In 1850, the legendary Koh-i-noor diamond, gem of Eastern
potentates, was transferred from the Punjab in India and, in an
elaborate ceremony, placed into Queen Victoria's outstretched
hands. This act inaugurated what author Adrienne Munich recognizes
in her engaging new book as the empire of diamonds. Diamonds were a
symbol of political power-only for the very rich and influential.
But, in a development that also reflected the British Empire's
prosperity, the idea of owning a diamond came to be marketed to the
middle class. In all kinds of writings, diamonds began to take on
an affordable romance. Considering many of the era's most iconic
voices-from Dickens and Tennyson to Kipling and Stevenson-as well
as grand entertainments such as The Moonstone, King Solomon's
Mines, and the tales of Sherlock Holmes, Munich explores diamonds
as fetishes that seem to contain a living spirit exerting powerful
effects, and shows how they scintillated the literary and cultural
imagination. Based on close textual attention and rare archival
material, and drawing on ideas from material culture, fashion
theory, economic criticism, and fetishism, Empire of Diamonds
interprets the various meanings of diamonds, revealing a trajectory
including Indian celebrity-named diamonds reserved for Asian
princes, such as the Great Mogul and the Hope Diamond, their
adoption by British royal and aristocratic families, and their
discovery in South Africa, the mining of which devastated the area
even as it opened the gem up to the middle classes. The story
Munich tells eventually finds its way to America, as power and
influence crosses the Atlantic, bringing diamonds to a wide
consumer culture.
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