Focusing on Shakespeare's "Hamlet" as foremost a study of grief,
Alexander Welsh offers a powerful analysis of its protagonist as
the archetype of the modern hero. For over two centuries writers
and critics have viewed Hamlet's persona as a fascinating blend of
self-consciousness, guilt, and wit. Yet in order to understand more
deeply the modernity of this Shakespearean hero, Welsh first
situates "Hamlet" within the context of family and mourning as it
was presented in other revenge tragedies of Shakespeare's time.
Revenge, he maintains, appears as a function of mourning rather
than an end in itself. Welsh also reminds us that the mourning of a
son for his father may not always be sincere. This book relates the
problem of dubious mourning to Hamlet's ascendancy as an icon of
Western culture, which began late in the eighteenth century, a time
when the thinking of past generations--or fathers--represented to
many an obstacle to human progress.
Welsh reveals how Hamlet inspired some of the greatest
practitioners of modernity's quintessential literary form, the
novel. Goethe's "Wilhelm Meister's Apprenticeship," Scott's
"Redgauntlet," Dickens's "Great Expectations," Melville's "Pierre,"
and Joyce's "Ulysses" all enhance our understanding of the play
while illustrating a trend in which Hamlet ultimately becomes a
model of intense consciousness. Arguing that modern consciousness
mourns for the past, even as it pretends to be free of it, Welsh
offers a compelling explanation of why Hamlet remains marvelously
attractive to this day.
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