove the making of Hitler. And he was not slow to spot the opportunity that it offered. As the movers and shakers of Munich's political scene tried to blame everything on him in the course of the trial, Hitler was presented with a golden opportunity to place himself at the centre of attention, turning what had been the 'Ludendorff trial' into the 'Hitler trial'. Henceforth, he would no longer be merely a local Bavarian political leader. From now on, he would present himself as a potential 'national saviour'. In the months after the trial, Hitler cemented this myth by writing Mein Kampf from his comfortable prison cell. His years of metamorphosis were now behind him. His years as Fuhrer were soon to come.

'A riveting tale, brilliantly told' Philippe Sands The little-known story of Hitler's war on modern art and the mentally ill. In the first years of the Weimar Republic, the German psychiatrist Hans Prinzhorn gathered a remarkable collection of works by schizophrenic patients that would astonish and delight the world. The Prinzhorn collection, as it was called, inspired a new generation of artists, including Paul Klee, Max Ernst and Salvador Dali. What the doctor could not have known, however, was that these works would later be used to prepare the ground for mass-murder. Soon after his rise to power, Hitler-a failed artist of the old school-declared war on modern art. The Nazis staged giant 'Degenerate Art' shows to ridicule the avant-garde, and seized and destroyed the cream of Germany's modern art collections. This action was mere preparation, however, for the even more sinister campaign Hitler would later wage against so-called "degenerate" people, and Prinzhorn's artists were caught up in both. Bringing together inspirational art history, genius and madness, and the wanton cruelty of the fanatical "artist-Fuhrer", this astonishing story lays bare the culture war that paved the way for Hitler's first extermination programme, the psychiatric Holocaust.

In The Empty Bowl: Poems of the Holocaust and After, Holocaust survivor Judith H. Sherman strives to make art from trauma. Her poems, written largely in the words of a fifteen-year-old survivor, provide historical entry into the Holocaust. Put simply, the poems explore the reality of the events experienced by Sherman in her determination to survive--from first leaving home to illegal border crossings, hiding, capture, imprisonment by the Gestapo, the horrors of the Ravensbruck concentration camp, liberation, and, finally, a full life of joys and challenges that came after, including the unyielding intrusions of the past and hopeful celebration of a compassionate future.

Holocaust survivor Eddie Jaku made a vow to smile every day and believed he was the 'happiest man on earth'. In his inspirational memoir, he paid tribute to those who were lost by telling his story and sharing his wisdom. 'Eddie looked evil in the eye and met it with joy and kindness . . . [his] philosophy is life-affirming' - Daily Express Life can be beautiful if you make it beautiful. It is up to you. Eddie Jaku always considered himself a German first, a Jew second. He was proud of his country. But all of that changed in November 1938, when he was beaten, arrested and taken to a concentration camp. Over the next seven years, Eddie faced unimaginable horrors every day, first in Buchenwald, then in Auschwitz, then on a Nazi death march. He lost family, friends, his country. The Happiest Man on Earth is a powerful, heartbreaking and ultimately hopeful memoir of how happiness can be found even in the darkest of times. 'Australia's answer to Captain Tom . . . a memoir that extols the power of hope, love and mutual support' - The Times

* This book has two main goals: to contextualize the phenomena of Holocaust artwork for the field of art therapy, and use that cannon of artwork to support the inclusion of logotherapy into art therapy theory and practice * Built on three sections of the author's doctoral work: theory, research, and practice * Themes are presented in practice in the third section can be used to guide clients in art therapy practice within the existential philosophy of logotherapy, which emphasizes meaning making to facilitate healing and personal growth

This edited collection delves into the horrors of November 1938 and to what degree they portended the Holocaust, demonstrating the varied reactions of Western audiences to news about the pogrom against the Jews. A pattern of stubborn governmental refusal to help German Jews to any large degree emerges throughout the book. Much of this was in response to uncertain domestic economic conditions and underlying racist attitudes towards Jews. Contrasting this was the outrage expressed by ordinary people around the world who condemned the German violence and challenged the policy of Appeasement being advanced by Great Britain and France towards Adolf Hitler's Nazi German government at the time. Contributors employ multiple media sources to make their arguments, and compare these with official government records. For the first time, a collection on Kristallnacht has taken a truly transnational approach, giving readers a fuller understanding of how the events of November 1938 were understood around the Western world.

