This superb artist grade paper from Saunders Waterford has a watermark in the corner for authenticity and 2 deckle edges which are visually beautiful and perfect for float framing. Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time and is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Saunders Waterford paper is endorsed by the Royal Watercolour Society. Please note, these sheets are hot-pressed: they have an extremely smooth surface, ideal for detailed watercolour painting. For more information on the production and properties of watercolour papers, click here.

This superb artist grade paper from Saunders Waterford has a watermark in the corner for authenticity and 2 deckle edges which are visually beautiful and perfect for float framing. Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time and is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Saunders Waterford paper is endorsed by the Royal Watercolour Society. Please note, these sheets are hot-pressed: they have an extremely smooth surface, ideal for detailed watercolour painting. For more information on the production and properties of watercolour papers, click here.

Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 300lb : 16x20in : single sheet Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most.

Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 300lb : 16x20in : 10 sheets Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most.

Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 300lb : 16x20in : 20 sheets Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most.

Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 300lb : 16x20in : 5 sheets Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most.

This is a pack of 100 Bockingford 1/4 Sheets measuring 15x11in. The weight of the paper is 140lb / 300 gsm. Please note, this product has a Not (cold pressed) surface. The surface of the paper is slightly textured, and is not suitable for extremely detailed work. Most painters will find it suitable for most purposes. For more information on the production and properties of watercolour papers, click here.

The Langton is a high-quality watercolour paper. The paper is colour-stable, mould-made and acid-free, and is designed to withstand repeated washes without pulping or cockling.

Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.

Arches Aquarelle watercolour paper is acid-free and chlorine free, made of 100% cotton fibres which provide strength and stability. The paper is tub-sized in natural gelatine and air-dried, it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. Arches Aquarelle uses no optical brighteners so it's natural white colour will not yellow with age and archival value is ensured. Arches Aquarelle is excellent for watercolour, gouache, pen and ink, acrylics and calligraphy.

Bockingford Watercolour Paper Sheets are a popular high-quality paper at an affordable price. Made by St Cuthberts Mill in England to high archival standards, the sheets are mould made from high alpha cellulose and come with 4 cut edges.

The surface is created using natural woollen felts, ensuring a beautiful paper that’s very stable, and with excellent colour lifting abilities.

Made with 100% woodfree bleached chemical pulp. No OBAs (Optical brightening agents). Excellent for use with watercolour, acrylic, gouache, pastel, pen and ink, pencil, and other dry media.

Bockingford Watercolour Paper Sheets are a popular high-quality paper at an affordable price. Made by St Cuthberts Mill in England to high archival standards, the sheets are mould made from high alpha cellulose and come with 4 cut edges.

The surface is created using natural woollen felts, ensuring a beautiful paper that’s very stable, and with excellent colour lifting abilities.

Made with 100% woodfree bleached chemical pulp. No OBAs (Optical brightening agents). Excellent for use with watercolour, acrylic, gouache, pastel, pen and ink, pencil, and other dry media.

Bockingford Watercolour Paper Sheets are a popular high-quality paper at an affordable price. Made by St Cuthberts Mill in England to high archival standards, the sheets are mould made from high alpha cellulose and come with 4 cut edges.

The surface is created using natural woollen felts, ensuring a beautiful paper that’s very stable, and with excellent colour lifting abilities.

Made with 100% woodfree bleached chemical pulp. No OBAs (Optical brightening agents). Excellent for use with watercolour, acrylic, gouache, pastel, pen and ink, pencil, and other dry media.

Arches Aquarelle watercolour paper is acid-free and chlorine free, made of 100% cotton fibres which provide strength and stability. The paper is tub-sized in natural gelatine and air-dried, it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour. Arches Aquarelle uses no optical brighteners so its natural white colour will not yellow with age and archival value is ensured. Arches Aquarelle is excellent for watercolour, gouache, pen and ink, acrylics and calligraphy.

The Langton is a high-quality watercolour paper. The paper is colour-stable, mould-made and acid-free, and is designed to withstand repeated washes without pulping or cockling.

Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a rough finish. They have a textured surface, and are not suitable for painting in a detailed manner.

Artists quality cotton rag paper, for watercolour and all painting and drawing media. Khadi rag papers are made from 100% cotton rag. Cotton rags have longer fibres than linters which are the shorter fluffy cotton seed fibres commonly used in papermaking. Genuine rag papers are rare and it is the fibre length of this raw material that gives Khadi rag papers their exceptional strength and durability. The cotton rag we use comes from T-shirt cuttings from garment factories, a reliable source of pure woven cotton.

