One of the most persistent, troubling, and divisive of the ideological divisions within modernity is the struggle over the Enlightenment and its legacy. Much of the difficulty is owed to a general failure among scholars to consider how history, philosophy, and politics work together. Rethinking the Enlightenment bridges these disciplinary divides. Recent work by historians has now called into question many of the cliches that still dominate scholarly understandings of the Enlightenment's literary, philosophical, and political culture. Yet this work has so far had little impact on the reception of the Enlightenment, its key players, debates, and ideas in the disciplines that most rely on its legacy, namely, philosophy and political science. Edited by Geoff Boucher and Henry Martyn Lloyd, Rethinking the Enlightenment makes the case for connecting new work in intellectual history with fresh understandings of 'Continental' philosophy and political theory. In doing so, in this collection moves towards a critical self-understanding of the present.

An examination of how and why Scotland gained its reputation for the supernatural, and how belief continued to flourish in a supposed Age of Enlightenment. SHORTLISTED for the Katharine Briggs Award 2019 Scotland is famed for being a haunted nation, "whare ghaists and houlets nightly cry". Medieval Scots told stories of restless souls and walking corpses, but after the 1560Reformation, witches and demons became the focal point for explorations of the supernatural. Ghosts re-emerged in scholarly discussion in the late seventeenth century, often in the guise of religious propagandists. As time went on, physicians increasingly reframed ghosts as the conjurations of disturbed minds, but gothic and romantic literature revelled in the emotive power of the returning dead; they were placed against a backdrop of ancient monasteries,castles and mouldering ruins, and authors such as Robert Burns, James Hogg and Walter Scott drew on the macabre to colour their depictions of Scottish life. Meanwhile, folk culture used apparitions to talk about morality and mortality. Focusing on the period from 1685 to 1830, this book provides the first academic study of the history of Scottish ghosts. Drawing on a wide range of sources, and examining beliefs across the social spectrum, it shows howghost stories achieved a new prominence in a period that is more usually associated with the rise of rationalism. In exploring perceptions of ghosts, it also reflects on understandings of death and the afterlife; the constructionof national identity; and the impact of the Enlightenment. MARTHA MCGILL completed her PhD at the University of Edinburgh.

"Have the courage to use your own understanding! - that is the motto of enlightenment." - Immanuel Kant The Enlightenment is one of the most important and contested periods in the history of philosophy. The problems it addressed, such as the proper extent of individual freedom and the challenging of tradition, resonate as much today as when they were first debated. Of all philosophers, it is arguably Kant who took such questions most seriously, addressing them above all in his celebrated short essay, An Answer to the Question: What is Enlightenment? In this engaging and lucid book, Samuel Fleischacker first explains and assesses Kant's philosophy of Enlightenment. He then considers critics of Kant's views - from Burke and Hegel to Horkheimer and Adorno - and figures he regards as having extended Kant's notion of enlightenment, such as Feuerbach, Marx, Habermas, Foucault, and Rawls. Throughout, he demonstrates how Kant holds two distinct theories of enlightenment. On the one hand, Kant proposes a 'minimal' view, where to be enlightened is simply to engage in critical public discussion, allowing diversity of opinion to flourish. On the other, he argues that Kant elsewhere calls for a 'maximal' view of enlightenment, where, for example, an enlightened person cannot believe in a traditional religion. With great skill Fleischacker shows how these two views are taken in a multitude of directions by both critics and advocates of Kant's philosophy. Arguing that Kant's minimal enlightenment is a precondition for a healthy proliferation of cultures, religious faiths and political movements, What is Enlightenment? is a fascinating introduction to a key aspect of Kant's thought and a compelling analysis of philosophical thinking about the Enlightenment. Including helpful chapter summaries and guides to further reading, it is ideal for anyone studying Kant or the philosophy of the Enlightenment, as well as those in related disciplines such as politics, history and religious studies.

