In October 1991, three weather systems collided off the coast of Nova Scotia to create a storm of singular fury, boasting waves over one hundred feet high. Among its victims was the Gloucester, Massachusetts-based swordfishing boat the Andrea Gail, which vanished with all six crew members aboard. "Drifting down on swimmers is standard rescue procedure, but the seas are so violent that Buschor keeps getting flung out of reach. There are times when he's thirty feet higher than the men trying to rescue him. . . . [I]f the boat's not going to Buschor, Buschor's going to have to go to it. SWIM! they scream over the rail. SWIM! Buschor rips off his gloves and hood and starts swimming for his life." It was the storm of the century, boasting waves over one hundred feet high a tempest created by so rare a combination of factors that meteorologists deemed it "the perfect storm." When it struck in October 1991, there was virtually no warning. "She's comin' on, boys, and she's comin' on strong," radioed Captain Billy Tyne of the Andrea Gail off the coast of Nova Scotia, and soon afterward the boat and its crew of six disappeared without a trace. In a book taut with the fury of the elements, Sebastian Junger takes us deep into the heart of the storm, depicting with vivid detail the courage, terror, and awe that surface in such a gale. Junger illuminates a world of swordfishermen consumed by the dangerous but lucrative trade of offshore fishing, "a young man's game, a single man's game," and gives us a glimpse of their lives in the tough fishing port of Gloucester, Massachusetts; he recreates the last moments of the Andrea Gail crew and recounts the daring high-seas rescues that made heroes of some and victims of others; and he weaves together the history of the fishing industry, the science of storms, and the candid accounts of the people whose lives the storm touched, to produce a rich and informed narrative. The Perfect Storm is a real-life thriller that will leave readers with the taste of salt air on their tongues and a sense of terror of the deep.

When Maximilian Potter went to Burgundy to report for Vanity Fair on a crime that could have destroyed the Domaine de la Romanee Conti-the tiny, storied vineyard that produces the most expensive, exquisite wines in the world-he soon found a story that was much larger, and more thrilling, than he had originally imagined. In January 2010, Aubert de Villaine, the famed proprietor of the DRC, received an anonymous note threatening the destruction of his priceless vines by poison-a crime that in the world of high-end wine is akin to murder-unless he paid a one million euro ransom. Villaine believed it to be a sick joke, but that proved a fatal miscalculation; the crime was committed and shocked this fabled region of France. The sinister story that Potter uncovered would lead to a sting operation by top Paris detectives, the primary suspect's suicide, and a dramatic trial. This botanical crime threatened to destroy the fiercely traditional culture surrounding the world's greatest wine. Like Midnight in the Garden of Good and Evil, SHADOW IN THE VINEYARD takes us deep into a captivating world full of fascinating characters, small town French politics, an unforgettable narrative, and a local culture defined by the twinned veins of excess and vitality and the deep reverent attention to the land that run through it.

A haunting ode to those who paid the ultimate price-through the prism of the Maoist insurgency, Ashutosh Bhardwaj meditates on larger questions of violence and betrayal, love and obsession, and what it means to live with and write about death. From 2011 to 2015, Ashutosh lived in the Red Corridor in India wherein the Ultra-Left Naxalites, taking inspiration from the Russian revolution and Mao's tactics, work to overthrow the Indian government by the barrel of the gun. He made several trips thereafter reporting on the insurgents, on police and governmental atrocities, and on the lives caught in the crossfire. Ashutosh chronicles his experiences and bears witness to the lives and deaths of the unforgettable men and women he meets from both sides of the struggle, bringing home the human cost of conflict with astonishing power. Narrated in multiple voices, the book is a creative biography of the region, Dandakaranya, that combines the rigour of journalism, the intimacy of a diary, the musings of a travelogue, and the craft of a novel. The Death Script is one of the most significant works of non-fiction to be published in recent times, bringing often overlooked perspectives and events to light with empathy. Praised by India's topmost scholars and critics, the book has already won various awards.

'[A] pacy, frictionless read' Sunday Telegraph 'Cinematic. . . an entertaining and persuasive study of the royal family' Publisher's Weekly 'Patterson treats the princess as a person and tells the story from a mother's perspective' Kirkus ______________________________ Twenty-five years after her tragic death, James Patterson tells the heartbreaking true story of Princess Diana's life as a mother and a global icon. At the age of thirteen, she became Lady Diana Spencer. At twenty, Princess of Wales. At twenty-one, she earned her most important title: Mother. As she fell in love, first with Prince Charles and then with her sons, William and Harry, the world fell in love with the young royal family - Diana most of all. With one son destined to be King and one needing to find his own way, she taught them lessons about royal tradition and also real life. 'William and Harry will be properly prepared,' Diana once promised. 'I am making sure of this.' Even after her tragic death, the strength of her love for her sons remains an enduring inspiration, not only for the two princes, but for the entire world. ______________________________ Praise for James Patterson 'The master storyteller of our times' Hillary Rodham Clinton 'One of the greatest storytellers of all time' Patricia Cornwell 'Truly astonishing' Bob Woodward

Dr Mark Spencer is a forensic botanist - in other words, he helps police with cases where plants can unlock clues to solve crimes, from murder and rape to arson and burglary.

