Coleman begins his book with the following supposition: that Luis
Cernuda was a poet whose primary impulse in his art was the
suppression of the subjective and the consequent objectivization of
poetry. Through careful reading of Luis Cernuda's later poetry,
written after 1936, Alexander Coleman argues that Luis Cernuda was
a poet whose primary impulse in his art was the suppression of the
subjective and the consequent objectivization of poetry.
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