Kant s "Critique of Pure Reason" is so outstanding among modern philosophical works, that it can be termed "the" foundation of modern philosophy. Schopenhauer termed it "the most important book ever to have been written in Europe." Otfried Hoffe guides the reader through the "Critique" one step at a time, expounding Kant s thoughts, submitting them to an interpretation and drawing a summary conclusion, placing the work and its topics within the context of its modern successors. A "critical" interpretation of Kant s text reveals that he had something to say on many discussions that are said to have originated after his death. Reducing his argumentation to its central tenets, it can be made stronger and applicable to current problems. Kant s eventual concern, however, even when writing theoretical philosophy, lay with the practical. Elaborating this concern and its connection to Kant s theoretical philosophy is a prime tenet of this book."

This collection of 28 original essays examines the diverse scope of John Locke s contributions as a celebrated philosopher, empiricist, and father of modern political theory. * Explores the impact of Locke s thought and writing across a range of fields including epistemology, metaphysics, philosophy of science, political theory, education, religion, and economics * Delves into the most important Lockean topics, such as innate ideas, perception, natural kinds, free will, natural rights, religious toleration, and political liberalism * Identifies the political, philosophical, and religious contexts in which Locke s views developed, with perspectives from today s leading philosophers and scholars * Offers an unprecedented reference of Locke s contributions and his continued influence

'Capitalist critique and proletarian reasoning fit for our time' - Peter Linebaugh Taking the Scottish Enlightenment philosopher David Hume as its subject, this book breaks new ground in focusing its lens on a little-studied aspect of Hume's thinking: his understanding of money. George Caffentzis makes both an intervention in the field of monetary philosophy and into Marxian conceptions of the relation between philosophy and capitalist development. He vividly charts the ways in which Hume's philosophy directly informed the project of 'civilizing' the people of the Scottish Highlands and pacifying the English proletariat in response to the revolts of both groups at the heart of the empire. Built on careful historical and philosophical detective work, Civilizing Money offers a stimulating and radical political reading of the ways in which Hume's fundamental philosophical claims performed concrete political functions.

This book situates John Locke's philosophy of knowledge and his political theory within his engagement in British monetary debates of the 17th and 18th century. Anchored in extensive archival research, George Caffentzis offers the most expansive reading of Locke's economic thought to date, contextualizing it within the expansion of capitalist accumulation on a world scale and the universality of money as a medium of exchange. Updated with a new introduction by Paul Rekret, a new foreword by Harry Cleaver and new material by the author, Clipped Coins, Abused Words, and Civil Government continues to make a significant intervention in contemporary debates around the history of capitalism, colonialism and philosophy.

A Political Biography of Sarah Fielding provides the most complete discussion of Fielding's works and career currently available. Tracing the development of Fielding's artistic and instructive agendas from her earliest publications forward, Johnson presents a compelling portrait of a deeply read author who sought to claim a place within literary culture for women's experiences. As a practical didacticist, Fielding sought to teach her readers to live happier, more fulfilling lives by appropriating and at times resisting the texts that defined their culture. While Fielding often retreats from the overtly political concerns that captured the attention of her contemporaries, her works are daring forays into the public sphere that both challenge and reinforce the foundations of British society. Giving voice to those who have been marginalized, Fielding's creative productions are at once conservative and radical, revealing her ambiguous appreciation for tradition, her fears of modernity, and her abiding commitment to women who must live within forever imperfect worlds.

The Testimony of Sense attempts to answer a neglected but important question: what became of epistemology in the late eighteenth century, in the period between Hume's scepticism and Romantic idealism? It finds that two factors in particular reshaped the nature of 'empiricism': the socialisation of experience by Scottish Enlightenment thinkers and the impact upon philosophical discourse of the belletrism of periodical culture. The book aims to correct the still widely-held assumption that Hume effectively silenced epistemological inquiry in Britain for over half a century. Instead, it argues that Hume encouraged the abandonment of subject-centred reason in favour of models of rationality based upon the performance of trusting actions within society. Of particular interest here is the way in which, after Hume, fundamental ideas like the self, truth, and meaning are conceived less in terms of introspection, correspondence, and reference, and more in terms of community, coherence, and communication. By tracing the idea of intersubjectivity through the issues of trust, testimony, virtue and language, the study offers new perspectives on the relationships between philosophy and literature, empiricism and transcendentalism, and Enlightenment and Romanticism. As philosophy grew more conversational, the familiar essay became a powerful metaphor for new forms of communication. The book explores what is epistemologically at stake in the familiar essay genre as it develops through the writings of Joseph Addison, David Hume, Samuel Johnson, Charles Lamb, and William Hazlitt. It also offers readings of philosophical texts, such as Hume's Treatise, Thomas Reid's Inquiry, and Adam Smith's Theory of Moral Sentiments, as literary performances.