Murder Most Florid is an enthralling, first-person account that follows Mark's unconventional and unique career, one that takes him to woodlands, wasteland and roadsides, as well as police labs, to examine the botanical evidence of serious crimes. From unearthing a decomposing victims from brambles to dissecting the vegetation of a shallow grave, Mark's botanical knowledge can be crucial to securing a conviction.

More widely, this gripping book challenges our attitude to death and response to crime. It picks holes in the sensationalized depictions of policing we see on TV, and asks pertinent questions about public sector funding in the face of rising crime. Most importantly, it shows us how the ancient lessons of botanical science can still be front and centre in our modern, DNA-obsessed world.

"In my state of shock and dismay, I asked God over and over again, "Why?" Always, before closing my eyes at night, I prayed for my sons, asking God to keep them healthy, happy, and safe. I never dreamed that a horrific crime would take one of their lives. This nightmare was indeed unbelievable. I was unable to focus. I kept thinking that there had been a mistake; I kept trying to convince myself that it wasn't James who had been killed. I found myself rambling on and on in an attempt to comprehend the reality that I had lost my oldest son. The situation was hopeless. "

Twenty-three-year-old Brooke Taylor is still trying to come up with her own definition of normal. The doctors at Westside Mental Institution call her cold-blooded and insane. Brooke prefers to think of herself as a healthy mix of insane and genius. Recently released from the psychotherapy sessions to begin a new life, the strikingly beautiful Brooke is headed to Louisiana to visit friend. Now all she can do is wonder whether she will ever have anything positive to contribute to society or whether her high-octane, remorseless lifestyle will kill her before her next birthday, It is 2001.

A few days later Brooke enters a grocery store in Independence, Louisiana, a black cowboy hat perched on her head and icy-blue eyes that reveal nothing. She immediately finds herself caught in the middle of a dramatic robbery. As a man in a ski mask waves an AK-47 and demands the customers follow his orders, Brooke wages was against the gunman, and uncovers a deadly conspiracy.

In this novel based on true events, a young woman with a shadowy past puts her shrewd attitude and intuitive skills to work as she gives the two deadly perpetrators a night they will never forget. Louisiana is never the same again. " "A masterpiece of suspense intrigue. Brooke Taylor is one of the most complex and bizarre characters ever. Once again, Fuller does a great job."" -Rigwood Village Book Club

In this cold case murder investigation from "a powerful, confident voice in the new true crime memoir genre" (James Renner, author of True Crime Addict), one of America's most notorious sprees is cracked open. With a foreword by Catherine Broad, sister of victim Timothy King, this is a deftly crafted true story set amid the decaying sprawl of Detroit.Four children were abducted and murdered outside of Detroit during the winters of 1976 and 1977, their bodies eventually dumped in snow banks around the city. J. Reuben Appelman was only six years old when the murders began and even evaded an abduction attempt during that same period, fueling a lifelong obsession with what became known as the Oakland County Child Killings. Autopsies showed that the victims had been fed while in captivity, reportedly held with care. And yet, with equal care, their bodies had allegedly been groomed post-mortem, scrubbed-free of evidence that might link to a killer. There were few credible leads, and equally few credible suspects. That's what the cops had passed down to the press, and that's what the city of Detroit, and Appelman, had come to believe. When the abductions mysteriously stopped, a task force operating on one of the largest manhunt budgets in history shut down without an arrest. Although no more murders occurred, Detroit remained haunted. Eerily overlaid upon the author's own decades-old history with violence, The Kill Jar tells the gripping story of Appelman's ten-year investigation into buried leads, apparent police cover-ups, con men, child pornography rings, and high-level corruption saturating Detroit's most notorious serial killer case. "Always deft, often sublime, Appelman uses his investigation to draw us into his personal journey through darkness, to light and life" (Chip Johannessen, producer of Dexter).

A broadly interdisciplinary work, this handbook discusses the best and most enduring literature related to the major topics and themes of World War II. Military historiography is treated in essays on the major theaters of military operations and the related themes of logistics and intelligence, while political and diplomatic history is covered in chapters on international relations, resistance movements, and collaboration. The volume analyzes themes of domestic history in essays on economic mobilization, the home fronts, and women in the military and civilian life. The book also covers the Holocaust.

This handbook approaches each topic from a global viewpoint rather than focusing on individual national communities. Except for nonprint material, the literature, research, and sources surveyed are primarily those available in English. The volume is aimed at both experts on the war and the general academic community and will also be useful to students and serious laymen interested in the war.

