Set in the context of the various materialist approaches to
literary aesthetics that emerged in the twentieth century,
Renfrew's study presents a new synthesis of the work of Mikhail
Bakhtin (1895-1975) and his circle, Russian Formalism, and elements
of the 'official' ideology of the early Soviet period. The book's
central aim in offering such a synthesis is to negotiate the poles
of postmodernist subjectivism and 'traditional' materialism around
which much current literary and critical theory has stagnated, and,
as the title suggests, to point the way towards a newly conceived
material basis for textual and literary analysis.
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