In this riveting real-life thriller, Philippe Sands offers a unique account of the daily life of senior Nazi SS Brigadeführer Otto Freiherr von Wächter and his wife, Charlotte. Drawing on a remarkable archive of family letters and diaries, he unveils a fascinating insight into life before and during the war, as a fugitive on the run in the Alps and then in Rome, and into the Cold War. Eventually the door is unlocked to a mystery that haunts Wächter's youngest son, who continues to believe his father was a good man - what happened to Otto Wächter while he was preparing to travel to Argentina on the 'ratline', assisted by a Vatican bishop, and what was the explanation for his sudden and unexpected death?

*** The New York Times Bestseller *** 'Lucy Adlington tells of the horrors of the Nazi occupation and the concentration camps from a fascinating and original angle. She introduces us to a little known aspect of the period, highlighting the role of clothes in the grimmest of societies imaginable and giving an insight into the women who stayed alive by stitching' - Alexandra Shulman, author of Clothes...and other things that matter 'Compelling... Adlington tells the stories of the women with clarity and steely precision' - Jewish Chronicle 'An utterly absorbing, important and unique historical read' - Judy Batalion, NY Times bestselling author of The Light of Our Days: The Untold Story of Women Resistance Fighters in Hitler's Ghettos 'Powerful... a fascinating account.' - Woman The powerful chronicle of the women who used their sewing skills to survive the Holocaust, stitching beautiful clothes at an extraordinary fashion workshop created within one of the most notorious WWII death camps. At the height of the Holocaust twenty-five young inmates of the infamous Auschwitz-Birkenau concentration camp - mainly Jewish women and girls - were selected to design, cut, and sew beautiful fashions for elite Nazi women in a dedicated salon. It was work that they hoped would spare them from the gas chambers. This fashion workshop - called the Upper Tailoring Studio - was established by Hedwig Hoess, the camp commandant's wife, and patronized by the wives of SS guards and officers. Here, the dressmakers produced high-quality garments for SS social functions in Auschwitz, and for ladies from Nazi Berlin's upper crust. Drawing on diverse sources - including interviews with the last surviving seamstress - The Dressmakers of Auschwitz follows the fates of these brave women. Their bonds of family and friendship not only helped them endure persecution, but also to play their part in camp resistance. Weaving the dressmakers' remarkable experiences within the context of Nazi policies for plunder and exploitation, historian Lucy Adlington exposes the greed, cruelty, and hypocrisy of the Third Reich and offers a fresh look at a little-known chapter of World War II and the Holocaust.

Israeli perspective on postmemory. Interdisciplinary focus. Also includes discussion of postcolonialism.

This is the only book from the perspective of the defendant who emerged victorious. It features reviews on book pages of national newspapers, and in history magazines. Deborah Lipstadt chronicles her five-year legal battle with David Irving that culminated in a sensational trial in 2000. In her acclaimed 1993 book "Denying the Holocaust", Deborah Lipstadt called David Irving, a prolific writer of books on World War II, "one of the most dangerous spokespersons for Holocaust denial", a conclusion she reached after closely examining his books, speeches, interviews, and other copious records. The following year, after Lipstadt's book was published in the UK, Irving filed a libel suit against Lipstadt and her UK publisher, Penguin. Lipstadt prepared her defence with the help of first-rate team of solicitors, historians, and experts. The dramatic trial, which unfolded over the course of 10 weeks, ultimately exposed the prejudice, extremism, and distortion of history that defined Irving's work. Lipstadt's victory was proclaimed on the front page of major newspapers around the world, with the "Daily Telegraph" proclaiming that the trial did "for the new century what the Nuremberg tribunals or the Eichmann trial did for earlier generations." Part history, part real life courtroom drama, "History On Trial" is Lipstadt's riveting, blow-by-blow account of the trial that tested the standards of historical and judicial truths and resulted in a formal denunciation of a Holocaust denier, crippling the movement for years to come.

