After one too many late night discussions, football journalist Paul Watson and his mate Matthew Conrad decide to find the world's worst national team, become naturalised citizens of that country and play for them - achieving their joint boyhood dream of playing international football and winning a 'cap'. They are thrilled when Wikipedia leads them to Pohnpei, a tiny, remote island in the Pacific whose long-defunct football team is described as 'the weakest in the world'. They contact Pohnpei's Football Association and discover what it needs most urgently is leadership. So Paul and Matt travel thousands of miles, leaving behind jobs, families and girlfriends to train a rag-tag bunch of novice footballers who barely understand the rules of the game. Up Pohnpei tells the story of their quest to coach the team and eventually, organise an international fixture - Pohnpei's first since a 16-1 defeat many years ago. With no funding, a population whose obesity rate is 90 percent and toad-infested facilities in one of the world's wettest climates, their journey is beset by obstacles from the outset. Part travelogue, part quest, Up Pohnpei shows how the passion and determination of two young men can change the face of football - and the lives of total strangers - on the other side of the world.

In 1910., Dr Hackmann started on a lengthy tour throughout Mongolia, China, Japan, Cambodia, Siam, and India, studying Buddhism and other Eastern Religions, Shintoism and Taoism. He returned to London in the spring of 1911, and published this book.

'Tangier, the white city poised atop the dark continent which turns out to be the continent of light.' Tangier in the 1960s and '70s was a fabled place. This edge city, the 'Interzone', became muse and escapist's dream for artists, writers, millionaires and socialites, who wrote, painted, partied and experienced life with an intensity and freedom that they never could back home. Into this louche and cosmopolitan world came John Hopkins, a young writer who became a part of the bohemian Tangier crowd with its core of Beats that included William Burroughs, Paul and Jane Bowles and Brion Gysin, as well as Tennessee Williams, Jean Genet, Yves Saint Laurent, Barbara Hutton and Malcolm Forbes. Those intoxicating decades - Tangier's 'Golden Years' - are long gone. Grand old houses that once sparkled with life are shuttered and dark and most of the eccentrics who once lived and loved in the city have died. But here, in the pages of John Hopkins' cult classic, all the decadence and flamboyance of those days is brought to life once more.

In the run up to the 1987 election Christopher Hope returned to his native South Africa after a twelve-year absence. The nature of that year's whites-only election and the bitter defeat of the liberals led him to write this satirical, evocative portrait of what it looked and felt like growing up in a country gripped by an absurd, racist insanity. Full of exquisite and despairing descriptions, Hope weaves together journalistic commentary and his own personal story as he encounters the bloody battles that have divided his homeland. This is a mordantly witty account of escape, displacement and disillusionment, and a modern classic of journalistic memoir.

Presenting a critical, yet innovative, perspective on the cultural interactions between the "East" and the "West", this book questions the role of travel in the production of knowledge and in the construction of the idea of the "Islamic city". This volume brings together authors from various disciplines, questioning the role of Western travel writing in the production of knowledge about the East, particularly focusing on the cities of the Muslim world. Instead of concentrating on a specific era, chapters span the Medieval and Modern eras in order to present the transformation of both the idea of the "Islamic city" and also the act of traveling and travel writing. Missions to the East, whether initiated by military, religious, economic, scientific, diplomatic or touristic purposes, resulted in a continuous construction, de-construction and re-construction of the "self" and the "other". Including travel accounts, which depicted cities, extending from Europe to Asia and from Africa to Arabia, chapters epitomize the construction of the "Orient" via textual or visual representations. By examining various tools of representation such as drawings, paintings, cartography, and photography in depicting the urban landscape in constant flux, the book emphasizes the role of the mobile individual in defining city space and producing urban culture. Scrutinising the role of travellers in producing the image of the world we know today, this book is recommended for researchers, scholars and students of Middle Eastern Studies, Cultural Studies, Architecture and Urbanism.

This volume prints for the first time the 'perambulation' of Cumberland compiled by the lawyer, Thomas Denton, for Sir John Lowther of Lowther in 1687-8. Denton's manuscript provides the most detailed surviving description of the county in the seventeenth century. Taking the methods of earlier antiquaries as a framework, and incorporating much of the text of the history of Cumberland written c.1603 by John Denton, the perambulation includes a wealth of contemporary detail for almost every parish and township in the county, including particulars of land tenure, valuations of estates, population estimates, descriptions of buildings and the histories of landed families. Appended to the description of Cumberland, are a perambulation of Westmorland, and the texts of two important tracts, the genealogy of the Clifford family and a treatise on customary tenantright. The volume is rounded off by descriptions of the Isle of Man and Ireland, taken in part from Camden's Britannia but including detailed topographical accounts of Man and Dublin, based on Denton's own observations. ANGUS J.L. WINCHESTER is Senior Lecturer in History, Lancaster University.