To what extent is our own (political) practice based on transcendence, and what meaning do we attribute to inaccessible transendence in our human condition? This volume explores these questions in Kant s political and religious philosophy from an interdisciplinary perspective (philosophy, political science, theology), thus reaching beyond Kantian philosophy."

In most Western societies, guilt is widely regarded as a vital moral emotion. In addition to playing a central role in moral development and progress, many take the capacity to feel guilt as a defining feature of morality itself: no truly moral person escapes the pang of guilt when she has done something wrong. But proponents of guilt's importance face important challenges, such as distinguishing healthy from pathological forms of guilt, and accounting for the fact that not all cultures value guilt in the same way, if at all. In this volume, philosophers and psychologists come together to think more systematically about the nature and value of guilt. The book begins with chapters on the biological origins and psychological nature of guilt and moves on to discuss the culturally enriched conceptions of guilt and its value that we find in various eastern and western philosophic traditions. In addition, numerous chapters discuss healthy or morally valuable forms guilt and their pathological or irrational shadows.

A lively examination of the life and work of one of the great Enlightenment intellectuals Philosopher, translator, novelist, art critic, and editor of the Encyclopedie, Denis Diderot was one of the liveliest figures of the Enlightenment. But how might we delineate the contours of his diverse oeuvre, which, unlike the works of his contemporaries, Voltaire, Rousseau, Schiller, Kant, or Hume, is clearly characterized by a centrifugal dynamic? Taking Hegel's fascinated irritation with Diderot's work as a starting point, Hans Ulrich Gumbrecht explores the question of this extraordinary intellectual's place in the legacy of the eighteenth century. While Diderot shared most of the concerns typically attributed to his time, the ways in which he coped with them do not fully correspond to what we consider Enlightenment thought. Conjuring scenes from Diderot's by turns turbulent and quiet life, offering close readings of several key books, and probing the motif of a tension between physical perception and conceptual experience, Gumbrecht demonstrates how Diderot belonged to a vivid intellectual periphery that included protagonists such as Lichtenberg, Goya, and Mozart. With this provocative and elegant work, he elaborates the existential preoccupations of this periphery, revealing the way they speak to us today.

The Rise and Fall of Scottish Common Sense Realism examines the ways in which five Scottish philosophers - Lord Kames (1696-1782), Thomas Reid (1710-1796), Dugald Stewart (1753-1828), Sir William Hamilton (1788-1856), and James Frederick Ferrier (1808-1864) - tackled a problem which has haunted Western philosophy ever since Descartes: that of determining whether any form of perceptual realism is defensible, or whether the very idea of a material world existing independently of perception and thought is more trouble than it is worth. This century-long conversation about the relation between mind and world led these five Scots to think uncommonly hard about a host of challenging issues in epistemology, metaphysics, philosophy of mind, and meta-philosophy. In order to present each philosopher's views in a fair and reasonably charitable light, Douglas McDermid has tried to identify the main problems each was attempting to solve, to relate his work to that of his predecessors where possible, to describe the mistakes (real or perceived) he was particularly anxious to correct, to explain the internal logic of his position, and to discuss some of the main objections which he anticipated and tried to rebut. McDermid's hope is that even seasoned students of the realism controversy may learn something new and valuable from this exercise, if only because he has chosen to focus not on the usual suspects - Descartes, Locke, Berkeley, Hume, and Kant - but on a fresh and undervalued cast of characters.

