Craving an escape from everyday life, Gregor Ewing writes a personal account of his 1,000 mile walk over nine weeks with collie Meg that takes them through the central belt of Scotland, literally following in Robert the Bruce's footsteps. From Kintyre, Arran and Ardrossan north to Ayr through Glasgow to Fort William and Elgin, south to Inverurie, Aberdeen and Dundee, over the Forth to Edinburgh and Berwick upon Tweed then east through Roxburghshire to Bannockburn, Gregor frames his expedition with historical background that follows Robert the Bruce's journey to start a campaign which led to his famous victory seven years later.

This is the first book of its kind to include extensive analysis of the travelogues of Baghdad in relation to historiography. This book contains analysis of the stages of travel writing in general and the objectives of the writers, which makes it appealing for people who are keen to learn about the travelogues worldwide. The research in this book encompasses a number of disciplines, including urban history, architecture, literature, travel writing, history of Baghdad, Islamic studies, heritage and conservation. Because of this variety it would appeal to many academics from different backgrounds. Apart from academics, this book would appeal to other people who are interested in history, literature, Arabic, Islamic cities, and learning in general. Some photos and diagrams that are used in this book are taken from original sources that have been rarely published before.

Throughout history, intrepid men and women have related their experiences and perceptions of the world's great cities to bring them alive to those at home. The thirty-eight cities covered in this entertaining anthology of travellers' tales are spread over six continents, ranging from Beijing to Berlin, Cairo to Chicago, Lhasa to London, St Petersburg to Sydney and Rio to Rome. This volume features commentators across the millennia, including the great travellers of ancient times, such as Strabo and Pausanias; those who undertook extensive journeys in the medieval world, not least Marco Polo and Ibn Battuta; courageous women such as Isabella Bird and Freya Stark; and enterprising writers and journalists including Mark Twain and Norman Lewis. We see the world's great cities through the eyes of traders, explorers, soldiers, diplomats, pilgrims and tourists; the experiences of emperors and monarchs sit alongside those of revolutionaries and artists, but also those of ordinary people who found themselves in remarkable situations, like the medieval Chinese abbot who was shown round the Sainte-Chapelle in Paris by the King of France himself. Some of the writers seek to provide a straightforward, accurate description of all they have seen, while others concentrate on their subjective experiences of the city and encounters with the inhabitants. Introduced and contextualized by bestselling historian Peter Furtado, each account provides both a vivid portrait of a distant place and time and an insight into those who journeyed there. The result is a book that delves into the splendours and stories that exist beyond conventional guidebooks and websites.

Chloe Chard assembles fascinating passages from late eighteenth-century and early nineteenth-century accounts of travel in Italy, by Northern Europeans, writing in English (or, in some cases, translated into English at the time); 'Tristes Plaisirs' includes writings by Charles Dupaty, Maria Graham, Anna Jameson, Sydney Morgan, Henry Matthews and Hester Lynch Piozzi. The extracts often focus on the labile moods that contribute to the 'triste plaisir' of travelling (as Madame de Stael termed it): moods such as restlessness, anxiety, exhaustion, animal exuberance, sexual excitement and piqued curiosity. The introduction considers some of these responses in relation to the preoccupations and rhetorical strategies of travel writing during the Romantic period and introductory commentaries examine the ways in which the passages take up a series of themes, around which the five chapters are ordered: 'Pleasure', 'Rising and sinking in sublime places', 'Danger and destabilization', 'Art, unease and life', and 'Gastronomy, Gusto and the Geography of the Haunted'. -- .

In 1951 the Australian writers Charmian Clift and George Johnston left grey, post-war London for Greece. Settling first on the tiny island of Kalymnos, then Hydra, their plan was to live simply and focus on their writing, away from the noise of the big city. The result is two of Charmian Clift's best known and most loved books, the memoirs Mermaid Singing and Peel Me a Lotus. Mermaid Singing relays the culture shock and the sheer delight of their first year on the tiny sponge-fishing island of Kalymnos. Clift paints an evocative picture of the characters and sun-drenched rhythms of traditional life, long before backpackers and mass tourism descended. On Hydra, featured in the companion volume, Peel Me a Lotus, Clift and Johnston became the centre of an informal community of artists and writers including the then unknown Leonard Cohen who lodged with them, and his future girlfriend Marianne Ihlen.