320gsm, packs of 20 sheets

Bockingford is a beautiful English watercolour paper made using pure materials to archival standards.The surface is created using natural woollen felts that give it a distinctive random texture. Appreciated for its excellent colour lifting abilities, this is an extremely forgiving watercolour paper valued by professional and amateur artists around the world.This Bockingford paper specification is: Bockingford : 250lb : 22x30in : 10 Sheets : NotPlease note: this item is not avaliable for next day delivery

Hahnemühle Bamboo is the first paper in the Hahnemühle Traditional Fine Art Collection made of bamboo fibres. The natural white paper which is extremely age resistant has a unique surface suitable for different painting and drawing techniques such as watercolour, acrylic, pastel and for sketching and drawing with charcoal and red ochre.This warm toned, high quality paper allows excellent contrast and colour vibrancy. It offers a brilliant flow of colours and ensures high luminosity.Because of the use of highly renewable bamboo grass, Hahnemühle Bamboo stands for natural and resource saving paper production.

Arches Aquarelle watercolour paper is acid-free and chlorine-free, made of 100% cotton fibres which provide strength and stability. The paper is tub-sized in natural gelatine and air-dried - it can take scrubbing, scratching and erasing while keeping the original intensity of the watercolour.Arches Aquarelle uses no optical brighteners so its natural white colour will not yellow with age and archival value is ensured. Arches Aquarelle is excellent for watercolour, gouache, pen and ink, acrylics and calligraphy.This is a single sheet of Arches Aquarelle: 300gsm, 56 x 76cm, Hot Pressed

The Fabriano Watercolour paper is made of a valuable mixture of lignin free cotton and cellulose. The absence of acid guarantees the inalterability over time of the paper. It is sized internally and externally, guaranteeing optimal absorbance. The quality/price ratio of this paper guarantees an exceptional offer for students of fine arts schools and beginners. Ideal for watercolour, tempera, gouache, acrylic, ink and drawing.

Artists’ handmade paper from Khadi Papers India. This paper is made from 100% long fibred cotton rag. Internally sized with neutral pH size. Tub sized (surface sized) with gelatine. Acid free. Rough surface. For watercolour and all painting and drawing media. For oil painting prime with acrylic gesso.

The Langton is a high-quality watercolour paper. The paper is colour-stable, mould-made and acid-free, and is designed to withstand repeated washes without pulping or cockling.

Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.

Langton Prestige is a superior quality watercolour surface made from high-quality cotton fibres and wood pulp.

For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a rough finish. They have a textured surface, and are not suitable for painting in a detailed manner.

This paper is mould made, acid-free and archival meaning it has superior surface stability. Easy to lift the colour wash to get back to the white base paper. Suitable for Multimedia, in addition to watercolour the paper accepts pastel, gouache, acrylic, pencil, charcoal and pen & ink. The paper can also be used for certain print techniques. An extremely forgiving watercolour paper valued by professional and amateur artists.

Bockingford Watercolour Paper Sheets are a popular high-quality paper at an affordable price. Made by St Cuthberts Mill in England to high archival standards, the sheets are mould made from high alpha cellulose and come with 4 cut edges.The surface is created using natural woollen felts, ensuring a beautiful paper that’s very stable, and with excellent colour lifting abilities.Made with 100% woodfree bleached chemical pulp. No OBAs (Optical brightening agents). Excellent for use with watercolour, acrylic, gouache, pastel, pen and ink, pencil, and other dry media.

Yupo Watercolour Paper is a non-porous, acid-free and pH neutral, synthetic paper which is machine made in the US from 100% polypropylene. It is completely waterproof, stain-resistant and has become a unique and intriguing alternative to traditional art papers due to its strength and lifting properties.

The super smooth surface allows you to build up nuances and patterns that would normally be impossible to achieve on traditional watercolour and drawing paper. Because it can be wiped clean you have the option to return to specific areas and redo them until they meet your standards, or to build up layers of paint using a similar technique to those used with oil painting.

This paper easily resists tearing or buckling meaning there is no need to stretch or treat in any way before you start work. Yupo has an extra smooth surface and can be used with a combination of media, including watercolours alcohol ink, acrylic paint, monotype, offset printing, debossing oil pastel, graphite and silkscreen.

As an especially durable synthetic, Yupo normally enters the waste stream at a far slower rate than conventional papers. Since it is a polypropylene (PP) plastic film, it is fully recyclable and will remain inert in any approved landfill. If safely incinerated in a modern incinerator with an atmosphere of excess oxygen, it will yield only water, carbon dioxide, and ash.

When you have completed a piece remember to spray the surface of the Yupo paper with a matt clear varnish or finishing spray so that the work will remain stable.