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In the third volume of this series, Media Studies, the emphasis is on media content and media audiences. Media content and media audiences (or users) are covered from methodological and theoretical perspectives.
For the revised reprint of this volume, a new introduction has been included to highlight the relevance of the current content and to contextualise within it the content of Volume 4 Social (New) Media and Mediated Communication Today (2017).
Part 1 of the book deals with: quantitative content analysis; communication and media semiotics; media, language and discourse; media and visual literacy; visual text analysis; textual analysis: narrative and argument; narrative analysis; film theory and criticism Part 2 deals with: media audience theory (dealing with the uses and gratification theory, reception theory and ethnography); questionnaire surveys in media research; field research in media studies; measuring media audiences; psychoanalysis and television as an illustration of an applied theoretical approach in media audience research.
In the second volume of the four-part textbook series on Media Studies the emphasis is again on the relationship between media and society. While further exploring media as an institution, this volume also introduces the topics of media regulation and content.
Volume 2 is guided in part by the question: How do we control and manage the media? Communications policy is explained, with overviews of how the Southern African media is externally and internally regulated to ensure a well-organised and disciplined modern media system. Strategic ways of managing the media are discussed. The book deals with the concept of media representation: How does the media reflect and represent reality or its aspects? Is the news that is presented an accurate portrayal of reality? How does the media deal with identity, race, gender, sexual orientation, the environment, AIDS, violence and terrorism?
This section thus critically analyses questions about how the media depicts people, topics, organisations and issues.
This up-to-date, comprehensive, user-friendly and accessible series has been written by key thinkers in Media Studies locally and from abroad.
Media Studies encompasses the systematic, critical and analytical study of the media, in all its forms, and sees the media as one of the most important generators and disseminators of meaning in contemporary society. Media Studies investigates who owns the media, who produces the media, media content and the users of the media. It investigates the power relationships between the media and politics, culture, economy, society, and above all, the relationship between the media and democracy.
Media Studies Volume 4, developed by its expert authors will deal with media theory and research in the context of how social (new) media and the convergence and digitisation of the media have changed and affected mediated communication today. Practical examples, case studies, applications, learning outcomes and exercises will be part of the book. This is the final volume in the Juta Media Studies series.
The second edition of Media ethics in the South African context explores the dynamic and potentially explosive field of media ethics from a South African perspective. Grounded in ethical theory, the public philosophies of communication and media performance norms, this text provides guidelines for the individual's ethical decision making; for both media practitioners and media groups. Cutting edge analysis of the South African normative context under the previous and present political dispensations makes this book essential reading for media policy formulators and students alike. Changes in the normative context are presenting the South African news media in particular, with new challenges.
Media and Society explores the relationship between the media, their institutions and the world we live in, examining how they are connected and how society and the media affect each other.
The book analyses representations of the world found in films, television, advertisements, news and online to understand the impact of the media in the contemporary world. The sixth edition explores several themes throughout the text, including the contradictory nature of the media and the psychological concerns of the media, to provide clear explanations of complex theories and ideas.
Post-apartheid South Africa continues to face challenges in its attempts at economic transformation for the benefit of the majority of the people, who were marginalised under decades of apartheid and colonisation. This need for transformation has resulted in various policy initiatives, including the ongoing demands for the nationalisation of the economy. The commercial media has a central role in shaping policy debates. But this media is an ideological tool as much as it is an economic resource since it is owned and controlled by people with political and economic interests. It therefore tends to support and promote the interests of the owners.
This book provides a Marxist critique of the representation of the nationalisation of the mines debate by the South African commercial media. Radebe examines corporate control of the media in order to articulate the interrelations between the state, capital and the media, and the way the commercial media represents, shapes and influences public policy. He concludes that beyond factors such as ownership, commercialisation and the influence of advertising on news content, the global capitalist hegemony has a more powerful influence on the commercial media in South Africa than previously thought.
