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Kinaesthesia and Classical Antiquity 1750-1820 - Moved by Stone (Hardcover)
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Kinaesthesia and Classical Antiquity 1750-1820 - Moved by Stone (Hardcover)
Series: Bloomsbury Studies in Classical Reception
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This book argues that touch and movement played a significant role,
long overlooked, in generating perceptions of ancient material
culture in the late 18th century. At this time the reception of
classical antiquity had been transformed. Interactions with
material culture - ruins, sculpture, and artefacts - formed the
core of this transformation. Some such interactions were
proto-archaeological, such as the Dilettanti expeditions to Athens
and Asa Minor; others were touristic, seen in the guidebooks
consulted by travellers to Rome and the diaries they composed; and
others creative, resulting in novels, poetry, and dance
performances. Some involved the reproduction of experience in a
gallery or museum setting. What all encounters with ancient
material culture had in common, however, is their haptic sensory
basis. The sense typically associated with the Enlightenment is
vision, but this has obscured the equally important contribution
made by touch and movement to the way in which a newly materialised
Graeco-Roman world was perceived. Kinaesthesia, or the sense of
self-movement, is rarely recognised in its own right, but because
all encounters with sites and objects are embodied, and all
embodiment takes place in motion, this sense is vital to forming
more abstract or imaginative impressions. Theories of embodied
cognition propose that all intellectual processes are also
physical. This book shows how ideas about classical antiquity in
the volatile milieu of the late 18th century developed as a result
of diverse kinaesthetic relationships.
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