"Have the courage to use your own understanding! - that is the motto of enlightenment." - Immanuel Kant The Enlightenment is one of the most important and contested periods in the history of philosophy. The problems it addressed, such as the proper extent of individual freedom and the challenging of tradition, resonate as much today as when they were first debated. Of all philosophers, it is arguably Kant who took such questions most seriously, addressing them above all in his celebrated short essay, An Answer to the Question: What is Enlightenment? In this engaging and lucid book, Samuel Fleischacker first explains and assesses Kant's philosophy of Enlightenment. He then considers critics of Kant's views - from Burke and Hegel to Horkheimer and Adorno - and figures he regards as having extended Kant's notion of enlightenment, such as Feuerbach, Marx, Habermas, Foucault, and Rawls. Throughout, he demonstrates how Kant holds two distinct theories of enlightenment. On the one hand, Kant proposes a 'minimal' view, where to be enlightened is simply to engage in critical public discussion, allowing diversity of opinion to flourish. On the other, he argues that Kant elsewhere calls for a 'maximal' view of enlightenment, where, for example, an enlightened person cannot believe in a traditional religion. With great skill Fleischacker shows how these two views are taken in a multitude of directions by both critics and advocates of Kant's philosophy. Arguing that Kant's minimal enlightenment is a precondition for a healthy proliferation of cultures, religious faiths and political movements, What is Enlightenment? is a fascinating introduction to a key aspect of Kant's thought and a compelling analysis of philosophical thinking about the Enlightenment. Including helpful chapter summaries and guides to further reading, it is ideal for anyone studying Kant or the philosophy of the Enlightenment, as well as those in related disciplines such as politics, history and religious studies.

The new edition of Voltaire's works produced by Cramer in 1756 in close collaboration with the author contained, in volumes 4 and 5, 'Melanges de litterature, d'histoire et de philosophie'. Alongside significant works previously published were a number of new texts, some related, some standing alone, that reflect not only Voltaire's perennial interests, but a new way of presenting them in short articles or 'petits chapitres', as he referred to them. These new texts form the major part of this volume 45B of the OEuvres completes de Voltaire.

Ce volume comprend un ensemble de textes philosophiques et historiques, abordant des themes tels que la fatalite, la nature de l'ame, les dangers de l'atheisme, et la lente marche de l'histoire vers un avenir meilleur. Il contient, entre autres oeuvres, les contes "Histoire de Jenni, ou le Sage et l'athee" et "Les Oreilles du comte de Chesterfield", ainsi que des oeuvres de circonstance ("De la mort de Louis XV", "Eloge de Louis XV", "Eloge historique de la raison", "Lettre d'un ecclesiastique"), une allegorie ("Dialogue de Pegase et du Vieillard"), une defense de ses "Commentaires sur Corneille" ("Sentiment d'un academicien de Lyon") et, comme toujours, de la poesie.

The major part of this volume is taken up by two plays, "Don Pedre" and "Olympie", in which Voltaire attempted to inject dynamism and spectacle into the French theatre while still working in the classical tradition. At the same time Voltaire continued his defence of French literature against foreign, particularly English, influence, with his Avis referring to the prestigious edition of Corneille, and more importantly the "Parallele d'Horace, de Boileau, et de Pope". Other political, religious and philosophical themes of 1761 are articulated in the remaining texts of the volume.

Kant is widely acknowledged as the greatest philosopher of modern times. He undertook his famous critical turn to save human freedom and morality from the challenge of determinism and materialism. Intertwined with his metaphysical interests, however, he also had theological commitments, which have received insufficient attention. He believed that man is a fallen creature and in need of 'redemption'. He intended to provide a fortress protecting religious faith from the failure of rationalist metaphysics, from the atheistic strands of the Enlightenment, from the new mathematical science of nature, and from the dilemmas of Christian theology itself. Kant was an epistemologist, a philosopher of mind, a metaphysician of experience, an ethicist and a philosopher of religion. But all this was sustained by his religious faith. This book aims to recover the focal point and inner contradictions of his thought, the 'secret thorn' of his metaphysics (as Heidegger once put it). It first locates Kant in the tradition of reflection on the human weakness from Luther to Hume, and then engages in a critical, but charitable, manner with Kant's entire pre-critical work, including his posthumous fragments. Special attention is given to The Only Possible Ground (1763), one of the most difficult, interesting and underestimated of Kant's works. The present book takes its cue from an older approach to Kant, but also engages with recent Anglophone and continental scholarship, and deploys modern analytical tools to make sense of Kant. What emerges is an innovative and thought-provoking interpretation of Kant's metaphysics, set against the background of forgotten religious aspects of European philosophy.

