On Religion is a major text for the development of modern religious thought in the West and its author, German theologian Friedrich Schleiermacher, is remembered as the Father of Modern Protestant Theology, as well as for his contributions to philosophy, ethics and hermeneutics. Comprising five lively speeches, which defend religion as a universal element of human life, the text was addressed to the young intellectual elite of early nineteenth-century Berlin. It demonstrates Schleiermacher's critique of Kant's religious and moral thought, while also showing his indebtedness to the divergent movements of Enlightenment rationalism and Romanticism.

The unlikely story of how Americans canonized Adam Smith as the patron saint of free markets Originally published in 1776, Adam Smith's The Wealth of Nations was lauded by America's founders as a landmark work of Enlightenment thinking about national wealth, statecraft, and moral virtue. Today, Smith is one of the most influential icons of economic thought in America. Glory Liu traces how generations of Americans have read, reinterpreted, and weaponized Smith's ideas, revealing how his popular image as a champion of American-style capitalism and free markets is a historical invention. Drawing on a trove of illuminating archival materials, Liu tells the story of how an unassuming Scottish philosopher captured the American imagination and played a leading role in shaping American economic and political ideas. She shows how Smith became known as the father of political economy in the nineteenth century and was firmly associated with free trade, and how, in the aftermath of the Great Depression, the Chicago School of Economics transformed him into the preeminent theorist of self-interest and the miracle of free markets. Liu explores how a new generation of political theorists and public intellectuals has sought to recover Smith's original intentions and restore his reputation as a moral philosopher. Charting the enduring fascination that this humble philosopher from Scotland has held for American readers over more than two centuries, Adam Smith's America shows how Smith continues to be a vehicle for articulating perennial moral and political anxieties about modern capitalism.

Kant's Critique of Judgment seems not to be an obviously unified work. Unlike other attempts to comprehend it as a unity, which treat it as serving either practical or theoretical interests, Kristi Sweet's book posits it as examining a genuinely independent sphere of human life. In her in-depth account of Kant's Critical philosophical system, Sweet argues that the Critique addresses the question: for what may I hope? The answer is given in Kant's account of 'territory,' a region of experience that both underlies and mediates between freedom and nature. Territory forms the context in which purposiveness without a purpose, the Ideal of Beauty, the sensus communis, genius and aesthetic ideas, and Kant's conception of life and proof of God are best interpreted. Encounters in this sphere are shown to refer us to a larger, more cosmic sense of a whole to which both freedom and nature belong.

Organized around eight themes central to aesthetic theory today, this book examines the sources and development of Kant's aesthetics by mining his publications, correspondence, handwritten notes, and university lectures. Each chapter explores one of eight themes: aesthetic judgment and normativity, formal beauty, partly conceptual beauty, artistic creativity or genius, the fine arts, the sublime, ugliness and disgust, and humor. Robert R. Clewis considers how Kant's thought was shaped by authors such as Christian Wolff, Alexander Baumgarten, Georg Meier, Moses Mendelssohn, Johann Sulzer, Johann Herder, Francis Hutcheson, David Hume, Edmund Burke, Henry Home, Charles Batteux, Jean-Jacques Rousseau, and Voltaire. His resulting study uncovers and illuminates the complex development of Kant's aesthetic theory and will be useful to advanced students and scholars in fields across the humanities and studies of the arts.

Freemasonry was a major cultural and social phenomenon and a key element of the Enlightenment. It was to have an international influence across the globe. This primary resource collection charts a key period in the development of organized Freemasonry culminating in the formation of a single United Grand Lodge of England. The secrecy that has surrounded Freemasonry has made it difficult to access information and documents about the organization and its adherents in the past. This collection is the result of extensive archival research and transcription and highlights the most significant themes associated with Freemasonry. The documents are drawn from masonic collections, private archives and libraries worldwide. The majority of these texts have never before been republished. Documents include rituals (some written in code), funeral services, sermons, songs, certificates, an engraved list of lodges, letters, pamphlets, theatrical prologues and epilogues, and articles from newspapers and periodicals. This collection will enable researchers to identify many key masons for the first time. It will be of interest to students of Freemasonry, the Enlightenment and researchers in eighteenth-century studies.

