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The End of Japanese Cinema - Industrial Genres, National Times, and Media Ecologies (Hardcover)
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The End of Japanese Cinema - Industrial Genres, National Times, and Media Ecologies (Hardcover)
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In The End of Japanese Cinema Alexander Zahlten moves film theory
beyond the confines of film itself, attending to the emergence of
new kinds of aesthetics, politics, temporalities, and
understandings of film and media. He traces the evolution of a new
media ecology through deep historical analyses of the Japanese film
industry from the 1960s to the 2000s. Zahlten focuses on three
popular industrial genres: Pink Film (independently distributed
softcore pornographic films), Kadokawa (big-budget productions as
part of a transmedia strategy), and V-Cinema (direct-to-video
films). He examines the conditions of these films' production to
demonstrate how the media industry itself becomes part of the
politics of the media text and to highlight the complex negotiation
between media and politics, culture, and identity in Japan. Zahlten
points to a different history of film, one in which a once-powerful
film industry transformed into becoming only one component within a
complex media-mix ecology. In so doing, Zahlten opens new paths for
uncovering similar broad processes in other large media societies.
A Study of the Weatherhead East Asian Institute, Columbia
University
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