The Fragility of Law examines the ways in which, during the Second World War, the Belgian government and judicial structure became implicated in the identification, exclusion and killing of its Jewish residents, and in the theft - through Aryanization - of Jewish property. David Fraser demonstrates how a series of political and legal compromises meant that the infrastructure for antisemitic persecutions and ultimately the deaths of thousands of Belgian Jews was Belgian. Based on extensive archival research in Belgium, France, the United States and Israel, The Fragility of Law offers the first detailed exploration in English of this intriguing and virtually unexplored episode of Holocaust history. Belgian legal officials did not hesitate to invoke the provisions of international law found in the Hague Convention and those guarantees of individual freedom found in the national Constitution to oppose the demands of the German Occupying Authority. However, they remained largely silent when anti-Jewish persecution was at stake. Indeed, despite the 2007 official report of expert historians on Belgian state collaboration in the persecution of the country's Jewish population, the mythology of "passive collaboration" which has dominated Belgian historiography and accounts of the Holocaust in that country, must be radically rethought.

For the last decade scholars have been questioning the idea that the Holocaust was not talked about in any way until well into the 1970s. After the Holocaust: Challenging the Myth of Silence is the first collection of authoritative, original scholarship to expose a serious misreading of the past on which, controversially, the claims for a ?Holocaust industry? rest. Taking an international approach this bold new book exposes the myth and opens the way for a sweeping reassessment of Jewish life in the postwar era, a life lived in the pervasive, shared awareness that Jews had narrowly survived a catastrophe that had engulfed humanity as a whole but claimed two-thirds of their number.

The chapters include:

?

A breakthrough volume in the debate about the ?Myth of Silence?, this is a must for all students of Holocaust and genocide.

This book is the first volume to offer comprehensive insights into visitor reactions to a wide range of museum exhibitions, memorials, and memory sites. draws exclusively upon empirical research and offers critical insights about visitor experience at museums and memory sites in the United States, Poland, Austria, Germany, France, the UK, Norway, Hungary, Australia, and Israel. explores visitor experience in all its complexity and argues that visitors are more than just 'learners'. approaches visitor experience as a multidimensional phenomenon and positions visitor experience within a diverse national, ethnic, cultural, social, and generational context. considers the impact of museums' curatorial and design choices, visitor motivations and expectations, and the crucial role emotions play in shaping understanding of historical events and subjects. offers significant insights into audience motivation, expectation, and behaviour. It is essential reading for academics, postgraduate students and practitioners with an interest in museums and heritage, visitor studies, Holocaust and genocide studies, and tourism.

The Holocaust was the defining trauma of the 20th century. How do we begin to understand the Nazi drive to murder millions of people, or the determination of concentration camp prisoners to survive? This new and improved edition of Sources of the Holocaust brings together over 90 original Holocaust documents and testimonies to put the reader into direct contact with the genocide's human participants. From the origins of Christian antisemitism and the creation of monstrous 'Others' to the immediate aftermath of these crimes against humanity and the rise of right-wing ideologies in the 21st century, this book is structured both chronologically and thematically in order to clearly explain the ideas that made the Holocaust possible, how people mounted resistance at the time, and the Holocaust's legacy today. On top of this unparalleled access to the voices of the Holocaust, Steve Hochstadt's authoritative and scholarly commentaries on each source ensures readers gain a comprehensive understanding of this terrible episode in human history. Shocking and compelling, this carefully curated collection of primary sources is the definitive account of Holocaust experiences and vital reading for all scholars of modern European history.

Out of the Holocaust recounts the plight of two Jewish-born orphans in Latvia and Germany during WWII. It is a tribute to the many brave individuals who cared for a large group of orphans on their journey through the war-torn land. It is also a testimony of God's love. May it be a spiritual igniter for you, especially during times of hardship.

Written at an accessible level for undergraduate students, this is the first introduction to the complex relationship between religion and genocide for use on related courses. Steven Leonard Jacobs is a leading scholar in the field and covers a complex and controversial topic in an engaging and accessible style, using real world case studies throughout. Religion and Genocide is an outstanding contribution to the fields of Judaic studies and Holocaust and Genocide studies.