After his final attack on Shakespeare, the "Lettre de Monsieur de Voltaire a Messieurs de l'Academie francaise", Voltaire composed "Irene" as a demonstration of the supremacy of French theatre. Whereas he had previously failed to win Marie Antoinette's favour with his divertissement, "L'Hote et l'hotesse", "Irene" finally granted him a triumphant return to Paris shortly before his death. During the years 1776-1777, Voltaire continued his fight against serfdom in the Jura region through his "Supplique a M. Turgot", the "Lettre du reverend pere Polycarpe" and the "Lettre d'un benedictin de Franche-Comte", while his "Dialogue de Maxime de Madaure, entre Sophronime et Adelos" reveals a preoccupation with mortality at the close of his life.

Although many historical narratives often describe the eighteenth century as an unalloyed 'Age of Reason', Enlightenment thinkers continued to grapple with the challenges posed by the revival and spread of philosophical skepticism. The imperative to overcome doubt and uncertainty informed some of the most innovative characteristics of eighteenth-century intellectual culture, including not only debates about epistemology and metaphysics but also matters of jurisprudence, theology, history, moral philosophy, and politics. Thinkers of this period debated about, established, and productively worked for progress within the parameters of the increasingly circumscribed boundaries of human reason. No longer considered innate and consistently perfect, reason instead became conceived as a faculty that was inherently fallible, limited by personal experiences, and in need of improvement throughout the course of any individual's life. In its depiction of a complicated, variegated, and diverse Enlightenment culture, this volume examines the process by which philosophical skepticism was challenged and gradually tamed to bring about an anxious confidence in the powers of human understanding. The various contributions collectively demonstrate that philosophical skepticism, and not simply unshakable confidence in the powers of reason or the optimistic assumption about inevitable human improvement, was, in fact, the crucible of the Enlightenment process itself.

Ludvig Holberg (1684-1754) was the foremost representative of the Danish-Norwegian Enlightenment and also a European figure of note. He published significant works in natural law and history, but also a very important body of moral essays and epistles. He authored several engaging autobiographies and European travelogues, a major utopian novel that was an immediate European succes, interesting satires that advocated women's education and career, and a large number of comedies. These comedies secured Holberg's status as the most significant playwright in Scandinavia before Ibsen and Strindberg. Through his extensive oeuvre, but especially through his plays, Holberg had a decisive influence on the formation of modern Danish as a literary language, something that was a self-conscious effort on the part of a man who saw himself as an educator of the public. Despite his contemporary impact at home and abroad and his ongoing popularity in Scandinavia, he remains little known in the wider world of enlightenment studies. It is the aim of this volume to revive Holberg as a major figure from a minor corner of the Enlightenment world by presenting the full variety of his work and giving it a European context.

Kant on Intuition: Western and Asian Perspectives on Transcendental Idealism consists of 20 chapters, many of which feature engagements between Kant and various Asian philosophers. Key themes include the nature of human intuition (not only as theoretical-pure, sensible, and possibly intellectual-but also as relevant to Kant's practical philosophy, aesthetics, the sublime, and even mysticism), the status of Kant's idealism/realism, and Kant's notion of an object. Roughly half of the chapters take a stance on the recent conceptualism/non-conceptualism debate. The chapters are organized into four parts, each with five chapters. Part I explores themes relating primarily to the early sections of Kant's first Critique: three chapters focus mainly on Kant's theory of the "forms of intuition" and/or "formal intuition", especially as illustrated by geometry, while two examine the broader role of intuition in transcendental idealism. Part II continues to examine themes from the Aesthetic but shifts the main focus to the Transcendental Analytic, where the key question challenging interpreters is to determine whether intuition (via sensibility) is ever capable of operating independently from conception (via understanding); each contributor offers a defense of either the conceptualist or the non-conceptualist readings of Kant's text. Part III includes three chapters that explore the relevance of intuition to Kant's theory of the sublime, followed by two that examine challenges that Asian philosophers have raised against Kant's theory of intuition, particularly as it relates to our experience of the supersensible. Finally, Part IV concludes the book with five chapters that explore a range of resonances between Kant and various Asian philosophers and philosophical ideas.