Pre-order now and discover the incredible story of one woman's solo journey across the Bay of Biscay, into the Mediterranean, and the unexpected joy of solitude, self-discovery and resilience __________ 'We have no idea how much resilience there is inside us until we have to draw on it. We learn that we grow through adversity only as we go through it. That we crave happiness like plants leaning toward the light' When Susan quit her job in London and set sail off the south coast of England on her beloved sailboat, Isean, she was unaware this spontaneous departure would lead to a three-year journey spanning several countries across the continent. With only the very basics on board, resourcefulness becomes an unexpected source of joy and contentment. The highs and lows of living in such an extreme way awakens a newfound appreciation for the beauty of her surroundings, for being safe - for just being alive. For all the physical and navigational challenges of her journey, the other side of her story reveals a more important change - an inner journey - that took place along the way. This wasn't merely a challenge, a mid-life adventure or gap-year career break; it was much gentler than that, but much greater too. She was seeking nothing less than an entirely different life, having left the land far behind to call the wild, unbiddable sea home. __________

A Turn in the South is a reflective journey by V. S. Naipaul in the late 1980s through the American South. Naipaul writes of his encounters with politicians, rednecks, farmers, writers and ordinary men and women, both black and white, with the insight and originality we expect from one of our best travel writers. Fascinating and poetic, this is a remarkable book on race, culture and country. 'Naipaul's writing is supple and fluid, meticulously crafted, adventurous and quick to surprise. And, as usual, there's the freshness and originality of his way of looking at things' Sunday Times 'Naipaul writes as if a modern oracle has chosen to speak through him. It is a tissue of brilliantly recorded hearsay, of intense listening by a man with a remarkable ear' New York Times Review of Books 'This is a journey below the Mason-Dixon line into a society riven by too many defeats; the broken cause of the old Confederacy, and the frustrated anger of Southern blacks whose power is circumscribed . . . It is the best thing outside fiction that I have read on the Old South pregnant with the new since W. J. Cash's The Mind of the South published over fifty years ago' Sunday Telegraph

A special anniversary edition with an updated chapter set 25 years on by Chris Stewart. Over two decades ago we set up Sort of Books to help our friend, the some-time Genesis drummer Chris Stewart, bring his sunlit stories of life on a Spanish mountain farm to print. Ever the optimist, Chris hoped to earn enough money to buy a second-hand tractor for his farm. He got his tractor, as the book spent a year on the Sunday Times Top 10 charts and went on to sell a million and a half copies. His story is a classic. A dreamer and an itinerant sheep shearer, he moves with his wife Ana to a mountain farm in Las Alpujarras, an oddball region in the south of Spain. Misadventures gleefully unfold as Chris discovers that the owner had no intention of leaving. He meets their neighbours, an engaging mix of farmers, shepherds and New Age travellers, and their daughter Chloe is born, linking them irrevocably to their new life. The hero of the piece, however, is the farm itself - a patch of mountain studded with olive, almond and lemon groves, sited on the wrong side of a river, with no access road, water supply or electricity. Could life offer much better than that?

These new essays tell the stories of daring reporters, male and female, sent out by their publishers not to capture the news but to make the news-indeed to achieve star billing-and to capitalize on the Gilded Age public's craze for real-life adventures into the exotic and unknown. They examine the adventure journalism genre through the work of iconic writers such as Mark Twain and Nellie Bly, as well as lesser-known journalistic masters such as Thomas Knox and Eliza Scidmore, who took to the rivers and oceans, mineshafts and mountains, rails and trails of the late nineteenth century, shaping Americans' perceptions of the world and of themselves.

At a fateful travel writing workshop, Barbara, Louise, and Janet knew they had to collaborate. Soon, Wendy joined them, and the new writing group got to work.