Freemasonry was a major cultural and social phenomenon and a key element of the Enlightenment. It was to have an international influence across the globe. This primary resource collection charts a key period in the development of organized Freemasonry culminating in the formation of a single United Grand Lodge of England. The secrecy that has surrounded Freemasonry has made it difficult to access information and documents about the organization and its adherents in the past. This collection is the result of extensive archival research and transcription and highlights the most significant themes associated with Freemasonry. The documents are drawn from masonic collections, private archives and libraries worldwide. The majority of these texts have never before been republished. Documents include rituals (some written in code), funeral services, sermons, songs, certificates, an engraved list of lodges, letters, pamphlets, theatrical prologues and epilogues, and articles from newspapers and periodicals. This collection will enable researchers to identify many key masons for the first time. It will be of interest to students of Freemasonry, the Enlightenment and researchers in eighteenth-century studies.

The emergence of a theatrical science of man in France, 1660-1740 highlights a radical departure from discussions of dramatic literature and its undergirding rules to a new, relational discourse on the emotional power of theater. Through a diverse cast of religious theaterphobes, government officials, playwrights, art theorists and proto-philosophes, Connors shows the concerted effort in early Enlightenment France to use texts about theater to establish broader theories on emotion, on the enduring psychological and social ramifications of affective moments, and more generally, on human interaction, motivation, and social behavior. This fundamentally anthropological assessment of theater emerged in the works of anti-theatrical religious writers, who argued that emotional response was theater's raison d'etre and that it was an efficient venue to learn more about the depravity of human nature. A new generation of pro-theatrical writers shared the anti-theatricalists' intense focus on the emotions of theater, but unlike religious theaterphobes, they did not view emotion as a conduit of sin or as a dangerous, uncontrollable process; but rather, as cognitive-affective moments of feeling and learning. Connors' study explores this reassessment of the theatrical experience which empowered writers to use plays, critiques, and other cultural materials about the stage to establish a theatrical science of man-an early Enlightenment project with aims to study and 'improve' the emotional, social, and political 'health' of eighteenth-century France.

Freemasonry was a major cultural and social phenomenon and a key element of the Enlightenment. It was to have an international influence across the globe. This primary resource collection charts a key period in the development of organized Freemasonry culminating in the formation of a single United Grand Lodge of England. The secrecy that has surrounded Freemasonry has made it difficult to access information and documents about the organization and its adherents in the past. This collection is the result of extensive archival research and transcription and highlights the most significant themes associated with Freemasonry. The documents are drawn from masonic collections, private archives and libraries worldwide. The majority of these texts have never before been republished. Documents include rituals (some written in code), funeral services, sermons, songs, certificates, an engraved list of lodges, letters, pamphlets, theatrical prologues and epilogues, and articles from newspapers and periodicals. This collection will enable researchers to identify many key masons for the first time. It will be of interest to students of Freemasonry, the Enlightenment and researchers in eighteenth-century studies.

Freemasonry was a major cultural and social phenomenon and a key element of the Enlightenment. It was to have an international influence across the globe. This primary resource collection charts a key period in the development of organized Freemasonry culminating in the formation of a single United Grand Lodge of England. The secrecy that has surrounded Freemasonry has made it difficult to access information and documents about the organization and its adherents in the past. This collection is the result of extensive archival research and transcription and highlights the most significant themes associated with Freemasonry. The documents are drawn from masonic collections, private archives and libraries worldwide. The majority of these texts have never before been republished. Documents include rituals (some written in code), funeral services, sermons, songs, certificates, an engraved list of lodges, letters, pamphlets, theatrical prologues and epilogues, and articles from newspapers and periodicals. This collection will enable researchers to identify many key masons for the first time. It will be of interest to students of Freemasonry, the Enlightenment and researchers in eighteenth-century studies.

