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Television in Black-and-white America - Race and National Identity (Hardcover) Loot Price: R1,226
Discovery Miles 12 260
Television in Black-and-white America - Race and National Identity (Hardcover): Alan Nadel

Television in Black-and-white America - Race and National Identity (Hardcover)

Alan Nadel

Series: CultureAmerica

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Loot Price R1,226 Discovery Miles 12 260 | Repayment Terms: R115 pm x 12*

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Alan Nadel's provocative new book reminds us that most of the images on early TV were decidedly Caucasian and directed at predominantly white audiences. Television did not invent whiteness for America, but it did reinforce it as the norm--particularly during the Cold War years. Nadel now shows just how instrumental it was in constructing a narrow, conservative, and very white vision of America.

Nadel depicts a time when television effectively hijacked and monopolized the nation's vision of itself to create a virtual but severely distorted civic space. On Cold War TV's three channels there were no double beds, no liberated housewives, no social criticism, and no homosexuality. And the few available black faces overwhelmingly belonged to athletes, musical entertainers, and actors playing menial roles. Even America's beloved Walt Disney promoted his highly popular TV and theme-park versions of society as utterly homogeneous representations of reality.

During this era, prime-time TV was dominated by "adult westerns," with heroes like "The Rebel"'s Johnny Yuma reincarnating southern values and "Bonanza"'s Cartwright family reinforcing the notion of white patriarchy--programs that, Nadel shows, bristled with Cold War messages even as they spoke to the nation's mythology. America had become visually reconfigured as a vast Ponderosa, crisscrossed by concrete highways designed to carry suburban white drivers beyond the moral challenge of racism and racial poverty and increasingly vocal civil rights demands.

"Television in Black-and-White America" revisits a time and space that some might miss for its simplicity and relative innocence. Nadel, however, entreats us to look beyond such nostalgia to see how, even in its earliest days, television had already become a powerful mediator of social norms that both controlled and warped our sense of reality.

General

Imprint: University Press of Kansas
Country of origin: United States
Series: CultureAmerica
Release date: October 2005
First published: October 2005
Authors: Alan Nadel
Dimensions: 229 x 152 x 23mm (L x W x T)
Format: Hardcover
Pages: 216
ISBN-13: 978-0-7006-1398-4
Categories: Books > Reference & Interdisciplinary > Communication studies > Media studies
Books > Humanities > History > History of specific subjects > Social & cultural history
Books > Social sciences > Sociology, social studies > Ethnic studies > Multicultural studies > General
Books > History > History of specific subjects > Social & cultural history
LSN: 0-7006-1398-6
Barcode: 9780700613984

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