A handy, all-in-one photographic field guide to the wildlife of South Africa, this guide covers the region's mammals, birds, reptiles, frogs and trees that are most likely to be seen. Concise accounts and distribution maps are included for each species.

A brief introduction discusses geology, climate, vegetation zones, wildlife hotspots, and tips on watching wildlife. This convenient presentation of South Africa’s most visible wildlife in a single volume will find favour with tourists and local enthusiasts alike.

• Handy, all-in-one guide to diverse groups of wildlife and trees
• Full-colour photographs of all species
• Distribution maps
• Tips to watching wildlife
• Very attractive price

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Of the more than 5,500 mammals species worldwide, at least 1,200 occur in Africa. Stuarts’ Field Guide to the Larger Mammals of Africa concentrates on the more visible and easily distinguished larger species, as well as some of the more frequently seen smaller mammals.

This new edition has been extensively revised, expanded and redesigned and includes:

• the most recent research and taxonomy
• revised distribution maps and many new images
• colour-coded grouping of orders
• size icons
• detailed descriptions of each species, offering insight into key identification characters, typical behaviour, preferred habitat, food choice, reproduction and longevity
• whales and dolphins now featured too

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In these entertaining birding anecdotes from around the world, Bo Beolens, alias the 'Fatbirder', traverses many of the planet's wild places, along with his wife Maggie, looking at birds - some familiar, others exotic, a few beyond a person's most extravagant expectations. On the way, he meets up with a wide variety of human, animal and bird characters and experiences a plenitude of amusing and sometimes bizarre happenstances, all told with the author's wellknown flair and panache. Certainly, his travels are a credit to his courage and fortitude in coming to terms with wild birds of different plume, hue and voice. The book, with a prelude by celebrity naturalist and broadcaster Mike Dilger, comprises twenty-six alphabetical 'chapters' - starting with A for Anhinga, the Snake-bird, and ending with Z for Zebra Finch - each being accompanied by a humorous drawing by cartoonist and illustrator Des Campbell. A-Z of Birds will surely amuse and entertain all those who have a passion for birds and wish to be inspired by one who already has lots of first-hand experience of how to (usually) get the most out of travelling to far-flung lands to see them.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Shells are exoskeletons of living creatures and have fascinated humans for millennia. Interesting Shells presents portraits of beautiful specimens from the Natural History Museum's vast collections, each accompanied by a caption explaining their unique characteristics - whether biological, historical or geographical.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

An imaginative and fairytale-inspired colouring book from the author of Garden of Fairytale Animals and Kingdom of Curious Creatures. This beautiful collection of 80 line art designs captures a magical and charming setting. Fully-coloured examples are included as inspiration and full-spread designs are mixed with stand-alone designs to offer a variety of colouring options, all printed back-to-back on high-quality paper

Take a fascinating trip beneath the waves to see such vast and fearsome creatures as the giant squid, the giant octopus, the grotesque coelacanth, and the venomous and tentacled Portuguese man-of-war, as well as rays, sharks, and whales, all captured in stunning full-color photographs.

This book is the story of six years that the authors devoted to the study of an iconic large cat, the cheetah. Their study area was the large, remote, and pristine Kgalagadi Transfrontier Park on the border of Botswana and South Africa.

Their aim here is to relate what they consider to be a fascinating story about the lives of these cats in a different habitat from the one most people associate the cheetah with – a sandy desert rather than a grassy plain. They hope to entertain and inform the reader with what they learnt about the daunting challenges cheetahs face, and the wonderful adaptations cheetahs have evolved to survive in the competitive world of natural selection.

The book is divided into five parts: Part One gives the background to this adventure; the why, when, where, who and how aspects. Part Two discusses the fundamental question of what cheetahs eat and how they go about obtaining their food; the fascinating evolutionary arms race between predator and prey, some of the behavioural, physiological, and ecological ramifications, as well as the relationships of cheetahs with the other carnivores. Part Three turns to social affairs; the way cheetahs distribute themselves in the landscape, the way they find and choose mates, and the trials and tribulations of raising a family. In Part Four, the authors switch to more personal and human matters; the challenges of living and working in an isolated and infrastructurally limited environment, and two chapters written by Margie: one on their experiences with the Bushmen, the other relating a selection of memorable incidents, not specifically related to the cheetah study. The final part addresses two practical topics; the first comparing how cheetahs have adapted to two different environments: the lush Serengeti plains and the arid Kalahari, the other giving the authors' perspective on cheetah conservation.