Two kittens were abandoned in a park. The women who found them were about to head off on a mountain trek and the animal shelter was closed. The cats seemed game so their rescuers brought Bolt and Keel (so named) along for the adventure. It was the first of many. Kayleen VanderRee, an avid photographer, chronicled their trips on Instagram and soon the cats' adventures went viral. Bolt and Keel invites readers to join the cats (and their humans) on a journey through British Columbia's forests, mountains and rivers. With the cats sitting in the bow of a canoe, perched on a shoulder or navigating snowy trails, these images and charming captions capture an exploration of the natural world that any cat-and any cat lover or adventure seeker-would envy.

MEXICO CITY, with some 20 million inhabitants, is the largest city in the Western Hemisphere. Enormous growth, raging crime, and tumultuous politics have also made it one of the most feared and misunderstood. Yet in the past decade, the city has become a hot spot for international business, fashion, and art, and a magnet for thrill-seeking expats from around the world.
In 2002, Daniel Hernandez traveled to Mexico City, searching for his cultural roots. He encountered a city both chaotic and intoxicating, both underdeveloped and hypermodern. In 2007, after quitting a job, he moved back. With vivid, intimate storytelling, Hernandez visits slums populated by ex-punks; glittering, drug-fueled fashion parties; and pseudo-native rituals catering to new-age Mexicans. He takes readers into the world of youth subcultures, in a city where punk and emo stand for a whole way of life--and sometimes lead to rumbles on the streets.
Surrounded by volcanoes, earthquake-prone, and shrouded in smog, the city that Hernandez lovingly chronicles is a place of astounding manifestations of danger, desire, humor, and beauty, a surreal landscape of "cosmic violence." For those who care about one of the most electrifying cities on the planet, ""Down & Delirious in Mexico City "is essential reading" (David Lida, author of "First Stop in the New World").

Lonely Planet: The world's leading travel guide publisher* Life-changing food adventures around the world. From bat on the island of Fais to chicken on a Russian train to barbecue in the American heartland, from mutton in Mongolia to couscous in Morocco to tacos in Tijuana - on the road, food nourishes us not only physically, but intellectually, emotionally, and spiritually too. It can be a gift that enables a traveller to survive, a doorway into the heart of a tribe, or a thread that weaves an indelible tie; it can be awful or ambrosial - and sometimes both at the same time. Celebrate the riches and revelations of food with this 38-course feast of true tales set around the world. Features stories by Anthony Bourdain, Andrew Zimmern, Mark Kurlansky, Matt Preston, Simon Winchester, Stefan Gates, David Lebovitz, Matthew Fort, Tim Cahill, Jan Morris and Pico Iyer. Edited by Don George. About Lonely Planet: Started in 1973, Lonely Planet has become the world's leading travel guide publisher with guidebooks to every destination on the planet, as well as an award-winning website, a suite of mobile and digital travel products, and a dedicated traveller community. Lonely Planet's mission is to enable curious travellers to experience the world and to truly get to the heart of the places where they travel. TripAdvisor Travellers' Choice Awards 2012 and 2013 winner in Favorite Travel Guide category 'Lonely Planet guides are, quite simply, like no other.' - New York Times 'Lonely Planet. It's on everyone's bookshelves, it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia) *#1 in the world market share - source: Nielsen Bookscan. Australia, UK and USA. March 2012-January 2013

A riveting journey into the bizarre world of the Asian arowana or "dragon fish" the world's most expensive aquarium fish-reveals a surprising history with profound implications for the future of wild animals and human beings alike. The Dragon Behind the Glass tells the story of a fish like none other: a powerful predator dating to the age of the dinosaurs. Treasured as a status symbol believed to bring good luck, the Asian arowana is bred on high-security farms in Southeast Asia and sold by the hundreds of thousands each year. In the United States, however, it's protected by the Endangered Species Act and illegal to bring into the country-though it remains the object of a thriving black market. From the South Bronx to Singapore, journalist Emily Voigt follows the trail of the fish, ultimately embarking on a years-long quest to find the arowana in the wild, venturing deep into some of the last remaining tropical wildernesses on earth. In an age when freshwater fish now comprise one of the most rapidly vanishing groups of animals on the planet, Voigt unearths a paradoxical truth behind the dragon fish's rise to fame-one that calls into question how we protect the world's rarest species. An elegant exploration of the human conquest of nature, The Dragon Behind the Glass revels in the sheer wonder of life's diversity and lays bare our deepest desire-to hold onto what is wild.

