Liberty Fund recognises the significance of George Turnbull, one of the earliest of the authors in the Scottish tradition, with the publication of new editions of his 'Principles of Moral and Christian Philosophy', his 'Observations upon Liberal Education', and his translation of Heineccius. These major works testify to Turnbull's distinctive voice in presenting natural-law theory on a scientific model, in harnessing the arts to promote the principles of moral and civil virtue, and in extolling reason as the foundation of liberty. The short pieces in EDUCATION FOR LIFE supplement Turnbull's larger and more sprawling works and give a more concentrated presentation of his ideas. These extremely rare works include two Aberdeen graduation theses, three tracts on religion, various writings on education and art, and, for the first time in print, the correspondence of Turnbull.

Challenging the common assumption that the Enlightenment of the late seventeenth and the eighteenth centuries was an essentially secular, irreligious and atheistic movement, this book critiques this standard interpretation as based on a narrow view of Enlightenment sources. Building on the work of revisionist historians, this volume takes the argument squarely into the theological domain, whether Anglican, Dissenting, Lutheran or deistic, whilst also noting that the Enlightenment deeply affected Roman Catholic and Jewish theologies. It challenges the stereotype of 'Enlightenment rationalism', and the penultimate chapter brings out the biblical and ecclesial roots of the image of enlightenment and reclaims it for Christian faith.

Gillian Rose is among the twentieth century's most important social philosophers. In perhaps her most significant work, Hegel Contra Sociology, Rose mounts a forceful defence of Hegelian speculative thought. Demonstrating how, in his criticisms of Kant and Fichte, Hegel supplies a preemptive critique of Weber, Durkheim, and all of the sociological traditions that stem from these "neo-Kantian" thinkers, Rose argues that any attempt to preserve Marxism from a similar critique and any attempt to renew sociology cannot succeed without coming to terms with Hegel's own speculative discourse. With an analysis of Hegel's mature works in light of his early radical writings, this book represents a profound step toward enacting just such a return to the Hegelian.

Immanuel Kant laid the foundations of modern Western thought. Every subsequent major philosopher owes a profound debt to Kant's attempts to delimit human reason as an appropriate object of philosophical enquiry. And yet, Kant's relentless systematic formalism made him a controversial figure in the history of the philosophy that he helped to shape. Introducing Kant focuses on the three critiques of Pure Reason, Practical Reason and Judgement. It describes Kant's main formal concepts: the relation of mind to sensory experience, the question of freedom and the law and, above all, the revaluation of metaphysics. Kant emerges as a diehard rationalist yet also a Romantic, deeply committed to the power of the sublime to transform experience. The illustrated guide explores the paradoxical nature of the pre-eminent philosopher of the Enlightenment, his ideas and explains the reasons for his undiminished importance in contemporary philosophical debates.

An internationally famous philosopher and best-selling author during his lifetime, Georg Simmel has been marginalized in contemporary intellectual and cultural history. This neglect belies his pathbreaking role in revealing the theoretical significance of phenomena-including money, gender, urban life, and technology-that subsequently became established arenas of inquiry in cultural theory. It further ignores his philosophical impact on thinkers as diverse as Benjamin, Musil, and Heidegger. Integrating intellectual biography, philosophical interpretation, and a critical examination of the history of academic disciplines, this book restores Simmel to his rightful place as a major figure and challenges the frameworks through which his contributions to modern thought have been at once remembered and forgotten.

Challenging the triumphalist narrative of Enlightenment secularism. According to most scholars, the Enlightenment was a rational awakening, a radical break from a past dominated by religion and superstition. But in Let There Be Enlightenment, Anton M. Matytsin, Dan Edelstein, and the contributors they have assembled deftly undermine this simplistic narrative. Emphasizing the ways in which religious beliefs and motivations shaped philosophical perspectives, essays in this book highlight figures and topics often overlooked in standard genealogies of the Enlightenment. The volume underscores the prominent role that religious discourses continued to play in major aspects of seventeenth- and eighteenth-century thought. The essays probe a wide range of subjects, from reformer Jan Amos Comenius's quest for universal enlightenment to the changing meanings of the light metaphor, Quaker influences on Baruch Spinoza's theology, and the unexpected persistence of Aristotle in the Enlightenment. Exploring the emergence of historical consciousness among Enlightenment thinkers while examining their repeated insistence on living in an enlightened age, the collection also investigates the origins and the long-term dynamics of the relationship between faith and reason. Providing an overview of the rich spectrum of eighteenth-century culture, the authors demonstrate that religion was central to Enlightenment thought. The term "enlightenment" itself had a deeply religious connotation. Rather than revisiting the celebrated breaks between the eighteenth century and the period that preceded it, Let There Be Enlightenment reveals the unacknowledged continuities that connect the Enlightenment to its various antecedents. Contributors: Philippe Buc, William J. Bulman, Jeffrey D. Burson, Charly Coleman, Dan Edelstein, Matthew T. Gaetano, Howard Hotson, Anton M. Matytsin, Darrin M. McMahon, James Schmidt, Celine Spector, Jo Van Cauter

