Dance researcher and movement analyst Adair Landborn introduces
readers to the ongoing discussion in Spanish scholarship about the
links between flamenco dance and bullfighting, and then moves
deeper into the heart of these two quintessentially Spanish arts
from the perspective of an anthropologist and from her own
first-person experience as both dancer and student of bullfighting.
Seeing flamenco dance and bullfighting as parallel arts within the
same kinesthetic culture, Landborn describes their informal
practice in private settings and their emergence as formal rituals
in the public bullfight arena and on the flamenco stage. As
Landborn discusses key bullfighting techniques and their sometimes
direct, sometimes subtle influence on the flamenco dance style,
readers are led to a greater appreciation of both arts and a deeper
understanding of Spanish culture and worldview.
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