Dillon J. Carroll's Invisible Wounds examines the effects of military service, particularly combat, on the psyches and emotional well-being of Civil War soldiers-Black and white, North and South. Soldiers faced harsh military discipline, arduous marches, poor rations, debilitating diseases, and the terror of battle, all of which took a severe psychological toll. While mental collapses sometimes occurred during the war, the emotional damage soldiers incurred more often became apparent in the postwar years, when it manifested itself in disturbing and self-destructive behavior. Carroll explores the dynamic between the families of mentally ill veterans and the superintendents of insane asylums, as well as between those superintendents and doctors in the nascent field of neurology, who increasingly believed the central nervous system or cultural and social factors caused mental illness. Invisible Wounds is a sweeping reevaluation of the mental damage inflicted by the nation's most tragic conflict.

Winner, 2020 Peter C Rollins Prize, given by the Northeast Popular & American Culture Association Enables a reckoning with the legacy of the Forgotten War through literary and cinematic works of cultural memory Though often considered "the forgotten war," lost between the end of World War II and the start of the Cold War, the Korean War was, as Daniel Y. Kim argues, a watershed event that fundamentally reshaped both domestic conceptions of race and the interracial dimensions of the global empire that the United States would go on to establish. He uncovers a trail of cultural artefacts that speaks to the trauma experienced by civilians during the conflict but also evokes an expansive web of complicity in the suffering that they endured. Taking up a range of American popular media from the 1950s, Kim offers a portrait of the Korean War as it looked to Americans while they were experiencing it in real time. Kim expands this archive to read a robust host of fiction from US writers like Susan Choi, Rolando Hinojosa, Toni Morrison, and Chang-rae Lee, and the Korean author Hwang Sok-yong. The multiple and ongoing historical trajectories presented in these works testify to the resurgent afterlife of this event in US cultural memory, and of its lasting impact on multiple racialized populations, both within the US and in Korea. The Intimacies of Conflict offers a robust, multifaceted, and multidisciplinary analysis of the pivotal-but often unacknowledged-consequences of the Korean War in both domestic and transnational histories of race.

In recent years there has been a renewed interest in Civil War sharpshooters. Now there is a new perspective on the subject in the story of Major William E. Simmons (1839-1931), with emphasis on his experiences as an infantry officer in the Army of Northern virginia. Three years after graduating from Emory College, Simmons joined the first company in his home county and received his commission. He was later promoted to Captain in the elite 3rd Battalion Georgia Sharpshooters of Wofford's Brigade. In 1864, he became acting commander of the brigade's sharpshooter battalion. The book traces his family heritage and his footsteps from childhood to Emory College, through many challenging war encounters, his capture and imprisonment at Fort Delaware, and a lifetime of service to his state and community that lasted until the 1930s. A wealth of information from Simmons' journal and personal papers includes encounters with Generals Nathan Bedford Forrest and George Armstrong Custer. There are also accounts of his miraculous escape from Crampton's Gap at South Mountain, his regiment's heroic efforts at the Bloody Lane in the Battle of Sharpsburg, the Sunken road at Fredericksburg, the peach Orchard and Wheat Field at Gettysburg, and his sharpshooters' key role at Cold Harbor and Wofford's flank attack at the Wilderness. To provide more in-depth information on Simmons' sharpshooter battalion, Byrd provides maps, letters, photographs, and a roster of soldiers compiled from service records and twenty-five other reference sources.

Infused with colour, scenes from the Anglo-Boer War suddenly come to life in this striking collection of colourised photos from one of the biggest conflicts on South African soil.

The Anglo-Boer War, or South African War, pitted the two Boer republics of Transvaal and the Orange Free State against British imperial might. The effects of this devastating war on the political, economic and social landscape were felt long after its end. The Boer War in Colour contains many iconic photos from the war, as well as several previously unpublished images.

Over the past 120 years, hundreds of books on the Anglo-Boer War have been published, but this will be the first to show this conflict in full colour – introducing a fresh perspective and transforming it into living history.

British Air Power demonstrates how the Royal Air Force sought to adapt in regard to the roles it could play and the conflicts in which it could be used, as well as the evolution of air power doctrine at a time of rapid changes in national politics and in the international arena. The development of new concepts and theories, the evaluation of operational experience, the political environment and budgetary cuts, and the role of academics and personalities in development of doctrine are thus all explored to show changes in strategic thinking regarding air power. Fedorchak further examines the influence of jointery - the process of co-operation between the army, navy and air force - on thinking, conceptualising, teaching and using air power in recent operations in Afghanistan, Iraq, Libya and Syria. A contemporary complement to more historical studies, British Air Power provides a very detailed look at the development of air-land doctrine in the RAF since the turn of the century.