Someone once asked me how much I charge to guide people into the woods. "That's free," I explained. "Anyone can get themselves into the woods. You pay me to get you out." Can anyone really know the northern forest? It is something you feel more in your heart than in your head. You may be able to locate your place on a map, but can you pinpoint the places the forest has hold of your soul? For more than forty years, Maine Guide Earl Brechlin has sought the answers. Through this series of interconnected essays, Brechlin recounts the annual canoe trips to the North Maine Woods he has made with a small group of friends, closing with the death of his twin brother and the group's last trip to spread his brother's ashes in the place he loved best. Often humorous and thrilling at once, the heartfelt narrative is peppered with tidbits of history, woods lore, and sage advice from a seasoned outdoorsman. What shines through is the author's profound love of the natural world and his place in it.

NEW YORK TIMES BESTSELLER * "Audacious...Life on the Mississippi sparkles." --The Wall Street Journal * "A rich mix of history, reporting, and personal introspection." --St. Louis Post-Dispatch * "Both a travelogue and an engaging history lesson about America's westward expansion." --The Christian Science Monitor The eagerly awaited return of master American storyteller Rinker Buck, Life on the Mississippi is an epic, enchanting blend of history and adventure in which Buck builds a wooden flatboat from the grand "flatboat era" of the 1800s and sails it down the Mississippi River, illuminating the forgotten past of America's first western frontier. Seven years ago, readers around the country fell in love with a singular American voice: Rinker Buck, whose infectious curiosity about history launched him across the West in a covered wagon pulled by mules and propelled his book about the trip, The Oregon Trail, to ten weeks on the New York Times bestseller list. Now, Buck returns to chronicle his latest incredible adventure: building a wooden flatboat from the bygone era of the early 1800s and journeying down the Mississippi River to New Orleans. A modern-day Huck Finn, Buck casts off down the river on the flatboat Patience accompanied by an eccentric crew of daring shipmates. Over the course of his voyage, Buck steers his fragile wooden craft through narrow channels dominated by massive cargo barges, rescues his first mate gone overboard, sails blindly through fog, breaks his ribs not once but twice, and camps every night on sandbars, remote islands, and steep levees. As he charts his own journey, he also delivers a richly satisfying work of history that brings to life a lost era. The role of the flatboat in our country's evolution is far more significant than most Americans realize. Between 1800 and 1840, millions of farmers, merchants, and teenage adventurers embarked from states like Pennsylvania and Virginia on flatboats headed beyond the Appalachians to Kentucky, Mississippi, and Louisiana. Settler families repurposed the wood from their boats to build their first cabins in the wilderness; cargo boats were broken apart and sold to build the boomtowns along the water route. Joining the river traffic were floating brothels, called "gun boats"; "smithy boats" for blacksmiths; even "whiskey boats" for alcohol. In the present day, America's inland rivers are a superhighway dominated by leviathan barges--carrying $80 billion of cargo annually--all descended from flatboats like the ramshackle Patience. As a historian, Buck resurrects the era's adventurous spirit, but he also challenges familiar myths about American expansion, confronting the bloody truth behind settlers' push for land and wealth. The Indian Removal Act of 1830 forced more than 125,000 members of the Cherokee, Choctaw, and several other tribes to travel the Mississippi on a brutal journey en route to the barrens of Oklahoma. Simultaneously, almost a million enslaved African Americans were carried in flatboats and marched by foot 1,000 miles over the Appalachians to the cotton and cane fields of Arkansas, Mississippi, and Louisiana, birthing the term "sold down the river." Buck portrays this watershed era of American expansion as it was really lived. With a rare narrative power that blends stirring adventure with absorbing untold history, Life on the Mississippi is a mus-cular and majestic feat of storytelling from a writer who may be the closest that we have today to Mark Twain.

The Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in English or French.