Colonial Canada changed enormously between the 1760s and the 1860s, the Conquest and Confederation, but the idea of civilization seen to guide those transformations changed still more. A cosmopolitan and optimistic theory of history was written into the founding Canadian constitution as a check on state violence, only to be reversed and undone over the next century. Civilization was hegemony, a contradictory theory of unrestrained power and restraints on that power. Occupying a middle ground between British and American hegemonies, all the different peoples living in Canada felt those contradictions very sharply. Both Britain and America came to despair of bending Canada violently to their will, and new forms of hegemony, a greater reckoning with soft power, emerged in the wake of those failures. E.A. Heaman shows that the view from colonial Canada matters for intellectual and political history. Canada posed serious challenges to the Scottish Enlightenment, the Pax Britannica, American manifest destiny, and the emerging model of the nation-state. David Hume's theory of history shaped the Canadian imaginary in constitutional documents, much-thumbed histories, and a certain liberal-conservative political and financial orientation. But as settlers flooded across the continent, cosmopolitanism became chauvinism, and the idea of civilization was put to accomplishing plunder and predation on a transcontinental scale. Case studies show crucial moments of conceptual reversal, some broadly representative and some unique to Canada. Dissecting the Seven Years' War, domestic relations, the fiscal military state, liberal reform, social statistics, democracy, constitutionalism, and scholarly history, Heaman shows how key British and Canadian public figures grappled with the growing gap between theory and practice. By historicizing the concept of civilization, this book connects Enlightenment ideals and anti-colonialism, shown in contest with colonialism in Canada before Confederation.

Although overshadowed by his contemporaries Adam Smith and David Hume, the Scottish philosopher Adam Ferguson strongly influenced eighteenth-century currents of political thought. A major reassessment of this neglected figure, Adam Ferguson in the Scottish Enlightenment: The Roman Past and Europe's Future sheds new light on Ferguson as a serious critic, rather than an advocate, of the Enlightenment belief in liberal progress. Unlike the philosophes who looked upon Europe's growing prosperity and saw confirmation of a utopian future, Ferguson saw something else: a reminder of Rome's lesson that egalitarian democracy could become a self-undermining path to dictatorship. Ferguson viewed the intrinsic power struggle between civil and military authorities as the central dilemma of modern constitutional governments. He believed that the key to understanding the forces that propel nations toward tyranny lay in analysis of ancient Roman history. It was the alliance between popular and militaristic factions within the Roman republic, Ferguson believed, which ultimately precipitated its downfall. Democratic forces, intended as a means of liberation from tyranny, could all too easily become the engine of political oppression-a fear that proved prescient when the French Revolution spawned the expansionist wars of Napoleon. As Iain McDaniel makes clear, Ferguson's skepticism about the ability of constitutional states to weather pervasive conditions of warfare and emergency has particular relevance for twenty-first-century geopolitics. This revelatory study will resonate with debates over the troubling tendency of powerful democracies to curtail civil liberties and pursue imperial ambitions.

Kant's Critique of Pure Reason, his main work of theoretical philosophy, frequently uses metaphors from law. In this first book-length study in English of Kant's legal metaphors and their role in the first Critique, Sofie Moller shows that they are central to Kant's account of reason. Through an analysis of the legal metaphors in their entirety, she demonstrates that Kant conceives of reason as having a structure mirroring that of a legal system in a natural right framework. Her study shows that Kant's aim is to make cognisers become similar to authorized judges within such a system, by proving the legitimacy of the laws and the conditions under which valid judgments can be pronounced. These elements consolidate her conclusion that reason's systematicity is legal systematicity.

