Mediations of Disruption in Post-Conflict Cinema is a
transdisciplinary volume that addresses the cinematic mediation of
a wide range of conflicts. From World War II and its aftermath to
the exploration of colonial and post-colonial experiences and more
recent forms of terrorism, it debates the possibilities,
constraints and efficacy of the discursive practices this mediation
entails. Despite its variety and amplitude in scope and width, the
innovative and singular aspect of the book lies in the fact that
the essays give voice to a variety of regions, issues, and
filmmaking processes that tend either to remain on the outskirts of
the publishing world and/or to be granted only partial visibility
in volumes of regional cinema.
General
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