Bees is an outstanding collection of photographs showing these fascinating insects in their natural habitat. Honey bees, bumblebees, mining bees, dwarf bees, carpenter, leafcutter and mason bees: bees come in many different types, with more than 16,000 species worldwide. The bees we are most familiar with, bumblebees and honey bees, live in colonies and play a major role in pollinating the crops, plants and flowers around us. And bees produce honey - reputedly the food of the gods - a function of bees' lifecycle, which humans have exploited for millennia. Many bees today are domesticated, and beekeepers collect honey, beeswax, pollen, and royal jelly from hives for human use. A typical bee produces a teaspoon of honey (about 5 grams) in her lifetime. Bees can communicate many ways through the movement of their wings and bodies - most famously, with the 'waggle dance', where they make figure-of- eight circles to let other bees know the direction and distance of nectar. With full captions explaining how bees live, function communally, communicate, feed and reproduce, Bees is an insightful examination in 190 outstanding colour photographs of mankind's favourite insect.

In November 2005, Washington's iconic killer whales, known as Southern Resident orcas, were placed on the endangered species list. It was a victory long overdue for a fragile population of fewer than one hundred whales. Author and certified marine naturalist Sandra Pollard traces the story and destinies of the many Southern Resident orcas captured for commercial purposes in or near the Puget Sound between 1964 and 1976. During this time, these highly intelligent members of the dolphin family lost nearly one-third of their population. Drawing on original archive material, this important volume outlines the history of orca captivity while also recounting the harrowing struggle--and ultimate triumph--for the Puget Sound orcas' freedom.

'Jones' Icones' is a stunning six-volume manuscript containing paintings of some of the most important butterfly and moth collections at the end of the eighteenth century. It is the work of William Jones (1745-1818), a wealthy wine merchant from Chelsea who, on retirement, devoted the rest of his life to studying and painting butterflies and moths. Held in the archives of the Oxford University Museum of Natural History, the volumes contain over 1,500 ink and gouache paintings representing 760 species from around the world. Work continues to this day to determine whether all the original specimens depicted still survive. This set of three A5, softback notebooks with high quality ruled paper makes an exquisite gift for nature-lovers and writers alike.

The International Bestseller ‘Somehow, the elephants got into my soul, and it became my life’s work to see them safe and happy. There was no giving up on that vision, no matter how hard the road was at times.’ Françoise Malby-Anthony is the owner of a game reserve in South Africa with a remarkable family of elephants whose adventures have touched hearts around the world. The herd’s feisty matriarch Frankie knows who’s in charge at Thula Thula, and it’s not Françoise. But when Frankie becomes ill, and the authorities threaten to remove or cull some of the herd if the reserve doesn’t expand, Françoise is in a race against time to save her beloved elephants . . . The joys and challenges of a life dedicated to conservation are vividly described in this charming and moving book. The search is on to get a girlfriend for orphaned rhino Thabo – and then, as his behaviour becomes increasingly boisterous, a big brother to teach him manners. Françoise realizes a dream with the arrival of Savannah the cheetah – an endangered species not seen in the area since the 1940s – and finds herself rescuing meerkats kept as pets. But will Thula Thula survive the pandemic, an invasion from poachers and the threat from a mining company wanting access to its land? As Françoise faces her toughest years yet, she realizes once again that with their wisdom, resilience and communal bonds, the elephants have much to teach us. 'Enthralling' – Daily Mail

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In these entertaining birding anecdotes from around the world, Bo Beolens, alias the 'Fatbirder', traverses many of the planet's wild places, along with his wife Maggie, looking at birds - some familiar, others exotic, a few beyond a person's most extravagant expectations. On the way, he meets up with a wide variety of human, animal and bird characters and experiences a plenitude of amusing and sometimes bizarre happenstances, all told with the author's wellknown flair and panache. Certainly, his travels are a credit to his courage and fortitude in coming to terms with wild birds of different plume, hue and voice. The book, with a prelude by celebrity naturalist and broadcaster Mike Dilger, comprises twenty-six alphabetical 'chapters' - starting with A for Anhinga, the Snake-bird, and ending with Z for Zebra Finch - each being accompanied by a humorous drawing by cartoonist and illustrator Des Campbell. A-Z of Birds will surely amuse and entertain all those who have a passion for birds and wish to be inspired by one who already has lots of first-hand experience of how to (usually) get the most out of travelling to far-flung lands to see them.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

From the Azteca to the Appaloosa, Choctaw to the Palomina, Brumbys in Australia to the Mongolian, from rare breeds such as the Polish Konik to the semi-feral Pyrenean Pottok, Horses celebrates a wide variety of breeds from all around the world. Ranging from dressage to police horses, from racing horses to rodeo and polo, the book looks at the anatomy and lifecycle of foals and yearlings, colts and fillies, stallions, mares and geldings around the globe. It includes draft horses and warmbloods, light horses and thoroughbreds, gaited horses, ponies and breeds that have become feral. Each photograph is accompanied by a caption with fascinating information about the characteristics of each breed. Illustrated with 200 outstanding colour photographs, Horses is an exquisitely produced work packed with lively information about this beloved animal.