A touchstone of the Enlightenment dispute between rationality and religious belief, David Hume's essay "Of Miracles" has elicited much commentary from proponents and critics ever since it was published over 250 years ago. Alexander George's lucid and sustained interpretation of Hume's essay provides fresh insights into this provocative, occasionally elusive, and always subtle text. The Everlasting Check will be read with interest by both students new to Hume and seasoned scholars. George does justice to the letter and spirit of Hume's essay, explaining the concepts and claims involved, making intelligible the essay's structure, and clarifying remarks that have long puzzled readers. Properly interpreted, the essay's central philosophical argument proves to be much hardier than Hume's detractors suggest. George considers a range of objections to Hume-some recent, some perennial-and shows why most fail, either because they are based on misinterpretations or because the larger body of Hume's philosophy answers them. Beyond an analysis and defense of Hume's essay, George also offers a critique of his own, appealing to Ludwig Wittgenstein's thoughts on magic and ritual to demonstrate that Hume misconstrues the character of religious belief and its relationship to evidence and confirmation. Raising a host of important questions about the connection between religious and empirically verified beliefs, George discusses why Hume's master argument can fail to engage with committed religious thought and why philosophical argumentation in general often proves ineffective in shaking people's deeply held beliefs.

"Margaret L King has put together a highly representative selection of readings from most of the more significant -- but by no means the most obvious -- texts by the authors who made up the movement we have come to call the 'Enlightenment.' They range across much of Europe and the Americas, and from the early seventeenth century until the end of the eighteenth. In the originality of the choice of texts, in its range and depth, this collection offers both wide coverage and striking insights into the intellectual transformation which has done more than any other to shape the world in which we live today. It is simply the best introduction to the subject now available ." -- Anthony Pagden, UCLA, and author of The Enlightenment and Why It Still Matters

A book considering Kant's account of the overpowering feeling of the sublime, and the moral law within, which exercised an extraordinary influence on the movements of Romanticism, Hegelian phenomenology, and continental philosophy.

'These hours of solitude and meditation are the only time of the day when I am completely myself' Reveries of the Solitary Walker is Rousseau's last great work, the product of his final years of exile from the society that condemned his political and religious views. Returning to Paris the philosopher determines to keep a faithful record of the thoughts and ideas that come to him on his perambulations. Part reminiscence, part reflection, enlivened by anecdote and encounters, the Reveries form a kind of sequel to his Confessions, but they are more introspective and less defensive: Rousseau finds happiness in solitude, walks in nature, botanizing, and meditation. Writing an account of his walks becomes a means of achieving self-knowledge and safeguarding for himself the pleasure that others, he is convinced, seek to deny him. The Reveries, shaped by the unmediated nature of Rousseau's thought processes, give powerfully lyrical expression to a painfully tortured soul in search of peace. This new translation is accompanied by an introduction and notes that explore the nature of the work and its historical, literary, and intellectual contexts. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Sait-on bien quel historien singulier ce fut que l'auteur du Siecle de Louis XIV? Voltaire a si peu deguise son parti pris qu'on finirait par ne plus apercevoir ce qu'a d'insolite sa methode. 'Quiconque pense, ecrit-il dans l'introduction du Siecle, et ce qui est encore plus rare, quiconque a du gout ne compte que quatre siecles dans l'histoire du monde.' Selectionner ainsi son objet, c'est postuler ce qu'il faudra prouver, c'est revendiquer a priori une faculte de gout dont l'histoire est tenue de manifester la superiorite. L'historien n'a donc pas a expliquer, il doit peindre, c'est le mot meme de Voltaire. Il parait superflu de remonter aux causes. Les faits parlent assez clairement: le Grand Siecle compte dans l'histoire universelle par la Revolution qu'il y produit, l'avenement d'une civilisation du gout, jugee telle, il est vrai, d'apres des criteres qu'il se pourrait que Voltaire eut empruntes a l'epoque en cause. C'est afin de celebrer le 250e anniversaire de ce qui fut un evenement pour les contemporains, la publication du Siecle de Louis XIV, que le Centre d'etude de la langue et de la litterature francaises des dix-septieme et dix-huitieme siecles de l'Universite de Paris-Sorbonne organisa le colloque 'Voltaire et le Grand Siecle'. Le volume present rassemble vingt-neuf etudes traitant de la methode de l'historien, des lecons de cette histoire nouvelle, de la 'philosophie' que Voltaire tire de l'observation minutieuse du materiau historique, ainsi que de la politique religieuse de Louis XIV. Voltaire voit des taches sur la gloire du Roi-Soleil.

