for SA and piano or orchestra This charming piece brings to life a magical world that exists in everyone's mind - a land of make-believe, where there are dragons, giants, and castles in the air. The composer's wonderfully imaginative words will appeal to all young and young-at-heart singers, and the approachable melody and limited divisi make the work ideal for performance by children's choir.

for SSA and organ Composed in 1977, this triumphant setting of words from Psalms 136 and 67 is now published for the first time following the rediscovery of the lost manuscript. Rutter's early style is reminiscent of Britten, making a feature of parallel harmonies and scalic runs to impressive effect- ideal to revitalise the evensong repertoire of upper-voice choirs.

for SATB and piano or orchestra A setting of the hymn Samanthra, this piece combines the original tune's simplicity with rich musical texture and majesty - the hallmarks of Wilberg's style. His voice as the sound features on the Mormon Tabernacle Choir's CD 'Come Thou Fount of Every Blessing: American Folk Hymns & Sprituals' (SKU5014332). Orchestral material is available on hire/rental.

for SATB and organ This short collection presents the complete set of hymns from Chilcott's stunning setting of the St John Passion. The five well-known hymn texts are set to new, original melodies, which are also intended for performance by the audience or congregation. The parts for SATB choir are simple yet beautifully crafted, with a soaring soprano descant to complete four of the hymns. Perfect for liturgical use during holy week, the set would also be ideal for concert performance.

for SATB (with divisions) and small orchestra This setting of a song from Act II of Shakespeare's As You Like It was originally published as part of John Rutter's cycle of six choral settings with small orchestra When Icicles Hang. This set contains: 1 x fl 1, 1 x fl 2, 1 x hp, 1 x hpschd, 4 x vln 1, 4 x vln 2 3 x vla, 2 x vc, 1 x db

for SATB and organ or strings John Rutter's much-loved setting of the Aaronic Blessing (Numbers 6: 24) is here included in the John Rutter Anniversary Edition, with an illuminating composer's note and useful performance hints. Also available in a version for upper voices. Conductor's scores and instrumental parts are available on sale and hire/rental.

for SATB (with divisions) unaccompanied I my Best-Beloved's am was written in 1999 for a BBC Singers broadcast concert on the theme of the Seven Sacraments. This a cappella anthem focuses on the theme of marriage, setting the nuptial responses from the old Tridentine Catholic marriage service and stanzas from Francis Quarles's poetic paraphrase of the Song of Solomon. Gregorian chant is the prevalent musical influence, and the male and female voices are offset against each other in an effective contrast.

for mezzo-soprano and baritone soloists, SATB chorus, and piano, orchestra, or brass ensemble The story of Good King Wenceslas on the Feast of Stephen is presented here as a vivid musical narrative, with solo parts for the characters of Wenceslas (baritone) and Page (mezzo-soprano). Chilcott sets new words by Charles Bennett to a colourful array of styles to recount their snow-bound story. The choir sets the scene before Wenceslas and Page meet in 'Who can that be?', and the story-telling continues in several contrasting movements, including a touching solo ballad from Page entitled 'Thank you' and the strong yet reflective closing movement, 'On St Stephen's Night'. The full five verses of the well-known carol are skilfully interwoven throughout the work in different parts, with the final verse being sung by the audience or a semi-chorus, and the movements are punctuated by an instrumental interlude and triumphant fanfare. An orchestral accompaniment is available on hire/rental.

for SATB choir, brass quintet, organ and percussion This engaging 15-minute cantata combines several popular carols to create a performance full of Christmas spirit. Through creative re-harmonization, rhythmic variation, and imaginative linking passages, McDowall conjures up a joyful atmosphere, delighting with familiar and surprising material in equal measure. A rousing finale weaves together several of the tunes to bring the piece to a jubilant close. Instrumental material is available on hire/rental.

