Christine Louw is die dogter van Christine van Wyk, die bekende stigter van Christine van Wyk Toere. Die skrywer neem die leser saam op reis na onbekende, avontuurlike plekke. Reisgogga gaan oor die mens se begeerte om die vreemde te verken. En oor die lewenslesse en avvontuur wat met die uitdagings van reis gepaardgaan. Reis is 'n ontdekking en ontdekking is 'n reis.

To travel the Silk Road, the greatest land route on earth, is to trace the passage not only of trade and armies but also of ideas, religions, and inventions. Making his way by local bus, truck, car, donkey cart, and camel, Colin Thubron covered some seven thousand miles in eight months--out of the heart of China into the mountains of Central Asia, across northern Afghanistan and the plains of Iran into Kurdish Turkey--and explored an ancient world in modern ferment.

'4 stars. Attlee, who knows and loves Italy and the Italians, takes the reader through the country's scented gardens with her sharp descriptions, pertinent stories and quotes and intriguing recipes. I was there with her' Anna del Conte, Sunday Telegraph A delightful book about Italy's unexpected history, told through its citrus fruits The story of citrus runs through the history of Italy like a golden thread, and by combining travel writing with history, recipes, horticulture and art, Helena Attlee takes the reader on a unique and rich journey through Italy's cultural, moral, culinary and political past. 'Fascinating . . . A distinguished garden writer, Attlee fell under the spell of citrus over ten years ago and the book, like the eleventh labour of Hercules to steal the golden fruit of the Hesperides, is the result. She writes with great lucidity, charm and gentle humour, and wears her considerable learning lightly . . . Helena Attlee's elegant, absorbing prose and sure-footed ability to combine the academic with the anecdotal, make The Land Where Lemons Grow a welcome addition to the library of citrologists and Italophiles alike' The Times Literary Supplement 'A paradise of citrus is how I always think of Italy too: a place where ice-cold limoncello is sipped from tiny glasses on piazzas, and everything from ricotta cake to osso bucco is enlivened with zest. What a joy, therefore, to read Helena Attlee's The Land Where Lemons Grow, which tells the story of Italy through its citrus fruit' Bee Wilson, Telegraph

The 1930s were one of the most important decades in defining the history of the twentieth century. It saw the rise of right-wing nationalism, the challenge to established democracies and the full force of imperialist aggression. Cultural Encounters makes an important contribution to our understanding of the ideological and cultural forces which were active in defining notions of national identity in the 1930s. By examining the work of writers and journalists from a range of European countries who used the medium of travel writing to articulate perceptions of their own and other cultures, the book gives a comprehensive account of the complex intellectual climate of the 1930s.

'Deeply researched and well-written' - Financial Times In the mid-sixteenth century, England was a small and relatively insignificant kingdom on the periphery of Europe, and it had begun to face a daunting array of social, commercial and political problems. Struggling with a single export - woollen cloth - a group of merchants formed arguably the world's first joint-stock company and set out to seek new markets and trading partners. This start-up venture transformed England in to a global power and sowed the seeds of nascent modern America. New World, Inc. is the riveting story of pilgrims, profits and the venture capitalists behind Sir Francis Drake and Sir Walter Raleigh. 'Brilliantly researched and vividly told' - Liaquat Ahamed, author of the Pulitzer Prize winning Lords of Finance

The land of the Iranians, known to European travelers for centuries as Persia, is a land riven by mountain-ranges, made inhospitable by deserts, yet rich in plains, forests and jewel-like gardens. Home to the most sublime architecture in the world, and a breeding ground for poets, Empires, Mystics and saints, it has an enduring and invincible fascination. David Blow enriches our understanding with his knowledgeable selection of the best of three thousand years of descriptive writing. He allows us to visit the courts of Cyrus and Xerxes, to ride out with the Parthians and Sassanians and to make a passing acquaintanceship with both the Shah and the late Ayatollah Khomeini, with Hafiz, and with Omar Khayyam.

'Killing It combines three popular, profound topics: where our food comes from, how to achieve purpose in life and how to find lasting love' - Sunday Times

After a career spent writing about food, Camas Davis came to a realization: she had never forced herself to grapple with how it actually got to her plate. Out of love with her life and with the world she found herself in, she knew she had to make a change.

And so she set off for France. There, in the rolling countryside of Gascony, she would learn the art of butchery, and with it the art of eating and drinking well. Surrounded by farmers, producers, cooks and food-lovers, eating some of the world's least processed and most lovingly made food, Camas discovered the very authenticity she'd longed for in her old life. She just needed to return to America, and bring what she'd learnt back with her . . .

