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Arts & Crafts > Fine Art Supplies > Watercolour > Watercolour Paper
Arches Aquarelle watercolour paper is acid-free and chlorine free, made of 100% cotton fibres which provide strength and stability. The paper is tub-sized in natural gelatine and air-dried, it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. Arches Aquarelle uses no optical brighteners so it's natural white colour will not yellow with age and archival value is ensured. Arches Aquarelle is excellent for watercolour, gouache, pen and ink, acrylics and calligraphy.
Arches Aquarelle watercolour paper is acid-free and chlorine free, made of 100% cotton fibres which provide strength and stability. The paper is tub-sized in natural gelatine and air-dried, it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. Arches Aquarelle uses no optical brighteners so it's natural white colour will not yellow with age and archival value is ensured. Arches Aquarelle is excellent for watercolour, gouache, pen and ink, acrylics and calligraphy.
Arches Aquarelle watercolour paper is acid-free and chlorine free, made of 100% cotton fibres which provide strength and stability. The paper is tub-sized in natural gelatine and air-dried, it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. Arches Aquarelle uses no optical brighteners so it's natural white colour will not yellow with age and archival value is ensured. Arches Aquarelle is excellent for watercolour, gouache, pen and ink, acrylics and calligraphy.
Arches Aquarelle watercolour paper is acid-free and chlorine free, made of 100% cotton fibres which provide strength and stability. The paper is tub-sized in natural gelatine and air-dried, it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. Arches Aquarelle uses no optical brighteners so it's natural white colour will not yellow with age and archival value is ensured. Arches Aquarelle is excellent for watercolour, gouache, pen and ink, acrylics and calligraphy.
Arches Aquarelle watercolour paper is acid-free and chlorine free, made of 100% cotton fibres which provide strength and stability. The paper is tub-sized in natural gelatine and air-dried, it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. Arches Aquarelle uses no optical brighteners so it's natural white colour will not yellow with age and archival value is ensured. Arches Aquarelle is excellent for watercolour, gouache, pen and ink, acrylics and calligraphy.
Arches Aquarelle watercolour paper is acid-free and chlorine free, made of 100% cotton fibres which provide strength and stability. The paper is tub-sized in natural gelatine and air-dried, it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. Arches Aquarelle uses no optical brighteners so it's natural white colour will not yellow with age and archival value is ensured. Arches Aquarelle is excellent for watercolour, gouache, pen and ink, acrylics and calligraphy.
Arches Aquarelle watercolour paper is acid-free and chlorine free, made of 100% cotton fibres which provide strength and stability. The paper is tub-sized in natural gelatine and air-dried, it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. Arches Aquarelle uses no optical brighteners so it's natural white colour will not yellow with age and archival value is ensured. Arches Aquarelle is excellent for watercolour, gouache, pen and ink, acrylics and calligraphy.
Arches Oil is a French made 300 gsm (140 lb), 4 deckled edge paper specially formulated for oil painting, yet it maintains the look and feel of traditional Arches papers. The paper features a powerful & efficient oil barrier that absorbs water, solvents, and binders evenly while allowing the paint and pigment to remain on the surface. • Ready to use - no need to gesso; no preparation required!• Painting on Arches Oil paper is extremely convenient. It's easy to store, easy to frame,lightweight to transport. • Arches has created and manufactured professional artist papers in France since 1492. This new and revolutionary surface is essential for any professional oil painter looking to capture their oil painting on paper all while saving time. Oil painting students will love the convenience and ease of use that this paper offers. You can paint on either side of the paper, both are primed.
Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.
Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets are hot-pressed: they have an extremely smooth surface, and are ideal for detailed watercolour painting.
Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets are hot-pressed: they have an extremely smooth surface, and are ideal for detailed watercolour painting.
Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience. Please note, these sheets are hot-pressed: they have an extremely smooth surface, and are ideal for detailed watercolour painting.
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and two deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and two deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and two deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and four deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and four deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and four deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and four deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and two deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and two deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and four deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and four deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and two deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life.
One of the world's finest water colour papers. A 100% cotton watercolour paper, with a structure giving it strength and a characteristic feel. The manufacturing process, using a cylinder mould, makes it possible to obtain harmonious and varied grains with rough, cold-pressed, hot-pressed quality and two deckled edges. The paper is gelatin-sized, and then air-dried, so that the colours retain a fine rendering even after being scraped and erased. Its natural whiteness (no optical bleaches), mildew protection and neutral PH mean that the paper has a very long shelf-life. |
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