The new edition of Voltaire's works produced by Cramer in 1756 in close collaboration with the author contained, in volumes 4 and 5, 'Melanges de litterature, d'histoire et de philosophie'. Alongside significant works previously published were a number of new texts, some related, some standing alone, that reflect not only Voltaire's perennial interests, but a new way of presenting them in short articles or 'petits chapitres', as he referred to them. These new texts form the major part of this volume 45B of the OEuvres completes de Voltaire.

Five Groundbreaking Moments in Heidegger's Thinking presents a fresh interpretation of some of Heidegger's most difficult but important works, including his second major work, Beitrage zur Philosophie (Vom Ereignis) [Contributions to Philosophy (From Enowning)]. The careful approach shows how, for Heidegger, the acts of reading, thinking, and saying all move beyond the theoretical/conceptual and become an ongoing experience. In new translations of central texts, Kenneth Maly invites the reader to think along the way by reading, contemplating, and translating Heidegger's ideas into this context. An introduction to the field of philosophy and more specifically to Heidegger's thought, Five Groundbreaking Moments in Heidegger's Thinking asks the reader, in some manner, to actively engage in thinking.

Descartes's Fictions traces common movements in early modern philosophy and literary method. Emma Gilby reassesses the significance of Descartes's writing by bringing his philosophical output into contact with the literary treatises, exempla, and debates of his age. She argues that humanist theorizing about poetics represents a vital intellectual context for Descartes's work. She offers readings of the controversies to which this poetic theory gives rise, with particular reference to the genre of tragicomedy, questions of verisimilitude or plausibility, and the figures of Guez de Balzac and Pierre Corneille. Drawing on what Descartes says about, and to, his many contemporaries and correspondents embedded in the early modern republic of letters, this volume shows that poetics provides a repository of themes and images to which he returns repeatedly: fortune, method, error, providence, passion, and imagination, for instance. Like the poets and theorists of his age, Descartes is also drawn to the forms of attention that people may bring to his work. This interest finds expression in the mature Cartesian metaphysics of the Meditations, as well as, later, in the moral philosophy of his correspondence with Elisabeth of Bohemia or the Passions of the Soul. This volume thus bridges the gap between Cartesian criticism and late-humanist literary culture in France.

Ce volume comprend un ensemble de textes philosophiques et historiques, abordant des themes tels que la fatalite, la nature de l'ame, les dangers de l'atheisme, et la lente marche de l'histoire vers un avenir meilleur. Il contient, entre autres oeuvres, les contes "Histoire de Jenni, ou le Sage et l'athee" et "Les Oreilles du comte de Chesterfield", ainsi que des oeuvres de circonstance ("De la mort de Louis XV", "Eloge de Louis XV", "Eloge historique de la raison", "Lettre d'un ecclesiastique"), une allegorie ("Dialogue de Pegase et du Vieillard"), une defense de ses "Commentaires sur Corneille" ("Sentiment d'un academicien de Lyon") et, comme toujours, de la poesie.

In essays that examine particular non-canonical works and writers in their wider cultural context, this volume "repopulates" the German Enlightenment. German literature and thought flourished in the eighteenth century, when a culture considered a European backwater came to assert worldwide significance. This was an age in which repeated attempts to reform German literary and philosophical culture were made - often only to be overtaken within a few decades. It ushered in generations of exceptionally gifted poets and thinkers including Klopstock, Lessing, Goethe, Kant, and Schiller, whose names still dominate our understanding of the German Enlightenment. Yet the period also brought with it new means of accessing and disseminating culture and a rapid increase in cultural production. The leading lights of eighteenth-century German culture operated against the backdrop of a yet more diverse and vivid cast of literary and philosophical figures since consigned to the second tier of German culture. Through essays that examine particular non-canonical works and writers in their wider cultural context, this collection repopulates the German Enlightenment with these largely forgotten movements, writers, and literary circles. It offers new insights into the development of genres such as thenovel, the fable, and the historical drama, and assesses the dynamics that led to individual authors, circles, and schools of thought being left behind in their time and passed over or inadequately understood to this day. Contributors: Johannes Birgfeld, Stephanie Blum, Julia Bohnengel, Kristin Eichhorn, Sarah Vandegrift Eldridge, Jonathan Blake Fine, J. C. Lees, Leonard von Morze, Ellen Pilsworth, Joanna Raisbeck, Ritchie Robertson, Michael Wood. Michael Wood is British Academy Postdoctoral Fellow in German at the University of Edinburgh. Johannes Birgfeld teaches Modern German Literature at the University of the Saarland.