Apres la mort de Voltaire, les editeurs des premieres OEuvres completes posthumes, parues a Kehl, ont publie, dans leur version du 'Dictionnaire philosophique', une quarantaine de manuscrits trouves parmi les papiers de l'auteur. Le present volume a pour objectif de reveler la nature et les origines de ces textes et d'elucider les liens qui existent entre eux. L'edition fait l'etude de la datation de ces textes et tente de resoudre les nombreuses questions genetiques et contextuelles qui planent sur l'ensemble.

Reassessing the Radical Enlightenment comprises fifteen new essays written by a team of international scholars. The collection re-evaluates the characteristics, meaning and impact of the Radical Enlightenment between 1660 and 1825, spanning England, Ireland, the Dutch Republic, France, Germany and the Americas. In addition to dealing with canonical authors and celebrated texts, such as Spinoza and his Tractus theologico-politicus, the authors discuss many less well-known figures and debates from the period. Divided into three parts, this book: Considers the Radical Enlightenment movement as a whole, including its defining features and characteristics and the history of the term itself. Traces the origins and events of the Radical Enlightenment, including in-depth analyses of key figures including Spinoza, Toland, Meslier, and d'Holbach. Examines the outcomes and consequences of the Radical Enlightenment in Europe and the Americas in the eighteenth century. Chapters in this section examine later figures whose ideas can be traced to the Radical Enlightenment, and examine the role of the period in the emergence of egalitarianism. This collection of essays is the first stand-alone collection of studies in English on the Radical Enlightenment. It is a timely and comprehensive overview of current research in the field which also presents new studies and research on the Radical Enlightenment.

This fifth volume covers many of the most important philosophers and movements of the nineteenth century, including utilitarianism, positivism and pragmatism.

In 1758, Rousseau announced that he had adopted "vitam impendere vero" (dedicate life to truth) as a personal pledge. Despite the dramatic nature of this declaration, no scholar has yet approached Rousseau's work through the lens of truth or truthseeking. What did it mean for Rousseau to lead a life dedicated to truth? This book presents Rousseau's normative account of truthseeking, his account of what human beings must do if they hope to discover the truths essential to human happiness. Rousseau's writings constitute a practical guide to these truths; they describe how he arrived at them and how others might as well. In reading Rousseau through the lens of truth, Neidleman traverses the entirety of Rousseau's corpus, and, in the process, reveals a series of symmetries among the disparate themes treated in those texts. The first section of the book lays out Rousseau's general philosophy of truth and truthseeking. The second section follows Rousseau down four distinct pathways to truth: reverie, republicanism, religion, and reason. With a strong grounding in both the Anglophone and Francophone scholarship on Rousseau, this book will appeal to scholars across a broad range of disciplines.

Obeissant a la logique d'une specialisation toujours plus grande, les societes contemporaines ne tiennent pas l'amateur en grande estime. Or, s'il est vrai que le 18e siecle consacre le triomphe de cette figure, c'est aussi l'epoque ou s'amorce son irreversible declin. Couvrant un large spectre de disciplines et d'aires culturelles au sein de l'Europe, les contributions de specialistes reunies dans ce volume permettent de mieux cerner ce moment-pivot de l'histoire culturelle. Sans se limiter aux formes institutionnalisees de l'amateurship etudiees par les historiens de l'art ou des sciences, l'ouvrage examine ainsi les relations que le non-professionnel entretient avec les gens de metier (dans la presse, le milieu musical ou litteraire) ; la specificite des oeuvres qu'il produit et sa contribution au progres des arts et des sciences ; l'emergence, a l'age de l'esthetique naissante, d'un amateur compris comme instance de jugement ; la maniere dont il est investi par les discours et annexe a leurs logiques propres (en tant que fiction litteraire, ideal ou ethos). Observer le phenomene dans ses manifestations plurielles, confronter l'ordre des realites et celui des representations, articuler les diverses approches sur la question: l'enjeu, on l'aura compris, est moins de definir une quelconque identite de l'amateur, que d'interroger sa raison d'etre. --- Amateurs are not particularly appreciated in our ever specialising contemporary societies. Yet the figure of the amateur was highly celebrated in the eighteenth century, even though its irremediable decline began at the same time. The articles collected in this book allow a better understanding of this turning point in cultural history as they cover a wide spectrum of academic disciplines and European cultural areas. This book does not only deal with the institutionalised forms of amateurship that have been studied by art historians and historians of science. This work considers the relationships that non-professionals had with professionals (working in periodicals, in the musical world, or in the book trade) ; the specificity of the works that amateurs produced and their contribution to the progress of arts and sciences ; the rise of the amateur as a judging instance in a period that saw the development of aesthetics ; and the way this figure was handled in different discourses and subjected to their own logics (whether as a literary fiction, an ideal or an ethos). Since this collective work focuses on the phenomenon of amateurship in its diverse manifestations, confronts the real to its representations, and articulates different perspectives on the subject, it obviously does not aim at defining any identity for the amateur, but rather intends to question its raison d'etre.