Lancees six ans apres le "Dictionnaire philosophique", les "Questions sur l'Encyclopedie" sont un des derniers chefs-d'oeuvre de Voltaire. OEuvre alphabetique, oeuvre polemique comme le "Dictionnaire", les "Questions" offrent une richesse thematique sans equivalent et constituent un veritable condense des idees de Voltaire sur une impressionnante diversite de sujets. La nouvelle edition des "Questions" en sept volumes de la Voltaire Foundation est la premiere edition fidele au texte original a paraitre apres plus de deux siecles. Pour la premiere fois, dans cette edition critique integrale, les experts explorent a fond les relations entre les "Questions" et l'objet avoue sur lequel elles se centrent - l'"Encyclopedie" de Diderot et D'Alembert. Collaborateurs: Christophe Cave, Nicholas Cronk, Olivier Ferret, Russell Goulbourne, Antonio Gurrado, James Hanrahan, Christiane Mervaud, Michel Mervaud, Francois Moureau, Christophe Paillard, Gillian Pink, John Renwick, Gerhardt Stenger.

THE TOP TEN SUNDAY TIMES BESTSELLER 'Bristles with pure, crystalline intelligence, deep knowledge and human sympathy' Richard Dawkins Is modernity really failing? Or have we failed to appreciate progress and the ideals that make it possible? If you follow the headlines, the world in the 21st century appears to be sinking into chaos, hatred, and irrationality. Yet Steven Pinker shows that this is an illusion - a symptom of historical amnesia and statistical fallacies. If you follow the trendlines rather than the headlines, you discover that our lives have become longer, healthier, safer, happier, more peaceful, more stimulating and more prosperous - not just in the West, but worldwide. Such progress is no accident: it's the gift of a coherent and inspiring value system that many of us embrace without even realizing it. These are the values of the Enlightenment: of reason, science, humanism and progress. The challenges we face today are formidable, including inequality, climate change, Artificial Intelligence and nuclear weapons. But the way to deal with them is not to sink into despair or try to lurch back to a mythical idyllic past; it's to treat them as problems we can solve, as we have solved other problems in the past. In making the case for an Enlightenment newly recharged for the 21st century, Pinker shows how we can use our faculties of reason and sympathy to solve the problems that inevitably come with being products of evolution in an indifferent universe. We will never have a perfect world, but - defying the chorus of fatalism and reaction - we can continue to make it a better one.

Slavoj Zizek gives us a reading of a philosophical giant that changes our way of thinking about the new posthuman era. No ordinary study of Hegel, this work investigates what he might have had to say about the idea of the 'wired brain' - what happens when a direct link between our mental processes and a digital machine emerges. Zizek explores the phenomenon of a wired brain effect, and what might happen when we can share our thoughts directly with others. He hones in on the key question of how it shapes our experience and status as 'free' individuals and asks what it means to be human when a machine can read our minds. With characteristic verve and enjoyment of the unexpected, Zizek connects Hegel to the world we live in now, shows why he is much more fun than anyone gives him credit for, and why the 21st century might just be Hegelian.

Enlists the principles of post-humanist critique in order to investigate decades of intimate dialogues between African American and Spanish intellectuals In Archives of Flesh, Robert Reid-Pharr reveals the deep history of intellectual engagement between African America and Spain. Opening a fascinating window onto black and anti-Fascist intellectual life from 1898 through the mid-1950s, Reid-Pharr argues that key institutions of Western Humanism, including American colleges and universities, developed in intimate relation to slavery, colonization, and white supremacy. This retreat to rigidly established philosophical and critical traditions can never fully address-or even fully recognize-the deep-seated hostility to black subjectivity underlying the humanist ideal of a transcendent Manhood. Calling for a specifically anti-white supremacist reexamination of the archives of black subjectivity and resistance, Reid-Pharr enlists the principles of post-humanist critique in order to investigate decades of intimate dialogues between African American and Spanish intellectuals, including Salaria Kea, Federico Garcia Lorca, Nella Larsen, Langston Hughes, Richard Wright, Chester Himes, Lynn Nottage, and Pablo Picasso. In the process Reid-Pharr takes up the "African American Spanish Archive" in order to resist the anti-corporeal, anti-black, anti-human biases that stand at the heart of Western Humanism.