Heda Margolius Kovaly (1919-2010) was a renowned Czech writer and translator born to Jewish parents. Her bestselling memoir, Under a Cruel Star: A Life in Prague, 1941-1968 has been translated into more than a dozen languages. Her crime novel Innocence; or, Murder on Steep Street based on her own experiences living under Stalinist oppression was named an NPR Best Book in 2015. In the tradition of Studs Terkel, Hitler, Stalin and I is based on interviews between Kovaly and award-winning filmmaker Helena Trestikova. In it, Kovaly recounts her family history in Czechoslovakia, starving in the deprivations of Lodz Ghetto, how she miraculously left Auschwitz, fled from a death march, failed to find sanctuary amongst former friends in Prague as a concentration camp escapee, and participated in the liberation of Prague. Later under Communist rule, she suffered extreme social isolation as a pariah after her first husband Rudolf Margolius was unjustly accused in the infamous Slansky Trial and executed for treason. Remarkably, Kovaly, exiled in the United States after the Warsaw Pact invasion in 1968, only had love for her country and continued to believe in its people. She returned to Prague in 1996. Heda had an enormous talent for expressing herself. She spoke with precision and was descriptive and witty in places. I admired her attitude and composure, even after she had such extremely difficult experiences. Nazism and Communism afflicted Heda's life directly with maximum intensity. Nevertheless, she remained an optimist. Helena Trestikova has made over fifty documentary films. Hitler, Stalin and I has garnered several awards in the Czech Republic and Japan. PRAISE FOR KOVALY'S INNOCENCE A luminous testament from a dark time, Innocence is at once a clever homage to Raymond Chandler, and a portrait of a city - Prague - caught and held fast in a state of Kafkaesque paranoia. Only a great survivor could have written such a book. - John Banville Innocence is an extraordinary novel ... in 1985, Kovaly produced a remarkable work of art with the intrigue of a spy puzzle, the irony of a political fable, the shrewdness of a novel of manners, and the toughness of a hard-boiled murder mystery ... Just as few will anticipate the many surprises and artful turns of Innocence, a book sure to dazzle and please a great many readers. - Tom Nolan, The Best New Mysteries, The Wall Street Journal Kovaly's skills as a mystery writer shines, as she uses suspense, hints, and suggestions to literally play with the reader's mind ... Innocence is an excellent novel for readers who are up for a challenging, intelligent, and complex story - one that paints a masterful picture of a bleak, Kafkaesque, and highly intriguing time, place, and cast of characters. - The New York Journal of Books Although not out of love for Hegel, Heda Margolius Kovaly makes a very Hegelian point: actions, as Hegel tells us in the section on Antigone in Phenomenology of Spirit - even seemingly small, meaningless actions - always reach beyond their intent; and the impossibility of foreseeing how the consequences will ripple outwards does not absolve us of guilt. As for innocence, the woman who went to hell twice wants her readers to know that there is no such thing. - The Times Literary Supplement

Based on never previously explored personal accounts and archival documentation, this book examines life and death in the Theresienstadt ghetto, seen through the eyes of the Jewish victims from Denmark. "How was it in Theresienstadt?" Thus asked Johan Grun rhetorically when he, in July 1945, published a short text about his experiences. The successful flight of the majority of Danish Jewry in October 1943 is a well-known episode of the Holocaust, but the experience of the 470 men, women, and children that were deported to the ghetto has seldom been the object of scholarly interest. Providing an overview of the Judenaktion in Denmark and the subsequent deportations, the book sheds light on the fate of those who were arrested. Through a micro-historical analysis of everyday life, it describes various aspects of social and daily life in proximity to death. In doing so, the volume illuminates the diversity of individual situations and conveys the deportees' perceptions and striving for survival and 'normality'. Offering a multi-perspective and international approach that places the case of Denmark into the broader Jewish experience during the Holocaust, this book is invaluable for researchers of Jewish studies, Holocaust and genocide studies, and the history of modern Denmark.

'If we had held one minute's silence for each of the six million Jews who were murdered, we would have remained silent for twelve years.' Blanche Major. In Time's Witnesses: Women's Voices from the Holocaust, Major and nine other Jewish women testify about their horrific experiences in Auschwitz, Theresienstadt, Bergen-Belsen and other Nazi camps.This book tells of humiliation, hunger, death and despair, but also of dignity, unity and hope-and an indomitable will to live. Each woman's experience is unique; yet their reflections share a common hope for reconciliation and understanding. They are a testament to the Nazi atrocities and a caution for the future. Theirs are stories the world must never forget.

In 1961 Adolf Eichmann went on trial in Jerusalem for his part in the Nazi persecution and mass murder of Europe 's Jews. For the first time a judicial process focussed on the genocide against the Jews and heard Jewish witnesses to the catastrophe. The trial and the controversies it caused had a profound effect on shaping the collective memory of what became the Holocaust .

This volume, a special issue of the Journal of Israeli History, brings together new research by scholars from Europe, Israel and the USA.