Gianni Russo was a handsome twenty-five-year-old mobster with no acting experience when he walked onto the set of The Godfather and entered Hollywood history. He played Carlo Rizzi, the husband of Connie Corleone, who set up her brother Sonny, played by James Caan, for a hit. Russo didn't have to act - he knew the Mob inside and out, from his childhood in Little Italy, to Mafia legend Frank Costello who took him under his wing, to acting as a messenger to New Orleans Mob boss Carlos Marcello during the Kennedy assassination, to having to go on the lam after shooting and killing a member of the Colombian drug cartel in his Vegas club (he was acquitted of murder when the court ruled this as justifiable homicide). Along the way, Russo befriended Frank Sinatra, who became his son's godfather, and Marlon Brando, who mentored his career as an actor after trying to get Francis Ford Coppola to fire him from The Godfather. Russo had passionate affairs with Marilyn Monroe, Liza Minelli and scores of other celebrities. He went on to star in The Godfather: Parts I and II, Seabiscuit, Any Given Sunday and Rush Hour 2, among many other films in which he also acted as producer. Hollywood Godfather is his no-holds-barred account of a life lived on the edge. It is a story filled with violence, glamour, sex - and fun.

At the end of the First World War, there were 270,000 demobilised Australian soldiers in Europe. Getting them home after the Armistice was a task of epic proportions that would take more than two years. In the meantime, how to keep these disgruntled, damaged men with guns occupied? In a word: sport. The Oarsmen tells the story of the servicemen who survived the war to row for the coveted King's Cup at the 1919 Royal Henley Peace Regatta. Competing against crews from the US, New Zealand, France, the UK and Canada, the Australians were a ragtag bunch of oarsmen thrown in an old-fashioned boat and expected to race. Many had seen the worst of the action during the war at Gallipoli and the Western Front, and carried scars both physical and psychological. The baggage they brought to the boat would soon threaten to capsize the whole endeavour. Combining first-hand accounts with lively prose, this never-before-told story approaches the First World War from peacetime and illuminates history in vivid and compelling detail. Interweaving the soldiers' personal stories from before, during and after the war, The Oarsmen paints a fascinating picture of how these men, and society, transitioned from an unprecedented war to a new sort of peace.

On July 2, 1970, tourists in Australia spotted a smashed car, teetering precariously on a cliff edge, overlooking the raging ocean below. It seemed the car would fall into the water at any moment, but the car lingered ... as did a mystery, revealed when police traced the license plate to the Crawford household. Here, the police discovered the shocking truth: a mother and her three children had been murdered, with the husband and father-now missing-the main suspect.

The quadruple homicide sent a wave of panic through Australia. Where was the husband? And what would make a father kill his own children? There was much speculation but few answers, as the Crawford patriarch remained missing. Forty years passed-forty years of "Australia's Most Wanted," police dead ends, and silence ... until an unidentified body appears in a Texas morgue.

"Almost Perfect" is the firsthand look at a terrible crime from the perspective of Greg Fogarty-a neighbor to the Crawford family and later a member of the Victoria Police Force, Australia. Using his skills of observation and investigation, Fogarty has put together a tragic and detailed crime narrative with a shocking conclusion. Could a morgue in San Angelo, Texas, hold the body of Australia's most sought-after murderer ... or will the Crawford homicide remain unsolved forever?

Cassie was only thirteen when her mother died of a degenerative illness, leaving her vulnerable to sexual predators in the Halifax area who had been grooming her since the age of eleven. She fell through the net of the care system and reached out for friendship, only to be consumed by an escalating spiral of abuse. This harrowing and truly shocking story captures in vivid detail how gangs of men were able to ply a child with drink and drugs, then rape her and pass her around their associates with no one seemingly able to step in and prevent it. Cassie was lost in a world of appalling degradation for years before a local policeman and caring social worker became instrumental in helping her to escape and rebuild her life. In 2016, the largest case of child sexual exploitation ever brought to trial at that time in the UK resulted in the conviction of 17 men. Since Cassie's abusers were jailed, child safeguarding policies have improved so that vulnerable children like Cassie should never again fall through the net and become prey.

This book seeks to unravel the issues associated with the crime of murder, providing a highly accessible account of the subject for people coming to it for the first time. It uses detailed case studies as a way of exemplifying and exploring more general questions of socio-cultural responses to murder and their explanation. It incorporates a historical perspective which both provides some fascinating examples from the past and enables readers to gain a vision of what has changed and what has remained the same within those socio-cultural responses to murder. The book also embraces questions of race and gender, in particular cultural constructions of masculinity and femininity on the one hand, and the social processes of 'forgetting and remembering' in the context of particular crimes on the other. Particular murders analysed included those of Myra Hindley, Harold Shipman and the Bulger murder.