An internationally famous philosopher and best-selling author during his lifetime, Georg Simmel has been marginalized in contemporary intellectual and cultural history. This neglect belies his pathbreaking role in revealing the theoretical significance of phenomena-including money, gender, urban life, and technology-that subsequently became established arenas of inquiry in cultural theory. It further ignores his philosophical impact on thinkers as diverse as Benjamin, Musil, and Heidegger. Integrating intellectual biography, philosophical interpretation, and a critical examination of the history of academic disciplines, this book restores Simmel to his rightful place as a major figure and challenges the frameworks through which his contributions to modern thought have been at once remembered and forgotten.

Le monde doit le premier manifeste d'envergure contre la torture et la peine de mort a Cesare Beccaria. Son livre "Dei delitti e delle pene" retentit dans toute l'Europe au dix-huitieme siecle. L'edition critique du "Commentaire" de Voltaire 'sur le livre des delits et des peines' permet d'apprecier pleinement l'importance de cette rencontre de deux grands esprits des Lumieres. "L'Avis au public sur les parricides" en defense des Sirven, les ecrits pour le compte des 'natifs' de Geneve et un trio de textes deistes viennent etoffer le concept de la justice chez Voltaire.

An examination of how and why Scotland gained its reputation for the supernatural, and how belief continued to flourish in a supposed Age of Enlightenment. SHORTLISTED for the Katharine Briggs Award 2019 Scotland is famed for being a haunted nation, "whare ghaists and houlets nightly cry". Medieval Scots told stories of restless souls and walking corpses, but after the 1560Reformation, witches and demons became the focal point for explorations of the supernatural. Ghosts re-emerged in scholarly discussion in the late seventeenth century, often in the guise of religious propagandists. As time went on, physicians increasingly reframed ghosts as the conjurations of disturbed minds, but gothic and romantic literature revelled in the emotive power of the returning dead; they were placed against a backdrop of ancient monasteries,castles and mouldering ruins, and authors such as Robert Burns, James Hogg and Walter Scott drew on the macabre to colour their depictions of Scottish life. Meanwhile, folk culture used apparitions to talk about morality and mortality. Focusing on the period from 1685 to 1830, this book provides the first academic study of the history of Scottish ghosts. Drawing on a wide range of sources, and examining beliefs across the social spectrum, it shows howghost stories achieved a new prominence in a period that is more usually associated with the rise of rationalism. In exploring perceptions of ghosts, it also reflects on understandings of death and the afterlife; the constructionof national identity; and the impact of the Enlightenment. MARTHA MCGILL completed her PhD at the University of Edinburgh.

The Eighteenth century is one of the most important periods in the history of Western philosophy, witnessing philosophical, scientific, and social and political change on a vast scale. In spite of this, there are few single volume overviews of the philosophy of the period as a whole. The Routledge Companion to Eighteenth Century Philosophy is an authoritative survey and assessment of this momentous period, covering major thinkers, topics and movements in Eighteenth century philosophy. Beginning with a substantial introduction by Aaron Garrett, the thirty-five specially commissioned chapters by an outstanding team of international contributors are organised into seven clear parts: Context and Movements Metaphysics and Understanding Mind, Soul, and Perception Morals and Aesthetics Politics and Society Philosophy in relation to the Arts and Sciences Major Figures. Major topics and themes are explored and discussed, ranging from materialism, free will and personal identity; to the emotions, the social contract, aesthetics, and the sciences, including mathematics and biology. The final section examines in more detail three figures central to the period: Hume, Rousseau and Kant. As such The Routledge Companion to Eighteenth Century Philosophy is essential reading for all students of the period, both in philosophy and related disciplines such as politics, literature, history and religious studies.

This collection of 13 new essays shows what Baruch Spinoza can add to our understanding of the relational nature of autonomy. By offering a relational understanding of the nature of individuals centred on the role played by emotions, Spinoza offers not only historical roots for contemporary debates but also broadens the current discussion. At the same time, reading Spinoza as a theorist of relational autonomy underscores the consistency of his overall metaphysical, ethical and political project, which has been clouded by the standard rationalist interpretation of his works.

