Despite contemporary historical study of her contexts, Christina
Rossetti continues to haunt the reader as a displaced subjectivity
emptied of history. Through an analysis of the posthumous in her
work, the construction of Christina Rossetti by her brothers, and
the history of reception, this study asks how speaking with the
dead can avoid critical ventriloquy. The figure of the mother is
offered as a paradigm for theorizing a new reading that refuses to
exorcise the ghost of Christina Rossetti.
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