Kant is widely acknowledged as the greatest philosopher of modern times. He undertook his famous critical turn to save human freedom and morality from the challenge of determinism and materialism. Intertwined with his metaphysical interests, however, he also had theological commitments, which have received insufficient attention. He believed that man is a fallen creature and in need of 'redemption'. He intended to provide a fortress protecting religious faith from the failure of rationalist metaphysics, from the atheistic strands of the Enlightenment, from the new mathematical science of nature, and from the dilemmas of Christian theology itself. Kant was an epistemologist, a philosopher of mind, a metaphysician of experience, an ethicist and a philosopher of religion. But all this was sustained by his religious faith. This book aims to recover the focal point and inner contradictions of his thought, the 'secret thorn' of his metaphysics (as Heidegger once put it). It first locates Kant in the tradition of reflection on the human weakness from Luther to Hume, and then engages in a critical, but charitable, manner with Kant's entire pre-critical work, including his posthumous fragments. Special attention is given to The Only Possible Ground (1763), one of the most difficult, interesting and underestimated of Kant's works. The present book takes its cue from an older approach to Kant, but also engages with recent Anglophone and continental scholarship, and deploys modern analytical tools to make sense of Kant. What emerges is an innovative and thought-provoking interpretation of Kant's metaphysics, set against the background of forgotten religious aspects of European philosophy.

The major part of this volume is taken up by two plays, "Don Pedre" and "Olympie", in which Voltaire attempted to inject dynamism and spectacle into the French theatre while still working in the classical tradition. At the same time Voltaire continued his defence of French literature against foreign, particularly English, influence, with his Avis referring to the prestigious edition of Corneille, and more importantly the "Parallele d'Horace, de Boileau, et de Pope". Other political, religious and philosophical themes of 1761 are articulated in the remaining texts of the volume.

Georges Dicker here provides a commentary on John Locke's masterwork, An Essay Concerning Human Understanding-the foundational work of classical Empiricism. Dicker's commentary is an accessible guide for students who are reading Locke for the first time; a useful research tool for upper-level undergraduate and graduate students; and a contribution to Locke scholarship for professional scholars. It is designed to be read alongside the Essay, but does not presuppose familiarity with it. Dicker expounds and critically discusses the main theses and arguments of each of the Essay's four books, on the innatism that Locke opposes, the origin and classification of ideas, language and meaning, and knowledge, respectively. He analyses Locke's influential explorations of related topics, including primary and secondary qualities, substance, identity, personal identity, free will, nominal and real essences, perception, and external-world skepticism, among others. Written in an analytical style that strives for clarity, the book offers careful textual analyses as well as step-by-step reconstructions of Locke's arguments, and it references and engages with relevant work of other major philosophers and Locke commentators.

Adam Smith's Theory of Moral Sentiments (1759) defines sympathy as a series of shifts in perspective by which one sees from a different point of view. British and French novels published over the following century redefine sympathy through narrative form-shifting perspectives or 'stories within stories' in which one character adopts the voice and perspective of another. Fiction follows Smith's emphasis on sympathy's shifting perspectives, but this formal echo coincides with a challenge. For Smith and other Enlightenment philosophers, the experience of sympathy relies on human resemblance. In novels, by contrast, characters who are separated by nationality, race, or species experience a version of sympathy that struggles to accommodate such differences. Encounters between these characters produce shifts in perspective or framed tales as one character sympathizes with another and begins to tell her story, echoing Smith's definition of sympathy in their form while challenging Enlightenment philosophy's insistence on human resemblance. Works of sentimental and gothic fiction published between 1750 and 1850 generate a novelistic version of sympathy by manipulating traditional narrative forms (epistolary fiction, embedded tales) and new publication practices (the anthology, the novelistic extract). Second-hand stories transform the vocal mobility, emotional immediacy, and multiple perspectives associated with the declining genre of epistolary fiction into the narrative levels and shifting speakers of nineteenth-century frame tales. Vicarious Narratives argues that fiction redefines sympathy as the struggle to overcome difference through the active engagement with narrative-by listening to, re-telling, and transcribing the stories of others.

