First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Following the Amber Route from the Baltic to the Mediterranean, C. J. Schuler charts the origins of amber, the myths and legends that have grown around it, and the dazzling artefacts crafted from it and traded along the way. Schuler reflects on the route's violent history through the centuries, not least his own family's experience of persecution and flight.

In Riviereland lewer Karel Schoeman verslag van twee reise deur Nederland. In die eerste, korter deel skryf hy oor 'n besoek aan die stede Amsterdam, Rotterdam, Delft, Haarlem en Leiden as deel van uitgebreide navorsing oor die VOC-tydperk, maar besoek ook kleiner plekkies soos Meppel en Hattem wat bande met sy eie grootouers het. Die tweede deel handel oor 'n langer verblyf in die provinsie Gelderland, die mees landelike van die Nederlandse provinsies. Die reis het weer eens ten doel om navorsing te doen oor figure soos Jan van Riebeeck, Simon van der Stel en baron Van Reede van Oudtshoorn, asook die gewone werkslui wat in diens van die VOC was, soos die vryburger Jan van Herwerden en sy vrou Jannetje Boddijs. Terselfdertyd word die skrywer voortdurend getref deur die skoonheid van die landskap in gebiede soos die Hoge Veluwe en die groot riviere die Ryn, die Maas en die IJssel wat deur die vlak land vloei. Die boeiende verslag van 'n verblyf in die buiteland word dus telkens verryk deur herinnerings aan en verbintenisse met die vroeë koloniale geskiedenis van Suid-Afrika en die skrywer se eie familiegeskiedenis.

The book has no illustrations or index. Purchasers are entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Subjects: United States; Social Science / Customs

First published in 2006. Part painting in prose, part delightful narrative, this book is filled with clever observations, memorable characters and the authors' own paintings and drawings. It will prove irresistible to anyone interested in the culture of the French village.

First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

Johann Ludwig Burckhardt (1784-1817), the great Swiss Orientalist, devoted his regrettably short life to travels and explorations in Africa and the near east, under the aegis of the African association. Under the name of Shaikh Ibrahim Ibn Abdullah and wearing local dress, he gained a profound knowledge of Islamic Law and Customs, and a mastery of both contemporary and classical Arabic of the Qur'an seldom equalled by a European. Burckhardt arrived in Cairo from Syria in 1812. Later he travelled up the Nile and thence eastward through Shendi and Suakin to make the pilgrimage to Mecca and Medina, returning across the Red sea to Suez in 1815. He visited Mt Sinai the next year, but while waiting in Cairo, planning an epic journey across the Sahara, he contracted dysentry and died. He had a deep empathy for Islam, and was buried as a holy pilgrim in the muslim cemetery there.The African Society undertook the publishing of his Journals, and these valuable works are being meticulously republished in facsimile edition by Darf publishers, so they are once more accessible to both scholars and travellers as well as the informed reader.

For many Evangelical Christians, a trip to the Holy Land is an integral part of practicing their faith. Arriving in groups, most of these pilgrims are guided by Jewish Israeli tour guides. For more than three decades, Jackie Feldman-born into an Orthodox Jewish family in New York, now an Israeli citizen, scholar, and licensed guide-has been leading tours, interpreting Biblical landscapes, and fielding questions about religion and current politics. In this book, he draws on pilgrimage and tourism studies, his own experiences, and interviews with other guides, Palestinian drivers and travel agents, and Christian pastors to examine the complex interactions through which guides and tourists "co-produce" the Bible Land. He uncovers the implicit politics of travel brochures and religious souvenirs. Feldman asks what it means when Jewish-Israeli guides get caught up in their own performances or participate in Christian rituals, and reflects on how his interactions with Christian tourists have changed his understanding of himself and his views of religion.

For many Evangelical Christians, a trip to the Holy Land is an integral part of practicing their faith. Arriving in groups, most of these pilgrims are guided by Jewish Israeli tour guides. For more than three decades, Jackie Feldman-born into an Orthodox Jewish family in New York, now an Israeli citizen, scholar, and licensed guide-has been leading tours, interpreting Biblical landscapes, and fielding questions about religion and current politics. In this book, he draws on pilgrimage and tourism studies, his own experiences, and interviews with other guides, Palestinian drivers and travel agents, and Christian pastors to examine the complex interactions through which guides and tourists "co-produce" the Bible Land. He uncovers the implicit politics of travel brochures and religious souvenirs. Feldman asks what it means when Jewish-Israeli guides get caught up in their own performances or participate in Christian rituals, and reflects on how his interactions with Christian tourists have changed his understanding of himself and his views of religion.