LOUISE enjoys easy travels, wine, and good food. She takes you deep inside a Hungarian wine cellar and travels from Dawson City in the wild north of Canada, to Guadeloupe and Barbados. JAN adores the sea. She recounts the adventures of flying around Cape Horn, exploring the Galapagos, and learning to jump off a boat near Ireland's wild Aran Islands.

WENDY seeks out those places most of us wouldn't dare to visit. She's been to much of Africa and Asia and calls Pakistan her second home. While sick in Malawi, she found refuge in a tea estate. In Germany, the discovered lost Jewish roots.

BARBARA, the group's hiker, has traveled through Mali, fed hungry children in Kinshasa, and trekked around Mont Blanc and into the Himalayas for a glimpse into the Dragon Kingdom of Bhutan and the Valley of the Flowers in India.

Here, they share adventures and mishaps, frustrations and delights. They invite readers in for intimate reflections on what it means to travel-and why they are so drawn in by the planet's many siren songs.

First published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.

This book brings together theories of spatiality and mobility with a study of travel writing in the Victorian period to suggest that 'idleness' is an important but neglected condition of subjectivity in that era. Contrary to familiar stereotypes of 'the Victorians' as characterized by speed, work, and mechanized travel, this books asserts a counter-narrative in which certain writers embraced idleness in travel as a radical means to 're-subjectification' and the assertion of a 'late-Romantic' sensibility. Attentive to the historical and literary continuities between 'Romantic' and 'Victorian', the book reconstructs the Victorian discourse on idleness. It draws on an interdisciplinary range of theorists and brings together a fresh selection of accounts viewed through the lens of cultural studies as well as accounts of publication history and author biography. Travel texts from different genres (by writers such as Anna Mary Howitt, Jerome K. Jerome and George Gissing) are brought together as representing the different facets of the spectrum of idleness in the Victorian context.

Twee vriendinne besluit om die spoor van die die Nama-mense (afstammelinge van die Khoi-Khoi) van die Noord-Kaap te volg. Hulle vertrek met die doel om uit te vind hoe hulle "gefragmenteerde" kulturele ervaringe eenders of anders as die van Annie en haar mense, die sogenaamde Kaapse bruinmense is. Maar wat begin het as 'n soeke na "objektiewe" feite en inligting, het mettertyd gelei tot 'n proses van selfondersoek en 'n ontdekkingstog wat deur noue, intieme interaksie met die mense van Namakwaland, hoop skep dat lampe aangesteek kan word wat die "andersheid", maar veral die "eendersheid" van die verskillende etniese en kulturele groepe in SA sal uitlig.

Over twenty years ago, Sven Lindqvist, one of the great pioneers of a new kind of experiential history writing, set out across Central Africa. Obsessed with a single line from Conrad's The Heart of Darkness - Kurtz's injunction to 'Exterminate All the Brutes' - he braided an account of his experiences with a profound historical investigation, revealing to the reader with immediacy and cauterizing force precisely what Europe's imperial powers had exacted on Africa's peoples over the course of the preceding two centuries. Shocking, humane, crackling with imaginative energies and moral purpose, Exterminate All the Brutes stands as an impassioned, timeless classic. It is essential reading for anybody ready to come to terms with the brutal, racist history on which Europe built its wealth.

Field Notes is the record of a territory in full colour: a book of words and artworks that capture a year spent on foot in the Lincolnshire landscape. It is about topography and time. Chalk and flint and marsh. The coming and going of the sea, Neolithic farmers and the razzle-dazzle of weary coastal towns. It is as much about the ghost of a mammoth as it is the scream of a jet fighter, heading east. Each image is a still from a film - a film that is under constant production inside Maxim Peter Griffin's skull. Griffin's art is about taking somewhere and looking at it over and over so that with each looking it becomes strange and new. As well as being a testament to the isolated beauty of Lincolnshire itself, Field Notes is an extraordinary account of what it is like to be present in, to fully inhabit, a place.

