The WWE's Shawn Michaels Story. Began his career in Texas. Trained by the legendary Jose Lothario, Shawn Michaels wrestled in Kansas, where he met fellow wrestler, Marty Jannetty. A year later, after sending tapes of his matches to the major wrestling companies at the time, he was contacted by the AWA, who proposed that he team up with Marty Jannetty again. Together, Michaels and Jannetty became known as the Midnight Rockers. The AWA had just received a TV deal with ESPN, which did wonders for his career. The Midnight Rockers had a major feud with "Playboy" Buddy Rose and "Pretty Boy" Doug Somers. Their matches were considered bloodbaths at the time. Eventually the Midnight Rockers came out the victors and were the AWA World Tag Team Champions. The WWF (now WWE) noticed their efforts and signed them to a deal. Both Michaels and Jannetty were soon fired for a incident in a bar, which Michaels claims was a misunderstanding. The duo went back to the AWA for a brief time. After a while, they contacted the WWF, who gave them a second chance and they returned in late 1988. They were known simply as The Rockers. The duo had a great influence on many of the present teams in wrestling. Their trademark was being tag team specialists and using great double team moves on their opponents.

Horseback wrestling, catch-as-catch-can, glima; long before the advent of today's WWE, forms of wrestling were practised by virtually every cultural group. C. Nathan Hatton's ""Thrashing Seasons"" tells the story of wrestling in Manitoba from its earliest documented origins in the eighteenth century, to the Great Depression. Wrestling was never merely a sport: residents of Manitoba found meaning beyond the simple act of two people struggling for physical advantage on a mat, in a ring, or on a grassy field. Frequently controversial and often divisive, wrestling was nevertheless a popular and resilient cultural practice that proved adaptable to the rapidly changing social conditions in westernCanada during its early boom period. In addition to chronicling the colourful exploits of the many athletes who shaped wrestling's early years, Hatton explores wrestling as a social phenomenon intimately bound up with debates around respectability, ethnicity, race, class, and idealized conceptions of masculinity. In doing so, ""Thrashing Seasons"" illuminates wrestling as a complex and socially significantcultural activity, one that has been virtually unexamined by Canadian historians looking at the nineteenth and early twentieth centuries.