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Music and Religious Identity in Counter-Reformation Augsburg, 1580-1630 (Hardcover, New Ed)
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Music and Religious Identity in Counter-Reformation Augsburg, 1580-1630 (Hardcover, New Ed)
Series: St Andrews Studies in Reformation History
Expected to ship within 12 - 17 working days
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By the late-sixteenth century, Augsburg was one of the largest
cities of the Holy Roman Empire, boasting an active musical life
involving the contributions of musicians like Jacobus de Kerle,
Hans Leo Hassler, and Gregor Aichinger. This musical culture,
however, unfolded against a backdrop of looming religious schism.
From the mid-sixteenth century onward, Augsburg was the largest
'biconfessional' city in the Empire, housing a Protestant majority
and a Catholic minority, ruled by a city government divided between
the two faiths. The period 1580-1630 saw a gradual widening of the
divide between these groups. The arrival of the Jesuits in the
1580s polarized the religious atmosphere and fueled the assertion
of a Catholic identity, expressed in public devotional services,
spectacular processions, and pilgrimages to local shrines. The
Catholic music produced for these occasions both reflected and
contributed to the religious divide. This book explores the
relationship between music and religious identity in Augsburg
during this period. How did 'Catholic' and 'Protestant' repertories
diverge from one another? What was the impetus for this
differentiation, and what effect did the circulation and
performance of this music have on Augsburg's religious culture?
These questions call for a new, cross-disciplinary approach to the
music history of this era, one which moves beyond traditional
accounts of the lives and works of composers, or histories of
polyphonic genres. Using a wide variety of archival and musical
documents, Alexander Fisher offers a holistic view of this musical
landscape, examining aspects of composition, circulation,
performance, and cultural meaning.
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