Killing It is the story of one woman's quest to understand what it means to be human and what it means to be animal too.

In 1926 Barry Dierks, a young American architect, arrived in Paris and fell in love with France... With his partner, an ex-officer in the British Army, he built a white, flat-roofed Modernist masterpiece that rested on the rocks below the Esterel, with views across the Mediterranean. They called it Le Trident. From the moment it was built, it captivated the Riviera. As commissions for more villas flooded in, Barry Dierks and Eric Sawyer, 'those two charmers', flourished at the heart of Riviera society. Over the years, Dierks would design and build over 70 of the Riviera's most recognisable villas for clients ranging from Somerset Maugham's Villa Mauresque and Jack Warner's Villa Aujourd'hui to the Marquess of Cholmondeley's Villa Le Roc, and Maxine Elliott's Chateau de l'Horizon, later the home of Aly Khan and Rita Hayworth. Riviera Dreaming tells the dazzling story of the lives, loves and adventures that played out behind the walls of these glamorous houses and provides an unparalleled portrait of life on the Cote d'Azur at the height of the Jazz Age.

"Mid-life crises don’t have to be boring and staid. Buy a mountain bike and the best adventure of your life is just over the next hill" - Quote unquote from the guy at the bike shop. What he didn’t tell you is that when you’re on a bicycle most hills turn into mountains. And he also didn’t tell you beware of riding next to guy with a long bucket list. Because he will casually ask if you want ride with him from Harare to Cape Town.

After completing the trip (unexpected experiences – both good and bad- forever skeyched in your memory), you get home exhausted but exhilarated, patting yourself on the back for having raised more than a million Rand for charity, and your friends call you lazy for choosing a downhill destination. So straight away, you look for another mountain to aim at, a pointy one this time called Kilimanjaro.

Cape Town to Kilimanjaro is about having fun, doing good, and above all doing epic. It will make you laugh and cry if you are on the receiving end of the intravenous antibiotics. Hopefully it will also inspire. All you need is a bike and a destination.

The author covers a wide range of subjects, from the history of the great city to contemporary commerce, conveyed by an often satirical narrative reminiscent of Jonathan Swift. He guides the reader on a leisurely walk around the monuments and attractions of the capital, bringing to life a vibrant and mesmerising city.

Bruce Springsteen -- 'The Boss' -- has towered over the rock world since he shot to international fame with 'Born to Run' and other classics in the early 1970s. He has always been an outspoken advocate of his home state of New Jersey, which has produced many stars of stage, screen and the musical world, and was the backdrop for the international success of award-winning The Sopranos TV series. In this remarkable narrative of travel and cultural history, Oxford historian and author James Pettifer makes his own philosophical journey as a visiting scholar at Princeton University, where Springsteen's music becomes a metaphor for the nature of New Jersey society. Set within the kaleidoscope of life in the state with its rich and complex history, it takes place in the key year of 2007 with the release of the brilliant Magic album at the height of the Bush Administration and against the background of the intensifying Iraq War. This book explores the extraordinary loyalty New Jersey inspires among its cognoscenti as well as derision from its detractors. In a place of acute social contradictions, driving energy and vast differences in wealth, the glittering intellectual world of Princeton is a short Turnpike drive away from some of the most dangerous urban areas in the United States. The Jersey Shore is also a recurrent theme, with its romantic history, sinister marshlands, vast and beautiful sand dunes, and violent winter storms. In Meet You in Atlantic City James Pettifer has written a unique cultural history that will appeal to rock fans with its literary analysis of the 2007/8 Magic album tour, the last to include founder E Street Band members Danny Federici and Clarence Clemons. It is also a guide to the central role of New Jersey in American history generally, where decisive battles in the War of Independence were fought in and near Princeton, and where more recently the influence of crime and gambling on the social and economic forces that led to the Trump presidency was already in evidence.

**Shortlisted for the Portico Prize 2019**; The astonishing new work of non-fiction from the prize-winning author of The Gallows Pole and The Offing.; Under the Rock is about badgers, balsam, history, nettles, mythology, moorlands, mosses, poetry, bats, wild swimming, slugs, recession, floods, logging, peacocks, community, apples, asbestos, quarries, geology, industrial music, owls, stone walls, farming, anxiety, relocation, the North, woodpiles, folklore, landslides, ruins, terriers, woodlands, ravens, dales, valleys, walking, animal skulls, trespassing, crows, factories, maps, rain - lots of rain - and a great big rock.; ______________; 'Extraordinary, elemental ... never less than compelling: this is a wild, dark grimoire of a book' - TLS; 'Exceptionally engaging ... beguiling ... this is a startling, unclassifiable book' - Stuart Kelly, The Scotsman; 'Compelling ... admirable and engrossing. Myers writes of the rain with a poet's eye worthy of Hughes' - Erica Wagner, New Statesman; 'A bone-tingling book' - Richard Benson, author of The Valley and The Farm; 'A truly elemental read from which I emerged subtly changed... It has all the makings of a classic' - Miriam Darlington, author of Otter Country and Owl Sense

