Langton Prestige is a superior quality watercolour surface made from high-quality cotton fibres and wood pulp.

For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.

Jacksons Two Rivers Handmade Watercolour Paper : NOT surface : 200lb : 16x20in : 5 sheets Made exclusively for Jackson s by the Two Rivers paper mill in Somerset. This paper is conservation quality, made with 100% cotton and linen rag and very hard sized. This means that the surface is incredibly tough, allowing the artist to work the surface for much longer than with more absorbent artists papers. Because the paint is not drawn into the paper the pigment dries to a sharp and brilliant finish. The inclusion of linen in its make-up results in an unusually tough surface which will resist much lifting out, scrubbing and re-working. Reassuringly, the 400 year old mill is also hydro powered making it very environmentally friendly. TR has a unique random surface texture unlike the mechanically even weave of most other branded papers. This also means that there is not a right or wrong side as both sides are identical. As well as watercolour, our papers are used for other media including pastels, oils, printmaking, photographic processes and many types of mixed media. The NOT surface is slightly rougher than most.

All watercolour boards selected by Daler-Rowney are made from the highest quality wood pulp and cotton fibres, and they're all acid-free to prevent discoloration over time. Particularly suited to line and wash illustration work.

Millford is the newest watercolour paper developed by St Cuthberts Mill. It is styled on the discontinued Whatman watercolour paper, after artists grieved the loss of this unique type of watercolour paper. It is mould made from 100% cotton (just like the original Whatman), and it's beautiful surface is created using natural woollen felts. It is deliberately created to have a high resistance to water, so it’s washes perform very differently to traditional watercolour papers.

Khadi White Rag paper is made from 100% long fibred cotton rag. It is internally sized (with a neutral pH size) and surface tub sized with gelatine. This 150gsm paper is acid free and made in India. Surface: Medium Size: 11 x 15cm Sheets: 20

Fabriano Artistico watercolour paper is mould made and is produced with 100% cotton. It is chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. This paper is traditional white, without optical bleaching.

Fabriano Artistico watercolour papers have two deckle edges and are watermarked ‘FABRIANO+ARTISTICO’ on the short grain side. The high quality and ample offer of this paper satisfies the requirements of all professional artists and the most demanding amateurs.

Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, graphite and drawing. It is also suitable for printmaking.

News update: Fabriano Artistico watercolour paper has had a slight texture change. This will be of interest to artists who choose it for its ultra smooth surface.

This superb artist grade paper from Saunders Waterford has a watermark in the corner for authenticity and 4 deckle edges which are visually beautiful and perfect for float framing. Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time. It is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Saunders Waterford paper is endorsed by the Royal Watercolour Society. Please note, these sheets have a rough finish: they have a rough surface, and are not suitable for detailed watercolour painting. For more information on the production and properties of watercolour papers, click here.

Langton Prestige is a superior quality watercolour surface made from high-quality cotton fibres and wood pulp.

For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.

Montval® paper was designed by the famous painter Gaspard Maillol, nephew of the sculptor Aristide Maillol, and manufactured by Canson® at his request in the early 20th century. Since then, this paper has acquired new qualities.
One of them is its great erasability: corrections can be made easily, cleaning the paper with water, using a sponge or a brush. There is no trace of watercolour left and the paper can be worked again.
Easy to use, it is accessible and suitable for everyone.

Canson® Montval® is also available as a book. With its hard cover and elegant elastic band closure, it is the ideal companion to enhance one's creativity when travelling. Its interior storage pocket is ideal to keep the most precious memories.

Because watercolour paint is transparent the colour of the paper is a very important part of the painting. The colour of the ground will affect everything on top of it, both the painted and unpainted areas, even different shades of white. The artist can substantially alter the mood and atmosphere of the painting by using a coloured paper. These Bockingford tinted papers are worth experimentation.This tinted paper is also a great drawing paper and is useful for a wide range of techniques. Specifications: Oatmeal Full Imperial sheets which are 30 x 22 inches (76cm x 56cm) 140lb (300gsm) Acid free (archival neutral PH) Lightfast colours Rotary trimmed on all four edges Not surface (cold pressed) Mould-made Woodfree Internally sized

Fabriano Artistico watercolour paper is mould made and is produced with 100% cotton. It is chlorine and acid free, guaranteeing long conservation and inalterability over time. The paper is sized both internally and externally, making it ideally absorbent and retaining its nature unaltered even if scratched. This paper is traditional white, without optical bleaching.

Fabriano Artistico watercolour papers have two deckle edges and are watermarked ‘FABRIANO+ARTISTICO’ on the short grain side. The high quality and ample offer of this paper satisfies the requirements of all professional artists and the most demanding amateurs.

Ideal for watercolour, tempera, gouache, acrylic, ink, charcoal, graphite and drawing. It is also suitable for printmaking.

News update: Fabriano Artistico watercolour paper has had a slight texture change. This will be of interest to artists who choose it for its ultra smooth surface.

Langton Prestige is a superior quality watercolour surface made from high-quality cotton fibres and wood pulp.

For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.

Langton Prestige is a superior quality watercolour surface made from high-quality cotton fibres and wood pulp.

For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, it features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a rough finish. They have a textured surface, and are not suitable for painting in a detailed manner.

The Langton is a high-quality watercolour paper. The paper is colour-stable, mould-made and acid-free, and is designed to withstand repeated washes without pulping or cockling.

Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.