First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

The story behind the best-selling book One Man’s Wilderness and how author Sam Keith and Dick Proenneke met and forged an everlasting friendship. “Sam, you know right well you don’t want to leave this country. Don’t give up on it. Me and you got to figure something out.� After serving as a US Marine during World War II and attending college on the GI Bill, Sam Keith decided to seek adventure in Alaska as a laborer on the Adak Navy base. There he befriended Dick Proenneke, whose shared love of the outdoors, hard work, and self-reliance quickly bonded an alliance between the two. Together they explored the wilds of South Central Alaska while working on the Navy base, hunting and fishing with friends and breathing in the great outdoors. Keith was ready to leave after three years of finding almost everything he sought—not realizing then how his fate was intrinsically tied to his friend’s and how it would lead to writing the best-selling book One Man’s Wilderness. Sam Keith passed away in 2003. But in 2013, his son-in-law and children’s book author/illustrator Brian Lies discovered in an archive box in their garage a book manuscript, originally written in 1974 after the publication of One Man’s Wilderness. First Wilderness is the story of Keith's own experiences, at times harrowing, funny, and fascinating. Along with the original manuscript are photos and excerpts from his journals, letters, and notebooks, woven in to create a compelling and poignant memoir of search and discovery. Foreword by Nick Jans, one of Alaska's foremost authors and photographers, and Afterword by Keith’s daughter Laurel Lies.

In the early 1960s, travel-writer Simon Gandolfi drove a VW from England to Goa where he rented a bungalow on the beach at Calangute. And it was on Calangute beach that Gandolfi met and loved Vanessa and explored with her much of the subcontinent. The 2008 terrorist attack on the Taj Hotel in Mumbai prompted Gandolfi to re-explore the subcontinent on a small motorcycle. Collecting a Honda 125 from the factory outside Delhi, he rode for six months and 12,000 kilometres. He rediscovers the rented bungalow become a beach bar, his and Vanessa's bedroom a bottle store - and he learns of Vanessa's death soon after their parting. Memories of his travels with Vanessa became his companions as he continued his ride and are the connecting link in this chronicle of two journeys in which Gandolfi explores both the changes in India and in himself.

The Women of Cairo: Scenes of Life in the Orient, first published in 1929, describes the trip to Egypt and other locations in the Ottoman Empire taken by French Romanticist Gerard de Nerval. The book focuses on both reinforcing and dispelling the old ways in which people saw the Orient, as well as examining their old and new customs. This book is perfect for those studying history and travel.

The Islamic Orient studies the travel accounts of four British travelers during the nineteenth century. Through a critical analysis of these works, the author examines and questions Edward Said's concept of "Orientalism" and "Orientalist" discourse: his argument that the orientalist view had such a strong influence on westerners that they invariably perceived the orient through the lens of orientalism. On the contrary, the author argues, no single factor had an overwhelming influence on them. She shows that westerners often struggled with their own conceptions of the orient, and being away for long periods from their homelands, were in fact able to stand between cultures and view them both as insiders and outsiders. The literary devices used to examine these writings are structure, characterization, satire, landscape description, and word choice, as also the social and political milieu of the writers. The major influences in the author's analysis are Said, Foucault, Abdel-Malek and Marie Louise Pratt.

Exciting: documents a recent journey through difficult and at times hostile territory

Part political inquiry, part travel journal, part-self exploration, "Seek" is a collection of essays by an award-winning novelist out to explore himself and his life in the company of those who live on the edges of society. Denis Johnson travels between the extremes of human behaviour, from a hippy convention in the Achoco Natinal Forest, to war-ravaged Liberia, where he is witness to horrifying acts of torture. Along the way he joins a "Bikers for Jesus" rally in Texas, hangs out with a gun-crazed militia group, finds himself stranded in Somalia, and swaps stories with the Taliban in Afghanistan.

In the era of the Grand Tour, Venice was the cultural jewel in the crown of Europe and the epitome of decadence. This edited collection of eleven essays draws on a range of disciplines and approaches to ask how Venice's appeal has affected Western culture since 1800.

Interrogating the multiple ways in which travel was narrated and mediated, by and in response to, nineteenth-century British travelers, this interdisciplinary collection examines to what extent these accounts drew on and developed existing tropes of travel. The three sections take up personal and intimate narratives that were not necessarily designed for public consumption, tales intended for a popular audience, and accounts that were more clearly linked with discourses and institutions of power, such as imperial processes of conquest and governance. Some narratives focus on the things the travelers carried, such as souvenirs from the battlefields of Britain's imperial wars, while others show the complexity of Victorian dreams of the exotic. Still others offer a disapproving glimpse of Victorian mores through the eyes of indigenous peoples in contrast to the imperialist vision of British explorers. Swiss hotel registers, guest books, and guidebooks offer insights into the history of tourism, while new photographic technologies, the development of the telegraph system, and train travel transformed the visual, audial, and even the conjugal experience of travel. The contributors attend to issues of gender and ethnicity in essays on women travelers, South African travel narratives, and accounts of China during the Opium Wars, and analyze the influence of fictional travel narratives. Taken together, these essays show how these multiple narratives circulated, cross-fertilised, and reacted to one another to produce new narratives, new objects, and new modes of travel.