Lancees six ans apres le "Dictionnaire philosophique", les "Questions sur l'Encyclopedie" sont un des derniers chefs-d'oeuvre de Voltaire. OEuvre alphabetique, oeuvre polemique comme le "Dictionnaire", les "Questions" offrent une richesse thematique sans equivalent et constituent un veritable condense des idees de Voltaire sur une impressionnante diversite de sujets. La nouvelle edition des "Questions" en sept volumes de la Voltaire Foundation est la premiere edition fidele au texte original a paraitre apres plus de deux siecles. Pour la premiere fois, dans cette edition critique integrale, les experts explorent a fond les relations entre les "Questions" et l'objet avoue sur lequel elles se centrent - l'"Encyclopedie" de Diderot et D'Alembert. Collaborateurs: David Adams, Christophe Cave, Nicholas Cronk, Olivier Ferret, Russell Goulbourne, Antonio Gurrado, James Hanrahan, Laurence Mace, Myrtille Mericam-Bourdet, Christiane Mervaud, Michel Mervaud, Francois Moureau, Christophe Paillard, Gillian Pink, John Renwick, Gerhardt Stenger, Claire Trevien.

This volume contains two works of 1777. The "Prix de la justice et de l'humanite" is a summation of Voltaire's opinions over a lifetime about the confusions and cruelties in the contemporary justice system. The "Commentaire sur l'Esprit des lois de Montesquieu" resulted from Condorcet's criticisms of Voltaire's disparaging comments about Montesquieu. At first Voltaire had regarded Montesquieu as an ally in the fight against Church-led oppression, but by 1777 he associated him with republicanism, arguing that L'Esprit des lois 'aurait du etre intitule L'Esprit republicain'.

Written substantially in the late 1740s and published between 1747 and 1749, the three contes which are collected in this volume are among the best known of Voltaire's works. They were composed at a time when Voltaire had abandoned the tranquillity of Cirey for the tumult of Paris and Versailles, and was enjoying new recognition from members of the court and the learned societies. The three contes in the present volume, "Zadig", "Memnon" and "Le Monde comme il va", mark a new departure for Voltaire. They are the first of his fictional writings to be composed especially for the general reading public. Secure in his official prestige by the late 1740s, Voltaire felt free to publish these fictional experiments which adapt the popular mode of oriental fiction, parodying and pastiching the works of other writers - while at the same time offering serious criticisms of French society and his reflections on the nature of human happiness and the problem of evil.

Unnerved by the upheavals of the seventeenth century, English writers including Thomas Hobbes, Richard Blackmore, John Locke, Jonathan Swift, and Daniel Defoe came to accept that disorder, rather than order, was the natural state of things. They were drawn to voluntarism, a theology that emphasized a willful creator and denied that nature embodied truth and beauty. Voluntarism, Wolfram Schmidgen contends, provided both theological framework and aesthetic license. In Infinite Variety, he reconstructs this voluntarist tradition of literary invention. Once one accepted that creation was willful and order arbitrary, Schmidgen argues, existing hierarchies of kind lost their normative value. Literary invention could be radicalized as a result. Acknowledging that the will drives creation, such writers as Blackmore and Locke inverted the rules of composition and let energy dominate structure, matter create form, and parts be valued over the whole. In literary, religious, and philosophical works, voluntarism authorized the move beyond the natural toward the deformed, the infinite, and the counterfactual. In reclaiming ontology as an explanatory context for literary invention, Infinite Variety offers a brilliantly learned analysis of an aesthetic framed not by the rise of secularism, but by its opposite. It is a book that articulates how religious belief shaped modern literary practices, including novelistic realism, and one that will be of interest to anyone who thinks seriously about the relationship between literature, religion, and philosophy.

The Enlightenment era saw European thinkers increasingly concerned with what it meant to be human. This collection of essays traces the concept of 'humanity' through revolutionary politics, feminist biography, portraiture, explorer narratives, libertine and orientalist fiction, the philosophy of conversation, and musicology.

A number of Montesquieu's lesser-known discourses, dissertations and dialogues are made available to a wider audience, for the first time fully translated and annotated in English. The views they incorporate on politics, economics, science, and religion shed light on the overall development of his political and moral thought. They enable us better to understand not just Montesquieu's importance as a political philosopher studying forms of government, but also his stature as a moral philosopher, seeking to remind us of our duties while injecting deeper moral concerns into politics and international relations. They reveal that Montesquieu's vision for the future was remarkably clear: more science and less superstition; greater understanding of our moral duties; enhanced concern for justice, increased emphasis on moral principles in the conduct of domestic and international politics; toleration of conflicting religious viewpoints; commerce over war, and liberty over despotism as the proper goals for mankind.