Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Staging Touch in Shakespeare's England (Hardcover)
Loot Price: R2,452
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Staging Touch in Shakespeare's England (Hardcover)
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When Shakespearean characters kiss, embrace, or shake hands, what
does it mean? Are dramatic characters following established rules
of conduct, or breaking them? Are there rules to break? Staging
Touch in Shakespeare's England addresses these and related
questions and, in the process, uncovers the social semiotics of
contact in the early modern theatre. Its central argument is
twofold. First, dramatic characters use touch to define and contest
the nature of their relationships: taking hands means something
different than embracing or, indeed, holding hands a different way.
Second, the definitions, the social roles of actions like these,
are up for debate in venues ranging from sermons to the era's
burgeoning literature on conduct. The drama not only portrays but
participates in these debates. Where characters touch, so do
different ideas about contact's role in a variety of contexts, from
love and friendship to politics and business deals. Attending to
the social roles of touch-what it signifies as much as how it
feels-the book develops an outside-in approach to our understanding
of early modern sensation: a sociology, rather than a
phenomenology, of theatrical contact. It will be of use to editors,
performers, and anyone interested in Shakespearean approaches to
embodiment. Locating interpersonal touch at the centre of dialogues
on consent, subjection, agency, and sexuality, this study offers
new perspectives on an essential element of Renaissance drama.
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