Positioned at a crossroads between feminist geographies and modernist studies, Excursions into Modernism considers transnational modernist fiction in tandem with more rarely explored travel narratives by women of the period who felt increasingly free to journey abroad and redefine themselves through travel. In an era when Western artists, writers, and musicians sought 'primitive' ideas for artistic renewal, Joyce E. Kelley locates a key similarity between fiction and travel writing in the way women authors use foreign experiences to inspire innovations with written expression and self-articulation. She focuses on the pairing of outward journeys with more inward, introspective ones made possible through reconceptualizing and mobilizing elements of women's traditional corporeal and domestic geographies: the skin, the ill body, the womb, and the piano. In texts ranging from Jean Rhys's Voyage in the Dark to Virginia Woolf's The Voyage Out and from Evelyn Scott's Escapade to Dorothy Richardson's Pilgrimage, Kelley explores how interactions between geographic movement, identity formation, and imaginative excursions produce modernist experimentation. Drawing on fascinating supplementary and archival materials such as letters, diaries, newspaper articles, photographs, and unpublished drafts, Kelley's book cuts across national and geographic borders to offer rich and often revisionary interpretations of both canonical and lesser-known works.

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

This book is about the authora s amazing trip across six continents and the world economy and society. It discusses whoa s sinking and whoa s swimming, which countries are on the rise and which are collapsing, where you can make a million and where you could lose one. Every place he stopped on the trip, Rogers talked to businessmen, bankers, investors and regular people. He learned reams of information that youa d never learn from reading the financial pages of any periodical. Delivers a thrilling account of the journey of a lifetime and provides tips that would enable you to pay for a trip just like it.

The language of Jung's writings, and of analytical psychology generally, is sometimes difficult to understand. This guide, in dictionary format, combines scholarship and historical accuracy with a stimulating, critical attitude.

Over the past several years, "the American in Tuscany" has become a literary subgenre. Launched by the phenomenal success of Frances Mayes's Under the Tuscan Sun, bookstores now burgeon with nimble, witty accounts of this clash in cultures-Americans trying to do American things in Italy and bumping against a brick wall of tradition. Before this subgenre exhausts itself, it's only fair that we hear the other side of the story-that of a native Tuscan and of dozens of Americans who have stormed through his life and homeland, determined to find in it whatever they are looking for, whether quaintness or wisdom, submission or direction. There is no one better to provide this view than Dario Castagno. A Tuscan guide whose client base is predominantly American, Dario has spent more than a decade taking individuals and small groups on customized tours through the Chianti region of Tuscany. Reared in Britain through early childhood, he speaks English fluently and is therefore capable of fully engaging his American clients and getting to know them. Too Much Tuscan Sun is Dario's account of some of his more remarkable customers, from the obsessive and the oblivious to the downright lunatic. It is also a primer on Tuscany--its charms and its culture. Structured around a typical Tuscan year, Dario takes us through the sights, smells, and sounds of Chianti during each of the twelve months, including the festivities and pageantry that accord with the season, most notable the Palio-the bareback horse race that consumes the social energies of the people of Siena for all of July and August. Dario also intersperses an account of his own life and times-that of a transplanted British "little lord" who learns to love the wilds of Chianti; of his discovery and adoption of abandoned peasant farmhouses; of his apprenticeship in the wine industry; and of his arduous transformation from bohemian layabout to thriving Tuscan guide. But the bulk of the book is devoted, with humor and affection, to the Americans he has met-the vain, the silly, the ignorant, the ambitious, the horny, the condescending, the charming, and the outright pathological. Some of them have made his life hell and live in his nightmares; others became lifelong friends.

Henrietta is a true original. Clever, vivacious and interested in everything, she managed to balance the demands of high profile public life with that of a caring mother. She was the home-schooled daughter of a bankrupt Earl and more than just a little bit in love with her handsome wayward brother, but had been married off to a plump pudding of a man, the nabob Edward Clive, governor of Madras. And her partial escape was to ride across southern India (in a vast tented caravan propelled by dozens of elephants, camels and a hundred bullock carts) and write home. For centuries this account, the first joyful description of India by a British woman, remained unread in a Welsh castle. Fortunately it was transcribed by a Texan traveller, who went on to splice this already evocative memoir with complementary sections from the diary of Henrietta's precocious daughter, the 12-year old Charly and images of their artist companion, Anna Tonelli. The resulting labour of love and scholarship is Birds of Passage, a unique trifocular account of three very different women travelling across southern India in the late 18th century, in the immediate aftermath of the last of the Mysore Wars between Tipoo Sahib and the Raj. Half a generation later, the well travelled Charly would be chosen as tutor for the young princess Victoria, the First Empress of India.