The year is 1970; the war in Vietnam is five years from over. The women's movement is newly resurgent, and feminists are summarily reviled as "libbers." Inette Miller is one year out of college-a reporter for a small-town newspaper. Her boyfriend gets drafted and is issued orders to Vietnam. Within their few remaining days together, Inette marries her US Army private, determined to accompany him to war. There are obstacles. All wives of US military are prohibited in country. With the aid of her newspaper's editor, Miller finagles a one-month work visa and becomes a war reporter. Her newspaper cannot afford life insurance beyond that. After thirty days, she is on her own. As one of the rare woman war correspondents in Vietnam and the only one also married to an Army soldier, Miller's experience was pathbreaking. Girls Don't shines a light on the conflicting motives that drive an ambitious woman of that era and illustrates the schizophrenic struggle between the forces of powerful feminist ideology and the contrarian forces of the world as it was. Girls Don't is the story of what happens when a twenty-three-year-old feminist makes her way into the land of machismo. This is a war story, a love story, and an open-hearted confessional within the burgeoning women's movement, chronicling its demands and its rewards.
Declan Walsh is one of the New York Times's most distinguished international correspondents. His electrifying portrait of Pakistan over a tumultuous decade captures the sweep of this strange, wondrous, and benighted country through the dramatic lives of nine fascinating individuals. On assignment as the country careened between crises, Walsh traveled from the raucous port of Karachi to the salons of Lahore, and from Baluchistan to the mountains of Waziristan. He met a diverse cast of extraordinary Pakistanis-a chieftain readying for war at his desert fort, a retired spy skulking through the borderlands, and a crusading lawyer risking death for her beliefs, among others. Through these "nine lives" he describes a country on the brink-a place of creeping extremism and political chaos, but also personal bravery and dogged idealism that defy easy stereotypes. Unbeknownst to Walsh, however, an intelligence agent was tracking him. Written in the aftermath of Walsh's abrupt deportation, The Nine Lives of Pakistan concludes with an astonishing encounter with that agent, and his revelations about Pakistan's powerful security state. Intimate and complex, attuned to the centrifugal forces of history, identity, and faith, The Nine Lives of Pakistan offers an unflinching account of life in a precarious, vital country.
America's community newspapers have entered an age of disruption. Towns and cities continue to need the journalism and advertising so essential to nurturing local identity and connection among citizens. But as the business of newspaper publishing collides with the digital revolution, and as technology redefines consumer habits and the very notion of community, how can newspapers survive and thrive? In Saving Community Journalism, veteran media executive Penelope Muse Abernathy draws on cutting-edge research and analysis to reveal pathways to transformation and long-term profitability. Offering practical guidance for editors and publishers, Abernathy shows how newspapers can build community online and identify new opportunities to generate revenue. Examining experiences at a wide variety of community papers--from a 7,000-circulation weekly in West Virginia to a 50,000-circulation daily in California and a 150,000-circulation Spanish-language weekly in the heart of Chicago--Saving Community Journalism is designed to help journalists and media-industry managers create and implement new strategies that will allow them to prosper in the twenty-first century. Abernathy's findings will interest everyone with a stake in the health and survival of local media.
Michel Thomas survived starvation in French concentration and slave labor camps and endured torture as a fighter with the French Resistance. He saw combat with the U.S. Army and after the war hunted Nazis as an officer with U.S. Counter Intelligence. He captured important war criminals and was a witness in the trial of Gestapo chief Klaus Barbie, the Butcher of Lyon. His incredible experiences enabled him to forge a revolutionary learning system that made him the world's language master. His passion for life is a story of hope and inspiration and part of his lasting legacy.
The revelatory saga of Pixar's rocky start and improbable success
After Steve Jobs was dismissed from Apple in the early 1990s, he turned his attention to a little-known graphics company he owned called Pixar. One day, out of the blue, Jobs called Lawrence Levy, a Harvard-trained lawyer and executive to whom he had never spoken before. He hoped to persuade Levy to help him pull Pixar back from the brink of failure.
This is the extraordinary story of what happened next: how Jobs and Levy concocted and pulled off a highly improbable plan that transformed Pixar into one of Hollywood's greatest success stories. Levy offers a masterful, firsthand account of how Pixar rose from humble beginnings, what it was like to work so closely with Jobs, and how Pixar's story offers profound lessons that can apply to many aspects of our lives.