The beloved Sunday Times bestseller - a touching, hilarious, often outrageous memoir of home-making and family adventures in the world's furthest outposts 'Hilarious, and utterly beguiling - it's a complete treat to be in Keenan's witty and open-hearted company' Esther Freud 'Deliciously effervescent' Sunday Times 'Brigid writes like a dream ... fabulous' Joanna Lumley 'Irresistible' Mail on Sunday When Sunday Times fashion journalist Brigid Keenan married the love of her life in the late Sixties, she had little idea of the rollercoaster journey they would make around the world together. For he was a diplomat - and Brigid found herself the smiling face of the European Union in locales ranging from Kazakhstan to Trinidad, and asking herself questions she never thought she'd have to ask. How do you throw a buffet dinner during a public mourning period in Syria? Where do you track down dog fat in Almaty? And how do you entertain guests in a Nepalese chicken shed? Negotiating diplomatic protocol, difficult teenagers, homesickness, frustrated career aspirations, witch doctors, and giant jumping spiders, Brigid muddles determinedly through - with no shortage of mishaps on the way. 'There are not many books that have actually made me cry from laughing, but this is one of them' Sunday Times

First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

This new and fully re-designed edition of the now-classic book marks the tenth anniversary of Bhajju Shyam's momentous journey to London, U.K. Bhajju Shyam, a celebrated and award-winning artist from the Gond tribe in central India, was commissioned to paint the walls of an Indian restaurant in London. He spent two months in the city, and it was the first time he encountered a western metropolis. The book that emerged from his journey is a visual travelogue that both mimics and subverts the typical colonial encounter. With radical innocence and great sophistication, Bhajju brings the signs of the Gond forest to bear on the city, turning London into an exotic jungle, a clever beastiary. The London Underground becomes a sinuous snake, Big Ben transforms into a rooster crowing the time, and an airplane -- the first Bhajju ever encountered -- is compared to an elephant miraculously flying through the air. It is rare to encounter a truly original vision that is capable of startling us into reexamining familiar sights. By breathing the ancient spirit of wonder back into the act of travel, "The London Jungle Book" does just that.

It has been nearly three decades since Shirley MacLaine commenced her brave and public commitment to chronicling her personal quest for spiritual understanding. In testament to the endurance and vitality of her message, each of her eight legendary bestsellers -- from Don't Fall Off the Mountain to My Lucky Stars -- continues today to attract, dazzle, and transform countless new readers. Now Shirley is back -- with her most breathtakingly powerful and unique book yet.

This is the story of a journey. It is the eagerly anticipated and altogether startling culmination of Shirley MacLaine's extraordinary -- and ultimately rewarding -- road through life. The riveting odyssey began with a pair of anonymous handwritten letters imploring Shirley to make a difficult pilgrimage along the Santiago de Compostela Camino in Spain. Throughout history, countless illustrious pilgrims from all over Europe have taken up the trail. It is an ancient -- and allegedly enchanted -- pilgrimage. People from St. Francis of Assisi and Charlemagne to Ferdinand and Isabella to Dante and Chaucer have taken the journey, which comprises a nearly 500-mile trek across highways, mountains and valleys, cities and towns, and fields. Now it would be Shirley's turn.

For Shirley, the Camino was both an intense spiritual and physical challenge. A woman in her sixth decade completing such a grueling trip on foot in thirty days at twenty miles per day was nothing short of remarkable. But even more astounding was the route she took spiritually: back thousands of years, through past lives to the very origin of the universe. Immensely gifted with intelligence, curiosity, warmth, and a profound openness to people and places outside her own experience, Shirley MacLaine is truly an American treasure. And once again, she brings her inimitable qualities of mind and heart to her writing. Balancing and negotiating the revelations inspired by the mysterious energy of the Camino, she endured her exhausting journey to Compostela until it gradually gave way to a far more universal voyage: that of the soul. Through a range of astonishing and liberating visions and revelations, Shirley saw into the meaning of the cosmos, including the secrets of the ancient civilizations of Atlantis and Lemuria, insights into human genesis, the essence of gender and sexuality, and the true path to higher love.

With rich insight, humility, and her trademark grace, Shirley MacLaine gently leads us on a sacred adventure toward an inexpressibly transcendent climax. The Camino promises readers the journey of a thousand lifetimes.

First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.