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The Cinema of Stephanie Rothman - Radical Acts in Filmmaking (Paperback)
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The Cinema of Stephanie Rothman - Radical Acts in Filmmaking (Paperback)
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The rare woman director working in second-wave exploitation,
Stephanie Rothman (b. 1936) directed seven successful feature
films, served as the vice president of an independent film company,
and was the first woman to win the Directors Guild of America's
student filmmaking prize. Despite these career accomplishments,
Rothman retired into relative obscurity. In The Cinema of Stephanie
Rothman: Radical Acts in Filmmaking, author Alicia Kozma uses
Rothman's career as an in-depth case study, intertwining
historical, archival, industrial, and filmic analysis to grapple
with the past, present, and future of women's filmmaking labor in
Hollywood. Understanding second wave exploitation filmmaking as a
transitory space for the industrial development of contemporary
Hollywood that also opened up opportunities for women
practitioners, Kozma argues that understudied film production
cycles provide untapped spaces for discovering women's directorial
work. The professional career and filmography of Rothman exemplify
this claim. Rothman also serves as an apt example for connecting
the structure of film histories to the persistent strictures of
rhetorical language used to mark women filmmakers and their labor.
Kozma traces these imbrications across historical archives.
Adopting a diverse methodological approach, The Cinema of Stephanie
Rothman shines a needed spotlight on the problems and successes of
the memorialization of women's directorial labor, connecting
historical and contemporary patterns of gendered labor disparity in
the film industry. This book is simultaneously the first in-depth
scholarly consideration of Rothman, the debut of the most
substantive archival materials collected on Rothman, and a feminist
political intervention into the construction of film histories.
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