From 1917 19, the Tharaud brothers immersed themselves in Morocco while observing the determined imposition of the French Protectorate at first hand. With unique access to both colonial manoeuvres and a now-vanished Moroccan way of life, they settled for periods in Marrakesh, Rabat and Fez to absorb and observe. We join them on visits to the Sultan one day and to the shrine of Sidi Ben Achir part shrine, part mental asylum on another. They watch the son and heir of the Glaoui dynasty die from wounds received in a mountain battle, and lovers weaving and ducking across the rooftops of Fez to reach their trysting place. This is the first translation of these vivacious works into English, giving access to the majesty, the squalor and above all the liveliness of this extraordinary period of Moroccan history.

Year after year the family returns to the lake. The children, barefoot and free, explore its sun-drenched wilderness... The summer Bruce turns ten seems, at first, like any other: swimming out to the raft, watching the gulls, frogs and herons, catching crayfish. But just when he thinks that life is perfect, everything begins to change, and over the course of two months both the harshness of the adult world and the patterns of the natural reveal themselves.Barefoot at the Lake is not only a beautifully written boy's-eye view of the animals, humans and landscape of his youth, it is also delightfully funny, with a moving wisdom at its heart.

In 1910., Dr Hackmann started on a lengthy tour throughout Mongolia, China, Japan, Cambodia, Siam, and India, studying Buddhism and other Eastern Religions, Shintoism and Taoism. He returned to London in the spring of 1911, and published this book.

Taken for Wonder focuses on nineteenth century travelogues authored by Iranians in Europe and argues for a methodological shift from the study of travel to that of writing travel. This shift allows for a different interpretive framework that moves away from an over-emphasis on the destinations of travel (particularly in cases where the destination, like Europe, signifies larger meanings such as modernity) and which historicizes the travelogue itself as a rhetorical text in the service of its origin's concerns and developments. Within this framework, this book demonstrates the ways in which travel writings to Europe were used to position Qajar Iran (1917-1925) within a global context, i.e. narration of travel to Europe was also narrating the power of the Qajar court even when political events were tipped against it; and relatedly, how both travel to Europe and also translations of travel narratives into Persian should be included in our understanding of the importance of geography and mapping to the Qajars, especially during the latter half of the nineteenth century. In this process, it also re-examines the notion that Iranian modernity was the chief outcome of Iranians travelling in and writing about Europe.

This brilliant, vivid and impressionistic series of sketches, formed during her 1892 stay in Persia, is Gertrude Bell's first published work. Infused with a distinctive orientalism, 'Persian Pictures' is an evocative, virtuosic meditation, moving sinuously between Persia's heroic, complex, mythical past and its present decline; the public face of Tehran and the otherworldly 'secret, mysterious life of the East', the lives of its women, its enclosed, quasi-medieval gardens; from the bustling cities to the lonely wastelands of Khorasan. Bell's documentation of Muharram - the month of mourning for Imam Hussein, the grandson of the Prophet Mohammed - and Ramadan, display a mind finely attuned to the differences and similarities between Islam and Christianity, East and West. 'Persian Pictures' is both travelogue and meditation, an elegiac and beautifully observed account of a spellbinding land.

'Moments in Hell' reveals the conflicting loyalties of the war correspondent, caught between political ideologies and personal suffering, and provides enlightening background to recent conflicts.

Greece and Asia Minor proved an irresistible lure to English visitors in the seventeenth century. These lands were criss-crossed by adventurers, merchants, diplomats and men of the cloth. In particular, John Covel (1638-1722) - chaplain to the Levant Company in the 1670s, later Master of Christ's College, Cambridge - was representative of a thoroughly eccentric band of Englishmen who saw Greece and the Ottoman world through the lens of classical history. Using a variety of sources, including Covel's largely unpublished diaries, Lucy Pollard shows that these curious travellers imported, alongside their copies of Pausanias and Strabo, a package of assumptions about the societies they discovered. Disparaging contemporary Greeks as unworthy successors to their classical ancestors allowed Englishmen to view themselves as the true inheritors of classical culture, even as - when opportunity arose - they removed antiquities from the sites they described. At the same time, they often admired the Turks, about whom they had fewer preconceptions. This is a major contribution to reception and post-Restoration ideas about antiquity.