Sir David Willcocks: A Celebration in Carols marks the 95th birthday of one of the most acclaimed choral conductors, editors, and arrangers of our time. A survey of his work, the collection brings together many of Willcocks's best-loved carol arrangements, spanning his career as co-editor of Carols for Choirs and as conductor of the UK's finest choirs. It includes a selection of his original compositions too, and gives an overview of the styles and traditions that have enhanced the Christmas musical experience of thousands of singers and listeners. As an affectionate birthday tribute, A Celebration also includes specially-commissioned new carols by John Rutter, Bob Chilcott, and Jonathan Willcocks.

for SSAATTBB unaccompanied Combining the evocative Emily Dickinson poem Before the ice and the familiar Latin responsory for Christmas day O magnum mysterium, this carol has beautifully rich textures and harmonies and a sensitive text setting that captures the mystery and wonder of Christmas. The final alleluias lift the carol from the minor to the major to bring the carol to a radiant and affirmatory conclusion. Before the ice features on the Naxos CD of Bob Chilcott's Christmas music, The Rose in the Middle of Winter.

for SATB unaccompanied Part of the John Rutter Anniversary Edition, this is a profoundly beautiful setting of one of the earliest English prayers, from the Sarum Primer of 1514.

for SATB and piano or small orchestra This setting of a song from Act II of Shakespeare's As You Like It was originally published as part of John Rutter's cycle of six choral settings with small orchestra When Icicles Hang. Orchestral material is available on sale and hire/rental.

for SSAATTBB and SSATB unaccompanied The three Choral Amens in this set were written to fill a liturgical and musical gap in chapel services where the prevailing style of the music is romantic. This is the first publication of two of the Amens (in F and A), and the musical style of the three may be characterized as Anglican-romantic.

for SATB wordless chorus, viola solo, and orchestra A suite for solo viola, wordless chorus (SATB), and small orchestra, Flos Campi is one of Vaughan Williams's most enigmatic pieces. Although the six movements all borrow their titles from the Old Testament's Song of Solomon, the chorus never articulates a single word. Instead, it serves as a section of the orchestra, creating an elegant vocal texture and backdrop to the viola's haunting solo lines. The work was premiered in October 1925 by the violist Lionel Tertis, singers from the RCM, and the Queen's Hall Orchestra, directed by Sir Henry Wood.

for SATB, piano, and optional bass and drum kit The Nidaros Jazz Mass draws on a variety of jazz styles to present a fun and innovative setting of the Latin Missa brevis. With a gentle Kyrie, funky Gloria, ballad-like Sanctus, laid-back Benedictus, and passionate Agnus Dei, this work breathes new life into familiar words, perfectly combining the contemporary with the ancient. Recorded by a professional jazz trio (piano, bass, and drums), this backing track is a useful tool for rehearsal and performance, and is compatible with both mixed- and upper-voice versions.

for SATB and piano or orchestra This tender piece was composed in memory of the victims of Fukushima in 2011. It is both reflective and heartfelt, with a simple, appealing melody, rich harmonies, and a flowing accompaniment. It is a dual language publication, allowing for performance in both Japanese and English. There is a version for SSA. Orchestral material is available on hire.

50 Christmas carols
The volumes of Carols for Choirs have established themselves as the quintessential carol books for carol-singers around the world. Each volume presents a wide rage of carols to suit every occasion, from well-known tunes superbly arranged to be the best original compositions. Carols for Choirs 1 includes carols for audience and congregation with varied harmonizations and festive descants, the full text of the traditional Nine Lessons printed in the appendix, and a detailed list of the carol orchestrations available on rental.
Orchestrations for several of the carols from this collection are available on sale or hire under the titles Three Carol Orchestrations and Five Christmas Carols.
Eight Carol Accompaniments for 5 and 8 part brass (to accompany carols from CfC1 and CfC2) are also on sale.

for SSAA unaccompanied Morning Light sets an optimistic text by the composer about home and finding your way. Inspired by American folksongs, the captivating melody and warm harmonies perfectly complement the uplifting theme of the text. Morning Light will be a welcome addition to the upper-voice repertoire.

for SATB, organ, and optional handbells Through luminous choral harmonies, images of a winter night, and echoes of scripture, Advent Moon evokes deep human longing as well as the promise of the coming of light. The delicate organ accompaniment and optional handbells underscore both the haunting opening and the radiant conclusion of this piece.