The first edition of New challenges for documentary provided a
major stimulus for teaching about documentary film and television
and fresh encouragement for critical thinking about practice. This
second edition brings together many new contributions both from
academics and filmmakers, reflecting shifts both in documentary
production itself, and in ways of discussing it. Once again, the
emphasis has been on clear and provocative writing, sympathetic to
the practical challenges of documentary film-making but making
connections with a range of work in media and communications
analysis. With its wide range of contributors and the international
scope of its agenda, New challenges for documentary will be
essential reading for general filmmakers and documentary students
both of academic and practical inclinations. -- .
General
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