This is the personal journal of a young American woman, living for six months amongst the Dodoth cattle-herdsmen in Northern Uganda. It is also an adventure story, for during this period the Dodoth were caught up in an escalating cycle of violence with their age-old rivals, the Turkana tribe. The animating tension of this feud was the tradition of cattle raiding, but it escalated to unprecedented levels of violence when the new nation states of Uganda and Kenya were drawn in to police these ancient clan frontiers. Elizabeth Marshall Thomas s total immersion in the life of this tribe in 1961 takes us with her, as with clarity and a lyrical eye for detail she brings their whole culture alive. For though she was not an academic herself, she had spent much time in the field with her mother, who was the world s leading authority on the Bushman of the Kalahari. So it was natural for Elizabeth Marshall Thomas to take her own young children on this adventure, where she proves herself such a brave, humane and unshockable witness to the life of the warrior herdsmen.

Join Joe Shute as he travels across Britain tracing the history of our seasons and discovering how they are changing. We talk about them. We plan our lives around them. The changing seasons are part of us all. But what happens when the weather changes beyond recognition? Joe Shute has spent years unpicking Britain’s love affair with the weather, poring over the centuries of folklore, customs and rituals our seasons have inspired. But in recent years Shute has noticed a curious thing: the British seasons are changing far faster and far more profoundly than we realise. Daffodils in December, frogspawn in November, swallows that no longer fly home, floods, wildfires and winters without snow. Nothing is behaving as it should, sending nature into an increasing state of flux. In Forecast, Shute travels all over Britain tracing the history of the seasons, and discovering the extent to which we are now growing disconnected from them. While documenting these warped rhythms caused by the changing weather, he records the parallels in his personal journey as he and his wife struggle to conceive a child. This is a book that races to keep up with the march of the seasons as they rapidly change course. It examines how the weather is reshaping the world around us, and asks what happens to centuries of culture, memory and identity when the very thing they subsist on is slipping away.

By a winner of the Stanford Dolman Award for Travel Writing "Sayarer is a precise and passionate writer . . . We need writers who will go all the way for a story, and tell it with fire. Sayarer is a marvellous example" HORATIO CLARE On the eve of its centenary year and elections that will shape the coming generations, Julian Emre Sayarer sets out to cycle across Türkiye, from the Aegean coast to the Armenian border. Meeting Turkish farmers and workers, Syrian refugees and Russians avoiding conscription, the journey brings to life a living, breathing, cultural tapestry of the place where Asia, Africa and Europe converge. The result is a love letter to a country and its neighbours - one that offers a clear-eyed view of Türkiye and its place in a changing world. Yet the route is also marked by tragedy, as Sayarer cycles along a major fault line just months before one of the most devastating earthquakes in the region's modern history. Always engaged with the big historical and political questions that inform so much of his writing, Sayarer uses his bicycle and the roadside encounters it allows to bring everything back to the human level. At the end of his journey we are left with a deeper understanding of the country, as well as the essential and universal nature of political power, both in Türkiye and closer to home.

In Russia's Far East sits the wild Ussuri Kray, a region known for its remote highlands and rugged mountain passes where tigers and bears roam the cliffs, and salmon and lenok navigate the rivers. In this collection of travel writing by famed Russian explorer and naturalist Vladimir K. Arsenyev (1872-1930), readers are shuttled back to the turn of the 20th century when the Russian Empire was reeling from its defeat in the Russo-Japanese War (1904-1905) and vulnerable to its Far Eastern neighbors. What began as an expedition to survey the region's infrastructure for the Russian military turned into an adventure through a territory rich in ethnic and ecological diversity. Encountering the disappearing indigenous cultures of the Nanai and Udege, engaging the help of Korean farmers and Chinese hunters, and witnessing the beginning of indomitable Russian settlement, Arsenyev documents the lives and customs of the region's inhabitants and their surroundings. Originally written as "a popular scientific description of the Kray," this unabridged edition includes photographs largely unseen for nearly a century and is annotated by Jonathan C. Slaght, a biologist working in the same forests Arsenyev explored. Across the Ussuri Kray is a classic of northeast Asian cultural and natural history.