Dealing with a complex king, this edited collection elucidates a monarch's vision of Rome that deeply affected his political choices and cultural policy during the first half of the eighteenth-century. John V of Portugal became king in 1707 in a pivotal moment for the European balance of power. The Kingdom of Portugal was still demanding the same privileges as its powerful neighbours and the relation with Rome was considered a vehicle to obtain them. Arts and music had a special and unprecedented place in the king's plans and this book approaches that dynamic from several interdisciplinary perspectives. The unifying thread across this book's chapters remains the omnipresence of Rome as a paradigm on several levels: political, religious, intellectual, artistic, and musical. Rather than providing an exhaustive analysis of the period as a whole, this study offers a fresh approach for English readers to this classic, but little known, topic in Portuguese national historiography.

From the author of Wittgenstein's Poker and Would You Kill the Fat Man?, the story of an extraordinary group of philosophers during a dark chapter in Europe's history On June 22, 1936, the philosopher Moritz Schlick was on his way to deliver a lecture at the University of Vienna when Johann Nelboeck, a deranged former student of Schlick's, shot him dead on the university steps. Some Austrian newspapers defended the madman, while Nelboeck himself argued in court that his onetime teacher had promoted a treacherous Jewish philosophy. David Edmonds traces the rise and fall of the Vienna Circle-an influential group of brilliant thinkers led by Schlick-and of a philosophical movement that sought to do away with metaphysics and pseudoscience in a city darkened by fascism, anti-Semitism, and unreason. The Vienna Circle's members included Otto Neurath, Rudolf Carnap, and the eccentric logician Kurt Goedel. On its fringes were two other philosophical titans of the twentieth century, Ludwig Wittgenstein and Karl Popper. The Circle championed the philosophy of logical empiricism, which held that only two types of propositions have cognitive meaning, those that can be verified through experience and those that are analytically true. For a time, it was the most fashionable movement in philosophy. Yet by the outbreak of World War II, Schlick's group had disbanded and almost all its members had fled. Edmonds reveals why the Austro-fascists and the Nazis saw their philosophy as such a threat. The Murder of Professor Schlick paints an unforgettable portrait of the Vienna Circle and its members while weaving an enthralling narrative set against the backdrop of economic catastrophe and rising extremism in Hitler's Europe.