Kant on Intuition: Western and Asian Perspectives on Transcendental Idealism consists of 20 chapters, many of which feature engagements between Kant and various Asian philosophers. Key themes include the nature of human intuition (not only as theoretical-pure, sensible, and possibly intellectual-but also as relevant to Kant's practical philosophy, aesthetics, the sublime, and even mysticism), the status of Kant's idealism/realism, and Kant's notion of an object. Roughly half of the chapters take a stance on the recent conceptualism/non-conceptualism debate. The chapters are organized into four parts, each with five chapters. Part I explores themes relating primarily to the early sections of Kant's first Critique: three chapters focus mainly on Kant's theory of the "forms of intuition" and/or "formal intuition", especially as illustrated by geometry, while two examine the broader role of intuition in transcendental idealism. Part II continues to examine themes from the Aesthetic but shifts the main focus to the Transcendental Analytic, where the key question challenging interpreters is to determine whether intuition (via sensibility) is ever capable of operating independently from conception (via understanding); each contributor offers a defense of either the conceptualist or the non-conceptualist readings of Kant's text. Part III includes three chapters that explore the relevance of intuition to Kant's theory of the sublime, followed by two that examine challenges that Asian philosophers have raised against Kant's theory of intuition, particularly as it relates to our experience of the supersensible. Finally, Part IV concludes the book with five chapters that explore a range of resonances between Kant and various Asian philosophers and philosophical ideas.

The extraordinary breadth and depth of Leibniz's intellectual vision commands ever increasing attention. As more texts gradually emerge from seemingly bottomless archives, new facets of his contribution to an astonishing variety of fields come to light. This volume provides a uniquely comprehensive, systematic, and up-to-date appraisal of Leibniz's thought thematically organized around its diverse but interrelated aspects. Discussion of his philosophical system naturally takes place of pride. A cluster of original essays revisit his logic, metaphysics, epistemology, philosophy of nature, moral and political philosophy, and philosophy of religion. The scope of the volume, however, goes beyond that of a philosophical collection to embrace all the main features of Leibniz's thought and activity. Contributions are offered on Leibniz as a mathematician (including not only his calculus but also determinant theory, symmetric functions, the dyadic, the analysis situs, probability and statistics); on Leibniz as a scientist (physics and also optics, cosmology, geology, physiology, medicine, and chemistry); on his technical innovations (the calculating machine and the technology of mining, as well as other discoveries); on his work as an 'intelligencer' and cultural networker, as jurist, historian, editor of sources and librarian; on his views on Europe's political future, religious toleration, and ecclesiastical reunification; on his proposals for political, administrative, economic, and social reform. In so doing, the volume serves as a unique cross-disciplinary point of contact for the many domains to which Leibniz contributed. By assembling leading specialists on all these topics, it offers the most rounded picture of Leibniz's endeavors currently available.

Ludvig Holberg (1684-1754) was the foremost representative of the Danish-Norwegian Enlightenment and also a European figure of note. He published significant works in natural law and history, but also a very important body of moral essays and epistles. He authored several engaging autobiographies and European travelogues, a major utopian novel that was an immediate European succes, interesting satires that advocated women's education and career, and a large number of comedies. These comedies secured Holberg's status as the most significant playwright in Scandinavia before Ibsen and Strindberg. Through his extensive oeuvre, but especially through his plays, Holberg had a decisive influence on the formation of modern Danish as a literary language, something that was a self-conscious effort on the part of a man who saw himself as an educator of the public. Despite his contemporary impact at home and abroad and his ongoing popularity in Scandinavia, he remains little known in the wider world of enlightenment studies. It is the aim of this volume to revive Holberg as a major figure from a minor corner of the Enlightenment world by presenting the full variety of his work and giving it a European context.