Write guidebooks, make travel TV, lead bus tours? Cameron Hewitt has been Rick Steves’ right hand for more than 20 years, doing just that. The Temporary European is a collection of vivid, entertaining travel tales from across Europe. Cameron zips you into his backpack for engaging and inspiring experiences: sampling spleen sandwiches at a Palermo street market; hiking alone with the cows high in the Swiss Alps; simmering in Budapest’s thermal baths; trekking across an English moor to a stone circle; hand-rolling pasta at a Tuscan agriturismo; shivering through Highland games in a soggy Scottish village; and much more. Along the way, Cameron introduces us to his favorite Europeans. In Mostar, Alma demonstrates how Bosnian coffee isn’t just a drink, but a social ritual. In France, Mathilde explains that the true mastery of a fromager isn’t making cheese, but aging it. In Spain, Fran proudly eats acorns, but never corn on the cob. While personal, the stories also tap into the universal joy of travel. Cameron’s travel motto (inspired by a globetrotting auntie) is "Jams Are Fun"—the fondest memories arrive when your best-laid plans go sideways. And he encourages travelers to stow their phones and guidebooks, slow down, and savor those magic moments that arrive between stops on a busy itinerary. The stories are packed with inspiration and insights for your next trip, including how to find the best gelato in Italy, how to select the best produce at a Provençal market, how to navigate Spain’s confusing tapas scene, and how to survive the experience of driving in Sicily (hint: just go numb). And you’ll get a reality check for every traveler’s "dream job": researching and writing guidebooks; guiding busloads of Americans on tours around Europe; scouting and producing a travel TV show; and working with Rick Steves and his merry band of travelers. It’s a candid account of how the sausage gets made in the travel business—told with warts-and-all honesty and a sense of humor. For Rick Steves fans, or anyone who loves Europe, The Temporary European is inspiring, insightful, and fun.

From the very first moment she set foot in South Korea, Barbara Zitwer, literary agent to some of the most celebrated, prize-winning Korean authors, fell head-over-heels in love, discovering there a renewed sense of happiness and energy. In this witty, charming book, Zitwer shares all that she has learnt about this fascinating country: a vibrant, global powerhouse of culture and industry with an enduring devotion to the ancient philosophies of han, heung and jeong (resilience, joy and the art of giving). We follow Zitwer as she travels from the buzzing capital of Seoul to meeting Buddhist nuns in a mountain temple, from the bizarre theme park within the Demilitarised Zone to the tropical island of Jeju, home to haenyeo, the inspirational, octogenarian, female divers. Along the way she regales us with hilarious anecdotes of her cultural faux pas, top travel tips and local recipes as well as magical moments of understanding and connection. The Korean Book of Happiness invites you to explore a beguiling culture and learn how the Korean way can make your life happier and more fulfilled.

The so-called Travels of Sir John Mandeville (c. 1356) was one of the most popular books of the late Middle-Ages. Translated into many European languages and widely circulating in both manuscript and printed forms, the pseudo English knight's account had a lasting influence on the voyages of discovery and durably affected Europe's perception of exotic lands and peoples. The early modern period witnessed the slow erosion of Mandeville's prestige as an authority and the gradual development of new responses to his book. Some still supported the account's general claim to authenticity while questioning details here and there, and some openly denounced it as a hoax. After considering the general issues of edition and reception of Mandeville in an opening section, the volume moves on to explore theological and epistemological concerns in a second section, before tackling literary and dramatic reworkings in a final section. Examining in detail a diverse range of texts and issues, these essays ultimately bear witness to the complexity of early modern engagements with a late medieval legacy which Mandeville emblematises. -- .

Since 9/11 the reader has been inundated with academic volumes about radical Islam, the geo-political alliances of Pakistan and the identity of the Taliban. What has been lacking is Travels in a Dervish Cloak, an affectionate, hashish-scented travel book, full of humour and delight, written by a young Irish foreign correspondent living on his wits, on the contacts from his grandmother s address book and with a kidney given to him by his brother. Others might have conserved this gift of a life-saving kidney by living a sober and quiet life, but it had the opposite affect on Isambard Wilkinson, who took to the adventurous life of a Daily Telegraph foreign correspondent like a cat assured of nine lives. His rich and wonderfully intimate picture of Pakistan describes the country in all its exuberant, colourful, contemporary glory. It s a place where past empires, be they Mughal or Raj, continue to shine like old gold beneath the chaotic jigsaw of Baluch, Punjabi, Sindi and Pashtun peoples, not to mention warlords, hereditary saints, bandit landlords, smugglers and party-mad socialites. The only way to understand the contradictions is to plunge into the riot of differences, and to come out grinning.

