Through close readings of works from Henry James to W. E. B. Du
Bois, and from Virginia Woolf to Jean Rhys, this book discusses how
fictional travelers negotiate and adapt various tropes of travel
(such as quest, expatriation, displacement, and exile) as models
for their own journeys. Specifically, Peat considers the ethical
dimensions of modernist travel from two distinct vantages. The
first focuses on the relationship between the secular and the
sacred in modernist travel literature, arguing that the recurrent
narrative of secular travel is haunted by a desire for spiritual
transcendence. The second posits modernist travel fiction as a
potentially positive example of transcultural relations,
consciously arguing against the received notion that travel during
an imperial era is always by nature itself imperialist. Throughout,
particular attention is paid to the transnational nature of
modernism and the various global flows traced by modernist
literature.
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