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Medieval Saints and Modern Screens - Divine Visions as Cinematic Experience (Hardcover, 0)
Loot Price: R3,861
Discovery Miles 38 610
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Medieval Saints and Modern Screens - Divine Visions as Cinematic Experience (Hardcover, 0)
Series: Knowledge Communities
Expected to ship within 12 - 17 working days
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This ground-breaking book brings theoretical perspectives from
twenty-first century media, film, and cultural studies to medieval
hagiography. Medieval Saints and Modern Screens stakes the claim
for a provocative new methodological intervention: consideration of
hagiography as media. More precisely, hagiography is most
productively understood as cinematic media. Medieval mystical
episodes are made intelligible to modern audiences through
reference to the filmic - the language, form, and lived experience
of cinema. Similarly, reference to the realm of the mystical
affords a means to express the disconcerting physical and emotional
effects of watching cinema. Moreover, cinematic spectatorship
affords, at times, a (more or less) secular experience of visionary
transcendence: an 'agape-ic encounter'. The medieval saint's
visions of God are but one pole of a spectrum of visual experience
which extends into our present multi-media moment. We too conjure
godly visions: on our smartphones, on the silver screen, and on our
TVs and laptops. This book places contemporary pop-culture media -
such as blockbuster movie The Dark Knight, Kim Kardashian West's
social media feeds, and the outputs of online role-players in
Second Life - in dialogue with a corpus of thirteenth-century Latin
biographies, 'Holy Women of Liege'. In these texts, holy women see
God, and see God often. Their experiences fundamentally orient
their life, and offer the women new routes to knowledge, agency,
and belonging. For the holy visionaries of Liege, as with us modern
'seers', visions are physically intimate, ideologically overloaded
spaces. Through theoretically informed close readings, Medieval
Saints and Modern Screens reveals the interconnection of decidedly
'old' media - medieval textualities - and artefacts of our 'new
media' ecology, which all serve as spaces in which altogether human
concerns are brought before the contemporary culture's eyes.
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