Wonder is a highly ambivalent word and idea which can denote woe,
horror, or terror on one hand and delight, jubilation, or ecstasy
on the other. In the first part of this book, Adam Max Cohen
embraces the many meanings of wonder in order to challenge the
generic divides between comedy, tragedy, history, and romance to
suggest that Shakespeare's primary goal in crafting each of his
play worlds was the evocation of one or more varieties of wonder.
In the second part of this book, seven esteemed scholars respond to
Cohen's exploration and pay homage to his legacy.
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