Departing from the approach of its pre-decessors, this third volume
is not a collection of essays by a diverse assembly of critics and
scholars but a collection of interviews largely by the book's
editors, its focus mainly on directors responsible for many of the
land-mark films of the Classic Noir Period. Few of them are alive
today, which makes this book all the more remarkable. Appropriately
enough, perhaps from beyond the grave thoughts filmmakers expressed
long ago are presented here for the first time, to help us better
understand their vision and their techniques.
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