Jamais, dans aucune autre periode de l'histoire, le probleme penal n'a ete aussi debattu qu'au siecle des Lumieres. Or, l'evenement declencheur de ces debats est la publication des Delits et des peines, le petit livre de Cesare Beccaria dont la premiere edition parait a Livourne en 1764. On assiste, apres cette date et durant un demi-siecle, a une profusion impressionnante de reactions et de prolongements directement lies a cet ouvrage. A tel point que, pour designer cette periode, on a pu parler d'un 'moment Beccaria'. Les recherches rassemblees dans ce volume explorent differents foyers thematiques et geographiques (Allemagne, Angleterre, France, Italie) de cette phase inedite et fondatrice de l'histoire europeenne du droit de punir. Pourquoi cette soudaine publicite du probleme penal? Comment s'est-elle manifestee, par quels canaux, sous quelles formes theoriques et materielles? Comme le montre cet ouvrage, le droit penal moderne est ne d'un livre, mais aussi de ses interpretations: il est ne des idees de Beccaria et des debats qu'elles ont provoques. Ces deux sources se sont croisees et ne peuvent se comprendre l'une sans l'autre. --- Throughout history, criminal law was never more discussed than during the Age of Enlightenment. The debates started after the publication of a small book by Cesare Beccaria, On Crimes and Punishments, in Livorno in 1764. For fifty years from that date, reactions and additions to the book proliferated so much that this period is called by some "the Beccaria moment". The contributions in this volume explore different thematic and geographical areas (Germany, England, France, Italy) to explore that innovative and foundational moment in the European history of criminal law. Why was the criminal problem suddenly publicised? How did those interrogations manifest? Which theoretical and material forms did they take? This volume shows that modern criminal law originates in a book, and also in its interpretations - in Beccaria's ideas and the debates they started. Those two sources interacted and now cannot be understood separately.

Arguing against emergent and even dominant tendencies of recent political thought that emphasize the so-called primacy of affect, Peter Steinberger challenges political theorists to take account of important themes in philosophy on the topic of human rationality. He engages with major proponents of post-Kantian thought, analytic and continental alike, to show how political judgment and political action, properly understood, are deeply and definitively grounded in considerations of human reason. Focusing especially on influential arguments in the philosophy of mind and the philosophy of action, he seeks to rediscover and reanimate the close connection between systematic philosophical speculation on the one hand and the theory and practice of politics on the other. The result is a neo-rationalist conception of judgment and action that promises to offer a substantial and compelling account of political enterprise as it plays out in the real world of public affairs.

As the pre-eminent Enlightenment philosopher, Kant famously calls on all humans to make up their own minds, independently from the constraints imposed on them by others. Kant's focus, however, is on universal human reason, and he tells us little about what makes us individual persons. In this book, Katharina T. Kraus explores Kant's distinctive account of psychological personhood by unfolding how, according to Kant, we come to know ourselves as such persons. Drawing on Kant's Critical works and on his Lectures and Reflections, Kraus develops the first textually comprehensive and systematically coherent account of our capacity for what Kant calls 'inner experience'. The novel view of self-knowledge and self-formation in Kant that she offers addresses present-day issues in philosophy of mind and will be relevant for contemporary philosophical debates. It will be of interest to scholars of the history of philosophy, as well as of philosophy of mind and psychology.

Les analyses fondees sur l'environnement, qui font du terrain ou de la temperature des facteurs explicatifs de la diversite humaine, dominent les discours anthropologiques de l'Ancien Regime. Richard Spavin montre que ces theories climatiques revelent des demarches contestataires a lire a cote des theories de la souverainete, du constitutionnalisme et du republicanisme. Richard Spavin fonde son analyse sur trois auteurs qui ont une vision relativiste du determinisme climatique. Si, pour Bodin, Montesquieu et Rousseau, les theories des climats expliquent les causes geographiques derriere la diversite des societes, elles recelent egalement une dimension metaphorique. Pour eux, les climats mettent en recit des visions du pouvoir: les limites du politique sont comparees aux obstacles geographiques; la finalite politique ne se trouve plus dans le corps du monarque mais dans le sol, auquel le monarque et son peuple appartiennent ensemble. L'auteur invite notamment a relire a nouveaux frais les derangeants livres de L'Esprit des lois qui semblent justifier l'esclavage dans certaines regions eloignees du contexte europeen. Les theories des climats revelent ainsi une face cachee de la philosophie politique de l'Ancien Regime. Richard Spavin en reevalue le socle philosophique et en devoile l'ironie qui demeurait jusque-la inapercue. Il montre que les climats sont un outil rhetorique efficace pour penser le nouvel ordre moral de la modernite.