The dramatic advancement of cellphone technology has fundamentally changed our daily lives. Smartphones and their applications have created new capital for information and communication technology corporations and changed the way people communicate. Because of an interesting awareness of the significance for digital economy and people's daily culture, many countries, from the U.S. to China, have massively invested in the smartphone industries since the early 21st century. Among them, South Korea has become one of the centers for technology development and digital culture, although the country was once lagging behind in the penetration of the phones and their apps. Yet within the last few years, the country has taken a big step toward their goal of becoming a 'mobile game wonderland' by appropriating smartphones and it now exists as a curious test-bed for the future of smartphone technology. Smartland Korea, as the first attempt to comprehensively analyze mobile communication in the context of Korean smartphones, looks into a largely neglected focus of inquiry, a localized mobile landscape, with particular reference to young Koreans' engagement with their devices and applications. Dal Yong Jin focuses not only on the celebratory achievement of technological advancement, but also the significance of social milieu in the development of the smartphones. He situates the emergence of smartphones within the growth of mobile technologies and overall telecommunications industries embedded in Korea's information and communication technologies. The book examines the technology's innovation and the evolution, the digital economy through the lens of political economy, and the youth culture embedded in the Korean smartphone context.
The powerful potential of digital media to engage citizens in political actions has now crossed our news screens many times. But scholarly focus has tended to be on "networked," anti-institutional forms of collective action, to the neglect of advocacy and service organizations. This book investigates the changing fortunes of the citizen-civil society relationship by exploring how social changes and innovations in communication technology are transforming the information expectations and preferences of many citizens, especially young citizens. In doing so, it is the first work to bring together theories of civic identity change with research on civic organizations. Specifically, it argues that a shift in "information styles" may help to explain the disjuncture felt by many young people when it comes to institutional participation and politics. The book theorizes two paradigms of information style: a dutiful style, which was rooted in the society, communication system and citizen norms of the modern era, and an actualizing style, which constitutes the set of information practices and expectations of the young citizens of late modernity for whom interactive digital media are the norm. Hypothesizing that civil society institutions have difficulty adapting to the norms and practices of the actualizing information style, two empirical studies apply the dutiful/actualizing framework to innovative content analyses of organizations' online communications-on their websites, and through Facebook. Results demonstrate that with intriguing exceptions, most major civil society organizations use digital media more in line with dutiful information norms than actualizing ones: they tend to broadcast strategic messages to an audience of receivers, rather than encouraging participation or exchange among an active set of participants. The book concludes with a discussion of the tensions inherent in bureaucratic organizations trying to adapt to an actualizing information style, and recommendations for how they may more successfully do so.
One of the most celebrated British writers of his generation, Graham Greene's own story was as strange and compelling as those he told of Pinkie the Mobster, Harry Lime, or the Whisky Priest. A journalist and MI6 officer, Greene sought out the inner narratives of war and politics across the world; he witnessed the Second World War, the Vietnam War, the Mau Mau Rebellion, the rise of Fidel Castro, and the guerrilla wars of Central America. His classic novels, including The Heart of the Matter and The Quiet American, are only pieces of a career that reads like a primer on the twentieth century itself. The Unquiet Englishman braids the narratives of Greene's extraordinary life. It portrays a man who was traumatized as an adolescent and later suffered a mental illness that brought him to the point of suicide on several occasions; it tells the story of a restless traveler and unfailing advocate for human rights exploring troubled places around the world, a man who struggled to believe in God and yet found himself described as a great Catholic writer; it reveals a private life in which love almost always ended in ruin, alongside a larger story of politicians, battlefields, and spies. Above all, The Unquiet Englishman shows us a brilliant novelist mastering his craft. A work of wit, insight, and compassion, this new biography of Graham Greene, the first undertaken in a generation, responds to the many thousands of pages of letters that have recently come to light and to new memoirs by those who knew him best. It deals sensitively with questions of private life, sex, and mental illness, and sheds new light on one of the foremost modern writers.
This publications deals with all the basic elements and some of the major issues of mass communication pertaining to the new South Africa. This title gives the reader an overview of the South African mass communication scene. It describes the development mass communication as it unfolded during the colonial and apartheid years. It then offers an analysis of the restructuring of mass media systems in the democratic decade of the 1990s and gives an assessment of expected trends in the millennium ahead.