Please note: the texture of this paper is linen-like, with regular lines going across each sheet vertically and horizontally. It is not a conventional 'rough texture' made by pressing the paper between sheets of felt during the drying process. Specifications..12 sheets140lb or 300gsmNot or RoughAcid free

The Fabriano Watercolour paper is made of a valuable mixture of lignin free cotton and cellulose. The absence of acid guarantees the inalterability over time of the paper. It is sized internally and externally, guaranteeing optimal absorbance. The quality/price ratio of this paper guarantees an exceptional offer for students of fine arts schools and beginners. Ideal for watercolour, tempera, gouache, acrylic, ink and drawing.

The convenience of an extra thick, stable board that eliminates the need for stretching and mounting of watercolour paper. These watercolour boards feature a 100% rag, heavy weight surface paper mounted to an extra heavy weight core to prevent warping. Uniform sizing and internal sizing provides maximum durability for wet on wet techniques, re-working and erasing. Available in Heavy Weight (1. 70-1. 85mm) and Extra Heavy Weight (3. 18-3. 43mm), in Hot Press and Cold Press surfaces with premium cream core. Ideal for watercolour, acrylics, gouache and light collage. Not recommended for oil paint unless primed with gesso first. Board edges should be taped or waxed when heavy washes are used.

This superb artist grade paper from Saunders Waterford has a watermark in the corner for authenticity and 2 deckle edges which are visually beautiful and perfect for float framing. Please note that while Saunders Waterford High White papers are noticeably whiter than the traditional Saunders Waterford paper, they still have a pale cream appearance. This is because it is not currently possible to whiten the paper to a bright white without compromising light-fastness by using Optical Brightening Agents. The whiter shade of Saunders Waterford High White paper is achieved by adding a high white lightfast pigment with good long-life properties, as used in some watercolour paints. Artists grade watercolour paper is archival which means it will not discolour or fall apart over time and is made of 100% cotton rag. This paper is much more durable than lower grades of paper because it is gelatine surface sized and it is mould-made, both of which mean it can take scrubbing of the surface without falling apart. Saunders Waterford paper is endorsed by the Royal Watercolour Society. Please note, these sheets are hot-pressed: they have an extremely smooth surface, ideal for detailed watercolour painting. For more information on the production and properties of watercolour papers, click here.

The Langton is a high-quality watercolour paper. The paper is colour-stable, mould-made and acid-free, and is designed to withstand repeated washes without pulping or cockling.

Langton is a superior quality watercolour paper. For many years artists have appreciated the qualities of the Langton. Made traditionally on a cylinder mould machine, the paper features a natural whiteness with a soft touch and distinctive texture. Langton watercolour paper is acid free with an alkali reserve to preserve finished pieces of work and protect against discolouration. Treated with an anti-fungal treatment, Langton watercolour paper also boasts a gelatinised surface for strength and resilience.

Please note, these sheets have a 'Not' finish (cold-pressed). They have a slightly textured surface, and are not recommended for painting in an extremely detailed manner, though they should be suitable for most purposes.

XL® Mixed Media Textured is specially designed for mixed media techniques. This versatile, heavyweight paper will charm the boldest students.
It has the advantage of having two different surfaces: on one side, its special grain allows pigments to grip; the other side is ideal for felt pens and markers. Anything is possible on this all-terrain paper!

XL® Mixed Media Textured is also available as a book. With its large spiral binding and hard cover, it is the ideal companion to enhance one's creativity when travelling.

Canson® Mixed Media Artist paper is THE genuine mixed media paper on the market. Its surface is ideal for all techniques as it is resistant to both watercolour and acrylic, but also works with inks and markers. Its exceptional cotton content gives it excellent stability. This professional quality paper is remarkable for its fine texture that readily holds pigments and its natural white colour that gives warmth to your creations.

Canson® Mixed Media Artist is also available as a book. With its hard cover and elegant elastic band closure, it is the ideal companion to enhance one's creativity when travelling. Its interior storage pocket is ideal to keep the most precious memories.

St Cuthberts Botanical Ultra Smooth is a 300gsm paper which is mould made from 50% cotton, and which is suitable for use with watercolours, watercolour pencils and acrylics (as well as many dry media). It is acid free and calcium carbonate buffered. The absence of acid guarantees excellent permanence and resistance to ageing. The colour (High White) is a very close match to Fabriano 5, and it does contain optical brighteners to give it a bright white colour. It is ideal for botanical watercolour painting as well as charcoal, pastels and graphite.Pads made of St Cuthberts Botanical Ultra Smooth paper are available in three sizes: A3, A4 and A5. These pads contain 10 sheets and are glue bound.

Canson® Mixed Media Artist paper is THE genuine mixed media paper on the market. Its surface is ideal for all techniques as it is resistant to both watercolour and acrylic, but also works with inks and markers. Its exceptional cotton content gives it excellent stability. This professional quality paper is remarkable for its fine texture that readily holds pigments and its natural white colour that gives warmth to your creations.

Canson® Mixed Media Artist is also available as a book. With its hard cover and elegant elastic band closure, it is the ideal companion to enhance one's creativity when travelling. Its interior storage pocket is ideal to keep the most precious memories.

Artists quality cotton rag paper, for watercolour and all painting and drawing media. Khadi rag papers are made from 100% cotton rag. Cotton rags have longer fibres than linters which are the shorter fluffy cotton seed fibres commonly used in papermaking. Genuine rag papers are rare and it is the fibre length of this raw material that gives Khadi rag papers their exceptional strength and durability. The cotton rag we use comes from T-shirt cuttings from garment factories, a reliable source of pure woven cotton.

320gsm, packs of 20 sheets