What Socrates's greatest failure says about a 2,000-year-old question: is it possible to teach ourselves and others to become better people? Can we make ourselves into better human beings? Can we help others do the same? And can we get the leaders of our society to care that humanity prospers, not just economically, but also spiritually? These questions have been asked for over two millennia and attempting to answer them is crucial if we want to live a better life and build a more just society. How to Be Good uses the story of Socrates and Alcibiades and examples from Aristotle, Marcus Aurelius and Machiavelli, alongside modern interpretations to explore what philosophy can teach us about the quest for virtue today. Whether we are statesmen or ordinary individuals Pigliucci argues that with a little work day by day we all have the power to pursue the timely and timeless art of living well.

S'il est desormais etabli que le legs textuel des rencontres coloniales en revele autant sur les observateurs que sur ce qu'ils observent, le passage de l'acte d'observation a l'acte d'ecriture et le devenir des documents produits n'ont pas recu l'attention qu'ils meritent. C'est ce que proposent les auteurs des neuf etudes composant cet ouvrage, qui reviennent aux sources archivistiques du discours colonial: les inscriptions d'expression francaise sur l'Amerique, entre le milieu du XVIIe siecle et la fin du XVIIIe. Cette periode peut etre consideree comme un laboratoire des representations francaises de l'Amerique, au moment ou s'accelere le projet de decouverte et de domination politique et symbolique de la Nouvelle-France, puis des Antilles. Dans les contradictions des textes, dans les breches du recit colonial, se met progressivement en place un systeme de representation plus mouvant et evolutif que le savoir domine par les volontes institutionnelles, normatives, communautaires. Les auteurs analysent ici les contingences et les imprevus de l'experience americaine des colonisateurs et de l'ecriture de l'Amerique dans ses differentes inscriptions: ecrits, cartes, gravures. En etudiant les divers accidents lies au deplacement des textes (pertes, formatage, reecriture, reception), les auteurs montrent comment la sphere de la circulation devient lieu de creation du savoir. L'inscription de l'observation consiste a transcrire mais surtout a transformer l'experience existentielle americaine des observateurs en un evenement exemplaire. Elle contribue a constituer une memoire et un savoir qui pretendent retenir la realite vecue et la transmettre a des publics differents. Les auteurs de ce volume envisagent ainsi l'inscription comme un phenomene d'integration. Comment l'Amerique devient-elle partie du monde connu des Europeens? Et, reciproquement, comment l'assimilation de l'Amerique redessine-t-elle les contours de la conscience de soi des observateurs europeens? Tels sont les enjeux de ce livre, qui renouvelle l'approche du discours colonial sur l'Amerique au XVIIIe siecle.

This book situates John Locke's philosophy of knowledge and his political theory within his engagement in British monetary debates of the 17th and 18th century. Anchored in extensive archival research, George Caffentzis offers the most expansive reading of Locke's economic thought to date, contextualizing it within the expansion of capitalist accumulation on a world scale and the universality of money as a medium of exchange. Updated with a new introduction by Paul Rekret, a new foreword by Harry Cleaver and new material by the author, Clipped Coins, Abused Words, and Civil Government continues to make a significant intervention in contemporary debates around the history of capitalism, colonialism and philosophy.

William Molyneux's question to John Locke about whether a blind man restored to sight could name the difference between a cube and a sphere without touching them shaped fundamental conflicts in philosophy, theology and science between empirical and idealist answers that are radically alien to current ways of seeing and feeling but were born of colonizing ambitions whose devastating genocidal and ecocidal consequences intensify today. This Element demonstrates how landscape paintings of unfamiliar terrains required historical and geological subject matter to supply tactile associations for empirical recognition of space, whereas idealism conferred unmediated but no less coercive sensory access. Close visual and verbal analysis using photographs of pictorial sites trace vividly different responses to the question, from those of William Hazlitt and John Ruskin in Britain to those of nineteenth-century authors and artists in the United States and Australia, including Ralph Waldo Emerson, Thomas Cole, William Haseltine, Fitz Henry Lane and Eugene von Guerard.