_______________ 'A passionate love letter to language and to Italy ... a bold and quirkily engaging self-portrait' - Lee Langley, Spectator 'A writer of uncommon elegance and poise' - New York Times 'A fascinating account of her linguistic exile' - Erica Wagner, Harper's Bazaar _______________ In Other Words is a revelation. It is at heart a love story of a long and sometimes difficult courtship, and a passion that verges on obsession: that of a writer for another language. For Jhumpa Lahiri, that love was for Italian, which first captivated and capsized her during a trip to Florence after college. Although Lahiri studied Italian for many years afterwards, true mastery had always eluded her. Seeking full immersion, she decided to move to Rome with her family, for 'a trial by fire, a sort of baptism' into a new language and world. There, she began to read and to write - initially in her journal - solely in Italian. In Other Words, an autobiographical work written in Italian, investigates the process of learning to express oneself in another language, and describes the journey of a writer seeking a new voice. Presented in a dual-language format, this is a wholly original book about exile, linguistic and otherwise, written with an intensity and clarity not seen since Vladimir Nabokov: a startling act of self-reflection and a provocative exploration of belonging and reinvention.

Much has been written on how temples are constructed or reconstructed for reviving local religious and communal life or for recycling tradition after the market reforms in China. The dynamics between the state and society that lie behind the revival of temples and religious practices initiated by the locals have been well-analysed. However, there is a gap in the literature when it comes to understanding religious revivals that were instead led by local governments. This book examines the revival of worship of the Chinese Deity Huang Daxian and the building of many new temples to the god in mainland China over the last 20 years. It analyses the role of local governments in initiating temple construction projects in China, and how development-oriented temple-building activities in Mainland China reveal the forces of transnational ties, capital, markets and identities, as temples were built with the hope of developing tourism, boosting the local economy, and enhancing Chinese identities for Hong Kong worshippers and Taiwanese in response to the reunification of Hong Kong to China. Including chapters on local religious memory awakening, pilgrimage as a form of tourism, women temple managers, entrepreneurialism and the religious economy, and based on extensive fieldwork, Chan and Lang have produced a truly interdisciplinary follow up to The Rise of a Refugee God which will appeal to students and scholars of Chinese religion, Chinese culture, Asian anthropology, cultural heritage and Daoism alike.

..".offers a set of unique perspectives on how travel writers have imagined, experienced and represented other people and other places. It shifts attention to the voices and agency of travellers from the Balkans and the ways in which they have experienced and described the sometimes strange and exotic West... Most fascinating the multi-faceted trajectories of expectations, perceptions and imageries which reverse the standard hegemonic gaze from West to East." . Stephanie Schwandner-Sievers, School of Slavonic and East European Studies, University College London

In writings about travel, the Balkans appear most often as a place travelled to. Western accounts of the Balkans revel in the different and the exotic, the violent and the primitive traits that serve (according to many commentators) as a foil to self-congratulatory defi nitions of the West as modern, progressive and rational. However, the Balkans have also long been travelled from. The region's writers have given accounts of their travels in the West and elsewhere, saying something in the process about themselves and their place in the world. The analyses presented here, ranging from those of 16th-century Greek humanists to 19th-century Romanian reformers to 20th-century writers, socialists and 'men-of-the-world', suggest that travellers from the region have also created their own identities through their encounters with Europe. Consequently, this book challenges assumptions of Western discursive hegemony, while at the same time exploring Balkan 'Occidentalisms'.

Art about glaciers, queer relationships, political anxiety, and the meaning of Blackness in open space-Borealis is a shapeshifting logbook of Aisha Sabatini Sloan's experiences moving through the Alaskan outdoors. In Borealis, Aisha Sabatini Sloan observes shorelines, mountains, bald eagles, and Black fellow travelers while feeling menaced by the specter of nature writing. She considers the meaning of open spaces versus enclosed ones and maps out the web of queer relationships that connect her to this quaint Alaskan town. Triangulating the landscapes she moves through with glacial backdrops in the work of Black conceptual artists and writers, Sabatini Sloan complicates tropes of Alaska to suggest that the excitement, exploration, and possibility of myth-making can also be twinned by isolation, anxiety, and boredom. Borealis is the first book commissioned for the Spatial Species series, edited by Youmna Chlala and Ken Chen. The series investigates the ways we activate space through language. In the tradition of Georges Perec's An Attempt at Exhausting a Place in Paris, Spatial Species titles are pocket-sized editions, each keenly focused on place. Instead of tourist spots and public squares, we encounter unmarked, noncanonical spaces: edges, alleyways, diasporic traces. Such intimate journeying requires experiments in language and genre, moving travelogue, fiction, or memoir into something closer to eating, drinking, and dreaming.