Raymond Lodge's death from shell shrapnel in 1915 was unremarkable in a war where many young men would die, but his father's response to his untimely death was. Sir Oliver Lodge, physicist, scientist, part inventor of the wireless telegraph and the spark plug, could not let go of Raymond and went on a controversial and bizarre journey into the realm of life after death. Following Sir Oliver's journey, Dear Raymond, explores the untapped topic of spirituality pre- and post-war, the influence that a national tragedy can have on a nation's belief system and the long lasting effects from this time that we still feel today. Alongside Lodge were some of the great names of the day, as a member of the Ghost Club and the Fabian Society he was in contact with famous men such as Sir Arthur Conan Doyle, who went on his own mission into the afterlife after losing a son. Lodge's exploration and the controversy it exploded opens our eyes to how modern religion has been shaped and changed by the conflicts of the Twentieth Century.

"Unlike cricket, which is a polite game, Australian Rules Football creates a desire on the part of the crowd to tear someone apart, usually the referee." This is only one of the entertaining and astute observations the U.S. military provided in the pocket guides distributed to the nearly one million American soldiers who landed on the shores of Australia between 1942 and 1945. Although the Land Down Under felt more familiar than many of their assignments abroad, American GIs still needed help navigating the distinctly different Aussie culture, and coming to their rescue was "Instruction for American Servicemen in Australia, 1942," The newest entry in the Bodleian Library's bestselling series of vintage pocket guides, this pamphlet is filled with pithy notes on Australian customs, language, and other cultural facts the military deemed necessary for every American soldier.
From the native wildlife--a land of "funny animals"--to the nation's colonial history to the general characteristics of Australians--"an outdoors sort of people, breezy and very democratic"--"Instructions for American Servicemen in Australia" gives a concise yet amazingly informative overview of the island nation. Regarding Aussie slang, it notes that "the Australian has few equals in the world at swearing. . . . The commonest swear words are 'bastard' (pronounced 'barstud'), 'bugger, ' and 'bloody, ' and the Australians have a genius for using the latter nearly every other word." The pamphlet also contains a humorous explanation of the country's musical traditions--including an annotated text of "Waltzing Matilda"--as well as amusing passages on sports, politics, and the Aussies' attitudes toward Yanks and Brits.
A fascinating look at a neglected Allied front in the Southern hemisphere, "Instructions for American Servicemen in Australia, 1942" follows its successful predecessors as a captivating historical document of a pivotal era in history.

Lauded for gallantry at Antietam and demoted for insubordination after Fredericksburg, Major General William "Baldy" Smith remains a controversial figure of the Civil War. His criticism of the Union high command made him unpopular with both peers and superiors. Yet his insight as an officer and an engineer enabled him to offer effective solutions to challenges faced by fellow generals. In this first comprehensive biography, Smith emerges as a field commander with deep concern for his men and a fearless critic of the failures of the Union generalship, who was recognized for a strategic perspective that helped save Federal armies.

Now It Can Be Told comprises of Philip Gibbs recollections regarding the First World War, in which he served as an officially commissioned war reporter. Titled in reference to the relieving of censorship laws following the conclusion of World War One in 1918, this book is noticeably different from the censored or dumbed-down accounts published under Gibbs' byline in popular newspapers as the conflict wore on. In this book, the full scale of the horror wrought in Europe is told unflinchingly with the aim of showing the depravity of conflict and the destruction that results. Early in the war, Gibbs' frank and accurate accounts of the carnage of modern warfare unnerved the British government, who were concerned his accounts would demoralize citizens and turn them against the war effort. Gibbs was ordered home; on refusing to cease reporting, he was arrested and forcibly brought back to Britain.

Early in 1945 the British Liberation Army (BLA), who had battled their way from the Normandy beaches to the borders of Germany, embarked on Operation Eclipse. This was the 'end-game' of the Second World War, the unique military campaign to invade and conquer Hitler's Third Reich and liberate 20 million enslaved nationals from Holland, Denmark and Norway; to free multitudes of displaced persons (DPs) or slaves; and inter alia to free the survivors of twenty concentration camps and many Allied POW camps. The Allied Military Government (AMG) brought law and order to 23 million German nationals in the allocated British zone of occupation (BAOR) and appropriate retribution too. A thrilling race with Stalin's Red Army ensued to reach the Baltic. A matter of a few hours and Denmark and Norway would have been swept into the evil Soviet empire. The author fought vigorously as a junior RHA officer in the five great river battles - Rhine, Dortmund-Ems, Weser, Aller and the Elbe. Soon after VE Day he was the junior officer in War Crimes Tribunals in Hamburg and Oldenburg and witnessed Mr Alfred Pierrepoint administering the hanging of prison camp guards.

The Bosnian war of 1992-1995 was one of the most brutal conflicts to have erupted since the end of the Second World War. But although the war occurred in 'Europe's backyard' and received significant media coverage in the West, relatively little scholarly attention has been devoted to cultural representations of the conflict. Stephen Harper analyses how the war has been depicted in global cinema and television over the past quarter of a century. Focusing on the representation of some of the war's major themes, including humanitarian intervention, the roles of NATO and the UN, genocide, rape and ethnic cleansing, Harper explores the role of popular media culture in reflecting, reinforcing -- and sometimes contesting -- nationalist ideologies.