China is at the crux of reforming, professionalizing, and internationalizing its cultural and creative industries. These industries are at the forefront of China's move towards the status of a developed country. In this comprehensive Handbook, international experts including leading Mainland scholars examine the background to China's cultural and creative industries as well as the challenges ahead. The chapters represent the cutting-edge of scholarship, setting out the future directions of culture, creativity and innovation in China. Combining interdisciplinary approaches with contemporary social and economic theory, the contributors examine developments in art, cultural tourism, urbanism, digital media, e-commerce, fashion and architectural design, publishing, film, television, animation, documentary, music and festivals. Students of Chinese culture and society will find this Handbook to be an invaluable resource. Scholars working on topics related to China's emergence and its cultural aspirations will also find the themes discussed in this book to be of interest.
'What can I do with a degree in theater?' Whether you want to perform Shakespeare under the spotlight, design lighting for TV spots, or teach set design to college students, a theater degree offers a medley of career options. With all the flexibility the field offers, the challenge is to find a focus that fits your personality and preferences. "Great Jobs for Theater Majors" helps you do just that. Designed to help you put your major to work, this handy guide covers both the basics of a job search as well as detailed profiles of possible careers in your field. From stage or film actor to lighting professional to costume designer, you'll explore a variety of job options for theater majors - including many you never knew existed - to determine the best fit for your personal, professional, and practical needs.In this updated edition, you'll find: thorough explanations of job-search basics such as crafting resumes, writing cover letters, and interviewing dos and don'ts; revealing self-assessments to help determine your best professional fit; investigative tools to help you uncover those jobs that will make the most of your major; networking tips to get your face out in the field and your foot in the door before the resume is even sent; true-life tales from practicing professionals who detail what daily life on the job is really like; up-to-date statistics on earnings, advancement, and the overall career outlook, along with regional salary comparisons; and, resources for further information, including journals, professional associations, and online resources. With the information and inspiration packed into "Great Jobs for Theater Majors", you'll discover how to explore your professional options, target your ideal career, and use your college major as an asset in landing your dream job.
The exciting field of visual studies is fast becoming part of many university and design school curricula. This introduction contains inspiring local and international photos and examples to help visual studies and media studies students understand and interpret their world in a meaningful way. Looking at Media will assist students to gain a basic intellectual understanding of visual culture and visual studies, while learning how these academic fields can be used critically to deconstruct visual texts produced by the South African and international media industry. The focus of the book is to provide students with different methods to analyse visual images. Students are guided to look at media artefacts through different lenses, encompassing the most important theories and concepts of Western thought. Theories are explained in an accessible manner that even first time scholars will understand. To make the theories more applicable, many of the case studies and examples used are from the African continent. The young and dynamic author team shows that being a visual studies scholar means not simply to understand how visual media work, but how the world works through the visual media.
'Full of compelling advice on how to lead more effectively by choosing your words more wisely' - ADAM GRANT, author of Originals and Give and Take FT Book of the Month Your words matter more than you think Most of us use the language we inherited from a time when workers worked with their hands and managers worked with their heads. Today, your people do much more than simply follow orders. They contribute to performance and solve problems, and it's time we updated our language to reflect that. In Leadership Is Language, former US Navy captain L. David Marquet offers a radical playbook to empower your people and put your team on a path to continuous improvement. The framework will help you achieve the right balance between deliberation and action, and take bold risks without endangering your mission. Among other things, you'll learn: * How to avoid the seven common sins of questioning, from binary questions (should we do A or B?) to self-affirming questions (B is the better option, right?) * Why you should vote first, then discuss, when deciding on a plan with your team, rather than voting after discussion * Why it's better to give your people information instead of instructions As a submarine captain, Marquet used his counterintuitive model of leadership to turn the worst-performing submarine crew into the best-performing one in the fleet, a story he recounted in his bestselling book Turn the Ship Around! Now, in Leadership Is Language, he draws on a wide range of examples, from the 2017 Oscars Best Picture mishap to the tragic sinking of the SS El Faro, to show you exactly how the words you use (and don't use) impact how your people contribute.
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