Because they rely heavily on physical comedy, many Hollywood
slapstick films can be understood as comic meditations on the place
and nature of the human body. Focusing on the works of Charlie
Chaplin, Buster Keaton, Harold Lloyd, and Laurel and Hardy, among
others, this book examines ways that the body represents or
interacts with the mind, setting, voice and machines in slapstick
films. Also covered are female performances in slapstick and
brutality and suffering in the slapstick tradition.
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