Immanuel Kant is strict about the limits of self-knowledge: our inner sense gives us only appearances, never the reality, of ourselves. Kant may seem to begin his inquiries with an uncritical conception of cognitive limits, but in Kant and the Subject of Critique, Avery Goldman argues that, even for Kant, a reflective act must take place before any judgment occurs. Building on Kant's metaphysics, which uses the soul, the world, and God as regulative principles, Goldman demonstrates how Kant can open doors to reflection, analysis, language, sensibility, and understanding. By establishing a regulative self, Goldman offers a way to bring unity to the subject through Kant's seemingly circular reasoning, allowing for critique and, ultimately, knowledge. -- Indiana University Press

The general introduction to Voltaire's "Questions sur l'Encyclopedie, par des amateurs" traces the history of its genesis and publication, its contemporary critical reception and the historical and literary questions raised by the text. The volume also comprises several appendices and a thematic index of the text as a whole. Collaborateurs: Christiane Mervaud, Nicholas Cronk, Dominique Lussier.

The first book to explore the role of images in philosophical thought and teaching in the early modern period Delving into the intersections between artistic images and philosophical knowledge in Europe from the late sixteenth to the early eighteenth centuries, The Art of Philosophy shows that the making and study of visual art functioned as important methods of philosophical thinking and instruction. From frontispieces of books to monumental prints created by philosophers in collaboration with renowned artists, Susanna Berger examines visual representations of philosophy and overturns prevailing assumptions about the limited function of the visual in European intellectual history. Rather than merely illustrating already existing philosophical concepts, visual images generated new knowledge for both Aristotelian thinkers and anti-Aristotelians, such as Descartes and Hobbes. Printmaking and drawing played a decisive role in discoveries that led to a move away from the authority of Aristotle in the seventeenth century. Berger interprets visual art from printed books, student lecture notebooks, alba amicorum (friendship albums), broadsides, and paintings, and examines the work of such artists as Pietro Testa, Leonard Gaultier, Abraham Bosse, Durer, and Rembrandt. In particular, she focuses on the rise and decline of the "plural image," a genre that was popular among early modern philosophers. Plural images brought multiple images together on the same page, often in order to visualize systems of logic, metaphysics, natural philosophy, or moral philosophy. Featuring previously unpublished prints and drawings from the early modern period and lavish gatefolds, The Art of Philosophy reveals the essential connections between visual commentary and philosophical thought.

L'anneau magique qui relie musique et langage delimite un univers insondable dans lequel causes et effets s'enlacent indistinctement. Dans ce neant vertigineux, la galaxie rousseauienne exerce une attirance irresistible et promet, a l'esprit critique qui ose l'aborder, des aventures intellectuelles passionnantes. L'irreductible auteur des Confessions a justement place le fleau de sa pensee au point d'equilibre de ces deux poles, entre musique et langage, une zone definie par le concept de societe car, proclame-t-il dans l'Essai sur l'origine des langues: 'les oiseaux sifflent, l'homme seul chante; et l'on ne peut entendre ni chant, ni symphonie, sans se dire a l'instant. Un autre etre sensible est ici.' Rousseau reitere dans son Dictionnaire de musique sa theorie de l'exclusivite humaine de la parole et de la musique: 'Quoiqu'il en soit de l'etymologie du nom, l'origine de l'art est certainement plus pres de l'homme, et si la parole n'a pas commence par du chant, il est sur, au moins, qu'on chante partout ou l'on parle.' Autour de cette dialectique de la musique et du langage se sont reunis des rousseauistes et d'autres specialistes de la musique et du langage pour cogiter la thematique de ces noces infinies et en pourchasser les echos a travers les denses bocages de l'oeuvre du philosophe-musicien. Leurs textes ici reunis constituent les actes du XIIe colloque de l'Association Jean-Jacques Rousseau.

Shows Goethe, the most famous of German writers, as a child of the Enlightenment. Throughout his oeuvre Goethe invokes the writers and thinkers of the Enlightenment: Voltaire and Goldsmith, Sterne and Bayle, Beccaria and Franklin. And he does not merely reference them: their ideas make up the salt of his most acclaimed works. Like Hume before him, Goethe takes up the topic of suicide, but in a best-selling novel, Werther; the beating heart of Faust I is the fate of a woman who commits infanticide, a burning social issue ofhis age; in an article for a popular journal Goethe takes up the cause of Kant and Penn, who wrote treatises on how to establish peace in Europe. In another essay Goethe calls for reconciliation between Germans who had fought against each other in those same Wars, as well as for worldwide understanding between Christians, Jews, Muslims, and Heathens. Professor Kerry shows that Goethe is a child of the Enlightenment and an innovator of its legacy. To do sohe discusses a chronological swath of Goethe's works, both popular and neglected, and shows how each of them engages Enlightenment concerns. Paul Kerry is Professor of History at Brigham Young University.

The Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in English or French.

Western philosophy is now two and a half millennia old, but much of it came in just two staccato bursts, each lasting only about 150 years. In his landmark survey of Western philosophy from the Greeks to the Renaissance, The Dream of Reason, Anthony Gottlieb documented the first burst, which came in the Athens of Socrates, Plato, and Aristotle. Now, in his sequel, The Dream of Enlightenment, Gottlieb expertly navigates a second great explosion of thought, taking us to northern Europe in the wake of its wars of religion and the rise of Galilean science. In a relatively short period-from the early 1640s to the eve of the French Revolution-Descartes, Hobbes, Spinoza, Locke, Leibniz, and Hume all made their mark. The Dream of Enlightenment tells their story and that of the birth of modern philosophy. As Gottlieb explains, all these men were amateurs: none had much to do with any university. They tried to fathom the implications of the new science and of religious upheaval, which led them to question traditional teachings and attitudes. What does the advance of science entail for our understanding of ourselves and for our ideas of God? How should a government deal with religious diversity-and what, actually, is government for? Such questions remain our questions, which is why Descartes, Hobbes, and the others are still pondered today. Yet it is because we still want to hear them that we can easily get these philosophers wrong. It is tempting to think they speak our language and live in our world; but to understand them properly, we must step back into their shoes. Gottlieb puts readers in the minds of these frequently misinterpreted figures, elucidating the history of their times and the development of scientific ideas while engagingly explaining their arguments and assessing their legacy in lively prose. With chapters focusing on Descartes, Hobbes, Spinoza, Locke, Pierre Bayle, Leibniz, Hume, Rousseau, and Voltaire-and many walk-on parts-The Dream of Enlightenment creates a sweeping account of what the Enlightenment amounted to, and why we are still in its debt.

The Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in English or French.

How the concept of "deep time" began as a metaphor used by philosophers, poets, and naturalists in the eighteenth and nineteenth centuries In this interdisciplinary book, Noah Heringman argues that the concept of "deep time"-most often associated with geological epochs-began as a metaphorical language used by philosophers, poets, and naturalists of the eighteenth and nineteenth centuries to explore the origins of life beyond the written record. Their ideas about "the abyss of time" created a way to think about the prehistoric before it was possible to assign dates to the fossil record. Heringman, examining stories about the deep past by visionary thinkers ranging from William Blake to Charles Darwin, challenges the conventional wisdom that the idea of deep time came forth fully formed from the modern science of geology. Instead, he argues, it has a rich imaginative history. Heringman considers Johann Reinhold Forster and Georg Forster, naturalists on James Cook's second voyage around the world, who, inspired by encounters with Pacific islanders, connected the scale of geological time to human origins and cultural evolution; Georges-Louis Leclerc, Comte de Buffon, who drew on travel narrative, antiquarian works, and his own fieldwork to lay out the first modern geological timescale; Blake and Johann Gottfried Herder, who used the language of fossils and artifacts to promote ancient ballads and "prehistoric song"; and Darwin's exploration of the reciprocal effects of geological and human time. Deep time, Heringman shows, has figural and imaginative dimensions beyond its geological meaning.

Marking the tercentenary of David Hume's birth, Annette Baier has created an engaging guide to the philosophy of one of the greatest thinkers of Enlightenment Britain. Drawing deeply on a lifetime of scholarship and incisive commentary, she deftly weaves Hume s autobiography together with his writings and correspondence, finding in these personal experiences new ways to illuminate his ideas about religion, human nature, and the social order.

Excerpts from Hume s autobiography at the beginning of each chapter open a window onto the eighteenth-century context in which Hume s philosophy developed. Famous in Christian Britain as a polymath and a nonbeliever, Hume recounts how his early encounters with clerical authority laid the foundation for his lifelong skepticism toward religion. In Scotland, where he grew up, he had been forced to study lists of sins in order to spot his own childish flaws, he reports. Later, as a young man, he witnessed the clergy s punishment of a pregnant unmarried servant, and this led him to question the violent consequences of the Church s emphasis on the doctrine of original sin. Baier s clear interpretation of Hume s "Treatise of Human Nature "explains the link between Hume s growing disillusionment and his belief that ethics should be based on investigations of human nature, not on religious dogma.""

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" "Four months before he died, Hume concluded his autobiography with a eulogy he wrote for his own funeral. It makes no mention of his flaws, critics, or disappointments. Baier s more realistic account rivets our attention on connections between the way Hume lived and the way he thought insights unavailable to Hume himself, perhaps, despite his lifelong introspection.